Justin Cronin - The Twelve

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The Twelve: краткое содержание, описание и аннотация

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The end of the world was only the beginning.
In his internationally bestselling and critically acclaimed novel
, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with…
In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.
One hundred years in the future, Amy and the others fight on for humankind’s salvation… unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.
A heart-stopping thriller rendered with masterful literary skill,
is a grand and gripping tale of sacrifice and survival.
Named one of the Ten Best Novels of the Year by
and
, and one of the Best Books of the Year by

e •


THE TWELVE
PRAISE FOR JUSTIN CRONIN’S
“Magnificent… Cronin has taken his literary gifts, and he has weaponized them…. The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”
—Time “Read this book and the ordinary world disappears.”
—Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.”
—The Dallas Morning News

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It had taken three days. Three glorious days.

Thus, his life and its dark investigations. Martínez had his reasons. He had his rationale. He had his particular method—the rag of spirits, the loyal cord and infinitely pliable duct tape, the dank, unseen compartments of dispatch. He chose low women, those lacking learning or culture, not because he despised them or secretly wanted them but because they were easy to ensnare. They were no match for his beautiful suits and movie-star hair and silken courtroom tongue. They were bodies without name or history or personality, and when the moment of transport approached, they offered no distraction. The timing was all, the orchestrated, simultaneous release. The old choir of sex and death singing.

A certain amount of practice had been required. There had been misfires. There had been, he was forced to admit, a certain amount of accidental comedy. The first one had died well but too soon, the second had kicked up such a ruckus that the whole thing had dissolved into farce, the third had wept so pitiably that he could hardly pay attention. But then: Louise. Louise, with her corny waitress uniform and sensible waitress shoes and unsexily supportive waitress hose. How beautifully she’d left her life! With what exquisite rapture in the taking! She was like a door opening into the great unknowable beyond, a portal into the infinite blackness of unbeing. He had been eradicated, pulverized; the winds of eternity had blown through him, beating him clean. It was everything he’d imagined and then some.

After that, frankly, he couldn’t get enough of it.

As for the highway patrolman, the universe was not without its ironies. It gave and took away. To wit: the Jag with a broken taillight, and Martínez with the woman’s bagged body in the trunk; the cop’s slow saunter toward the car, his hand resting manfully on the butt of his pistol, and the downward glide of the driver’s window; the patrolman’s face pressed close, sneering with bored righteousness, his lips saying the customary words— Sir, could I see …? —and never finishing. In the harried aftermath, Martínez had managed to dispose of the body in the trunk, his nighttime practices thus to remain forever unknown, unconnected to his fate. But a dead policeman by the side of the highway, everything recorded by his dashboard video camera, well. In the end, the only thing to do, as the saying went, was for the great Julio Martínez, Esq., champion of the unchampionable, defender of the loathsomely defenseless, to pour himself a glass of thirty-year-old single-malt and toss it over his tongue while the windows of the house twirled with the lights of justice and come out with his hands dutifully up.

Which, given the way things had worked out, hadn’t turned out to be such an unlucky turn of events, actually.

Martínez couldn’t say he cared much for his fellows. With the exception of Carter, who struck him as purely pitiable—the man didn’t even seem to know what he was or what he’d done; Martínez hadn’t heard so much as a squeak from the man in years—they were nothing more than common criminals, their deeds random and banal. Vehicular homicide. Armed robbery gone bad. Barroom shenanigans with a body on the floor. A century marinating in their own psychological waste had done nothing to improve them. Martínez’s existence was not without its irritating aspects. The never quite being alone. The endless hunger always needing to be filled. The ceaseless talk-talk-talk inside his head, not just his brothers but Zero, too. And Ignacio: there was a piece of work. The man was a litany of self-pitying excuses. I didn’t mean to do half those things. It’s just the way I was built . After a hundred years listening to the man’s whining, Martínez wouldn’t miss him one bit.

There had been something attractively berserk about Babcock, though. You had to hand it to the man for metaphor. Carving out his mother’s larynx with a kitchen knife; in another life, he surely would have been a poet. Over the decades, Martínez had mentally sat in that foul kitchen about a million times, and it was true: the woman would not shut up. There was a kind of person in this world who needed you to paint a picture, and Babcock’s mother was that kind.

And then one day Babcock was simply gone, his signal silenced, like a television station suddenly off the air. The corner of Martínez’s mind where Babcock stood, endlessly gouging out the gristly nubbin of his mother’s voice box, was empty. All of them knew what had happened; their collective, blood-borne existence ordained it. One of their brothers had fallen.

God bless and keep you, Giles Babcock. May you find in death the peace that eluded you in life, and what came after.

And so from Twelve, Eleven. A loss, a chink in the armor, but ultimately a matter of lesser concern in the vital period to come. It had been a good century, on the whole, for Julio Martínez. He recalled the early days with poignant fondness. The days of blood and mayhem and the great unleashing of his kind upon the earth. To kill was one thing, one glorious thing; to take was another. A banquet richer still in its satisfactions. From each one Martínez had taken a flavorful bite of soul, drawing them into the fold, expanding his dominion. His Many were not merely part of him, an extension of him; they were him. As he, Julio Martínez, was one of Twelve and the Zero also, concomitant and coextensive, united with one another and with the darkness in which they permanently dwelled.

Brothers, brothers, it is time. Brothers, brothers, the hour is at hand .

For it was inevitable; they had built a race of pure rapaciousness. Their Many, created to protect them, had devoured the earth like locusts, leaving nothing in their wake. Feast had yielded to famine, summer’s bounty to winter’s scarcity; they would need a home, a zone of protection, of rest. To dream their dreams. To dream of Louise.

My brothers, your new home is waiting. They will bow before you; you will live as kings .

Martínez liked the sound of that.

He discarded them without ceremony. His Many, millions-fold. He called them together from all the hidden places and said to them: Die . Dawn was reaching its red-fingered hand over the horizon. They pointed their faces blindly toward it. They showed no hesitation; all that he commanded, so did they. The sun was moving toward them like a blade of light over the earth. Lie down, my sons and daughters; lie down in the sun and die .

There followed a certain amount of screaming.

Night by night he made his way east, across the exhausted land. His instincts were acute. The world rippled with sensuousness, caressing him with its sounds and smells. The grass. The wind. The subtlest movements of trees. He lingered, tasting all. He had been away too long. He called to his fellows, their voices threading with darkness as they made their way from every corner to the place of their renewal.

—We are Morrison-Chávez-Baffes-Turrell-Winston-Sosa-Echols-Lambright-Martínez-Reinhardt-Carter. Eleven of Twelve, one brother lost.

And Zero replied in kind:

Oh, my brothers, my pain is as great as your own. But you will be Twelve again. For I have made another, one to watch and keep you in your place of rest .

—Who? they asked, each as one and then together. —Who is the other you have made?

And Zero spoke from out of the darkness:

Our sister .

VI. THE INSURGENT

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