James Rollins - THE DEVIL COLONY

So realistic were the details that it seemed impossible to believe them to depict anything other than a real place. The steaming geothermal structures in the center certainly suggested that such a spot might be found within this park. Painter pictured the artist sitting in a field, meticulously working the metal to preserve an image of this place. If it was important enough to etch onto this canopic jar, it must represent a site sacred to the Tawtsee'untsaw Pootseev . Perhaps it was a view from their new refuge here in Yellowstone.

That's what Painter hoped.

By now, Kowalski had unpacked the cases Painter had ordered him to bring here. He set the disassembled pieces of the digital laser scanner on the table, next to all of the other computer equipment.

Painter glanced from Rafael to the scrawny computer tech. "Do you have all the satellite uplinks and parameters set on your end?"

"We do."

"Can your guy help me assemble and get it cabled in properly?"

Instead of addressing the tech, Rafael turned to the tall African woman. "Ashanda, perhaps you should oversee TJ's handiwork. We don't want to risk any mistakes." He drew Painter aside. "Let them do their magic."

Even with the use of only one hand and without speaking a single word, Ashanda orchestrated the assembly of the laser device, along with its calibration and integration into the workstation. Even Kai helped run some of the cabling, plainly needing to do something-though every jangle of the handcuffs drew a scared glance from her.

Within a few minutes, a window opened on one of the monitors, ready to accept data. The window ledger read LASER TECHNIQUES COMPANY, LLC. It was a company out of Bellevue, Washington, that worked with NASA, developing patented tools to detect erosion, pitting, scuffing, or cracking in metallic surfaces, covering a gamut of uses that included space-shuttle thrusters, military hardware, nuclear steam generator tubes, and underwater pipelines. The laser device could pick up and photograph minute changes in metal that the eye could easily miss.

Painter needed that precision now.

Ashanda turned and silently announced the completion of her work with a small bow of her head.

Is she mute? Painter wondered absently. But he could give the question no more attention than that. At the moment he had a more important puzzle to solve.

"Guess that's my cue," he said.

He stepped back to the table and switched on the laser mapping system. A bluish holographic cone glowed from the scanner's emitter. Painter positioned it until a set of crosshairs were fixed to the center of the golden landscape. Once this was done, he activated the scan.

Dark azure lines flowed up and down across the golden surface, then back and forth, absorbing every detail off the jar, from the tiniest wisp of steam to a minuscule pinecone hanging off the branch of a tree in the background.

On the computer monitor, the image formed-at first a static flat image, then, as the scan finished, it rendered out into an extrapolated 3-D view. A square slice of landscape, topographically accurate, spun slowly on the screen.

"Amazing," Rafael said.

"Let's see if it helps us." Painter moved to the computer keyboard, opened a data stream to a NASA technician in Houston, and sent the large file. Once it was received, the team in Houston would set about using the satellite data collected over the past hour and compare the real-world terrain of Yellowstone to this holographic image. With a bit of luck, they'd find a match.

"This may take a few minutes," Painter said.

Rafael stared at the golden jar and muttered. "Let's hope not too many minutes."

4:34 A.M.

Hank crouched beside the table, opposite from Painter and the Frenchman. He kept his gaze fixed on the canopic jar, feeling possessive about it, as he'd been the one who found the artifact down in the Anasazi's kiva. He imagined one of the Tawtsee'untsaw Pootseev devoutly inscribing this sacred object. Painter was right. It had to be important and could point them to the location of the lost city.

Hank also felt that the landscape was a significant clue. In fact, it nagged at him. There was something vaguely familiar about the picture, especially that small volcano in the center; he felt as if he'd seen it somewhere before, yet he'd never visited Yellowstone.

So how could that be? What am I forgetting?

Racking his memory, he finally gave up and turned his attention to the other mystery on the gold jar.

Leaning down, Hank studied the writing etched onto its opposite side, wondering again if he was gazing upon the letters of the language that the Book of Mormon described as reformed Egyptian . His linguist colleague back at BYU who had helped identify the writing on the gold plates had an equally fanciful name for this script: the alphabet of the Magi.

Hank studied the writing and considered the scribe who had etched the letters onto the jar ages ago. Were the Tawtsee'untsaw Pootseev some kind of scholarly sect, masters of a lost technology who had fled the Holy Lands centuries before Christ's birth? Did these fleeing Israelites- these Nephites -come to North America to preserve and protect their knowledge, some mix of Jewish mysticism and Egyptian science?

Oh, if only I could talk to one of them...

But maybe one of them was speaking to him now, through these flowing lines of proto-Hebrew. Still, Hank knew he would need help to understand the message he was receiving.

He straightened and interrupted Painter, who was in conversation with the Frenchman. It seemed as if the enemies had become colleagues. Still, Hank noted the nervous edge to Painter's mien, the quickness with which his fingers formed themselves into fists, the angry pinch to his eyes, the clipped manner of his speech. He imagined it was taking all of the man's control to keep from ripping Rafael's head from his shoulders. Hank also saw the raw wound in Painter's eyes, born of guilt and pain, whenever he looked in Kai's direction.

It was made worse by the waiting and tension.

Hank offered him something to do. "Painter, could we use your tool to take a photo of the writing on this side of the jar? I can send it to my colleague, the expert in ancient languages and linguistics. When I spoke to him last, he believed he might be able to help us translate it. Not the entire message, mind you. He thought he might be able to pick out a few words here and there, those bits that still bear some relation to modern Hebrew."

"At this point, I'll take any help I can. Even a single word could be the final key to solving this puzzle."

Hank was hanging back while Painter and the French team worked to get a copy uploaded to BYU when he accidentally bumped into the carrying case that had been used to transport the canopic jar.

Hmm...

Painter suddenly called out, drawing everyone's attention.

"NASA just sent word. We got a hit!"

June 1, 7:06 A.M.

Hohenwald, Tennessee

The sun had come up by the time they were able to off-load the backhoe from the flatbed. Gray trundled the earthmover across the empty parking lot of the Meriwether Lewis State Park. The recreation area lay about eighty miles south of Nashville along the Natchez Trace Parkway. At this hour, the park was still closed, and the gravesite they sought was well off the road, surrounded by thick forest.

If they moved quickly enough, they shouldn't be disturbed.

Earlier, Kat had cleared the way for this little bit of grave robbing by arranging permits for a bogus sewer repair job to cover their actions, along with renting the backhoe from a local heavy-equipment dealer in the nearby town of Hohenwald.