Justin Cronin - The Twelve

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The Twelve: краткое содержание, описание и аннотация

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The end of the world was only the beginning.
In his internationally bestselling and critically acclaimed novel
, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with…
In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.
One hundred years in the future, Amy and the others fight on for humankind’s salvation… unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.
A heart-stopping thriller rendered with masterful literary skill,
is a grand and gripping tale of sacrifice and survival.
Named one of the Ten Best Novels of the Year by
and
, and one of the Best Books of the Year by

e •


THE TWELVE
PRAISE FOR JUSTIN CRONIN’S
“Magnificent… Cronin has taken his literary gifts, and he has weaponized them…. The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”
—Time “Read this book and the ordinary world disappears.”
—Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.”
—The Dallas Morning News

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The burning road tie crashed to the ground a few feet from his head. As Peter rolled away he felt someone’s hands upon him, and suddenly he was on his feet again; Michael was pulling him toward the Humvee.

“Back up!” One arm wrapping Peter’s waist, Michael was yelling into the walkie. “Everybody back up now!”

Lights were blazing at them from all directions. Before Peter could fully process the information, a pickup barreled out of the brush, its great mud-choked tires bounding over the ditch. It swerved to a halt before them, angled sideways. Four figures rose like dark apparitions from the truck’s bed, simultaneously raising long, cylindrical objects to their shoulders.

“Oh, shit,” said Michael.

They flung themselves to the ground as the rockets, in a white burst, jetted from their tubes. Behind them, the sound of gunfire was instantly swallowed by the DS vehicles’ detonation. Flaming debris whizzed over their heads.

“Ceps,” Michael barked into the walkie, “get out of there!”

The figures in the truck had paused to reload. Ceps’s tanker would be next. Peter reached for his sidearm, but it was gone; he’d lost it in the first explosion. From the rear of the convoy came another tremendous bang. The oilers were leaping from their trucks, running, shouting. The attack was coming from both ends of the convoy now. They were trapped between the river and whatever was approaching from the rear, presumably more pickups with RPGs. Their fuel was forfeit, the only thing to do was run. Peter and Michael broke for the first tanker just as Ceps leapt down from the cab, tossing Peter a rifle. He snatched it from the air, swung around, took aim at the pickup, and released a barrage of strafing fire, sending the figures diving for cover. He’d bought them a moment, but that was all. Michael grabbed Lore by the wrist as she emerged from her cab and swung her to the ground. He was shouting, waving toward the rear of the convoy. “Get away from the trucks!”

The apparitional figures rose again. One clean shot at the first tanker and it would all be over. Three thousand gallons per truck, thirty-six thousand gallons in all. The entire convoy would go up, detonating like sticks of dynamite in a line. Peter realized that one of the figures was the cloaked woman. He lifted his rifle again and squeezed the trigger, only to hear the click of an empty chamber.

The woman raised her arms and spread them wide.

At the tail end of the convoy, an altogether different sort of vehicle had appeared. It swooped upon them at high speed, engine roaring, banks of sodium vapor lights blazing from the roof of its cab. A six-wheeled semi-tractor: daisy-chained behind it were two large cargo boxes constructed of galvanized metal buffed to a highly reflective finish. In the weeks to come, this curious aspect—it resembled nothing so much as two mirrored boxes rolling down the highway—would emerge as a matter of significance, a clue in a sequence of clues; but at the moment of the truck’s air-braking descent upon the scene, no one paid that much attention. Some of the fleeing oilers, their panicked brains washed clean of logic, and failing to notice that the smaller vehicles that had taken out the rear guard had conveniently vanished into the undergrowth, even permitted themselves the hope of rescue. They were under attack. The attack, mercilessly discombobulating, had come from nowhere. The containers, in their fortified appearance and shining bulk, resembled portables.

Which they were. Though toting a cargo of an altogether different kind.

One to see this was OFC Juan Sweeting. Despite his off-putting manner and intimidating muscularity, Ceps was a man with the soul of a poet. Alone in his rack at the end of each day, he privately put pen to paper, rendering his deepest thoughts in lines of uncommon sensitivity and verbal music. Despite the trials of his life, he steadfastly believed the world to be a beautiful, God-touched place worthy of human hopefulness; he wrote a great deal about the sea, whose companionship he treasured. Though he had never shown anyone these poems, they formed the heart of his life, like a secret lover. Sometimes, scraping oily gunk from a cooker or hurling a bulk of iron above his head in the weight cages, Ceps was so inflamed by the desire to write a poem that it was all he could do not to abandon his task and race back to his rack to celebrate the magnificence of creation.

The arrival of the gleamingly reflective semitruck coincided with his blossoming suspicion, like Peter’s, that not all was as it appeared. Indeed, nothing about the attack made sense. Why would human beings prey upon one another in this manner? Did they not possess a common foe? Why destroy an energy source that maintained the very existence of their species? The idea taking shape in his mind was the correct one, that their attackers were not in league with their own kind, and as the first of the two shining compartments released its cargo, his suspicions became certainty. But by then it was too late; it had always been too late.

The virals swarmed over the convoy. There were hundreds. But in the moment that followed, Ceps realized that the virals were not, in fact, killing everyone. Some were set upon with merciless, blood-splashing swiftness, but others were snatched bodily, flailing and screaming as the virals seized them around their waists and leapt away.

A far worse fate, to be taken. To be taken up.

He made a quick decision.

The semi had come to a halt less than twenty yards from the last tanker in the line. Ceps had seen a tanker blow before. The destruction was instant and total, a great fiery wallop, but in the preceding tenth of a second something interesting occurred. Seeking the weakest point in the structure, the expanding fuel sent the tanker’s end plates shooting horizontally like corks from a bottle. In essence, an exploding tanker truck was a gun before it was a bomb. Ceps had reached the last tanker now. The silver truck was parked twenty yards straight behind him, well within range. With his massive arms, Ceps unscrewed the cap of the offload port and opened the valve. Gasoline spouted from the pipe in a glistening gush. He stood in this current, soaking his clothes. He filled his hands and splashed his hair. This ravishing world, he thought, his senses filling with the smell of fuel, like bottled fire. This achingly bittersweet, ravishing world. Perhaps someone would find his sheaf of poems tucked beneath his mattress and read in its pages the hidden truths of his heart. The words of a poem he loved came back to him. Emily Dickinson: a boy of eight, he had found a book of her poems in the Kerrville Library, in a room nobody ever went to. Because it seemed no one had any use for it, and in a state of anthropomorphic sympathy for its loneliness on the shelf, Ceps had tucked it into his coat and stolen off to an alleyway, where, sitting on an ash can, he’d discovered a voice long gone from the earth, that seemed to strike straight to his most secret self. Now, standing in the path of the gushing port, he closed his eyes to let its words, etched in memory, pass through him one last time:

Beauty crowds me till I die

Beauty, mercy have on me

But if I expire today

Let it be in sight of thee—

He removed his lighter from his pocket and flicked it open to balance his thumb upon its flinted wheel.

A hundred yards away, in the cab of the third tanker, Peter was attempting to put the thing in gear. The knob, its markings long since worn off, told him nothing. Each attempt was met with a grinding sound.

“Move over.”

The door swung open and Lore scrambled in, Michael following. Peter slid across the bench to let him take the wheel.

“Our plan is?” Michael asked.

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