Justin Cronin - The Twelve

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The Twelve: краткое содержание, описание и аннотация

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The end of the world was only the beginning.
In his internationally bestselling and critically acclaimed novel
, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with…
In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.
One hundred years in the future, Amy and the others fight on for humankind’s salvation… unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.
A heart-stopping thriller rendered with masterful literary skill,
is a grand and gripping tale of sacrifice and survival.
Named one of the Ten Best Novels of the Year by
and
, and one of the Best Books of the Year by

e •


THE TWELVE
PRAISE FOR JUSTIN CRONIN’S
“Magnificent… Cronin has taken his literary gifts, and he has weaponized them…. The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”
—Time “Read this book and the ordinary world disappears.”
—Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.”
—The Dallas Morning News

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Grey had almost talked his way into sleep when the silence was cut by an animal yelp. He lurched upright on the couch, shaking off his disorientation; the sound had come from outside. He hurried to the window.

That was when he remembered Iggy’s gun. He’d been so distracted, he’d left it at the Home Depot. How could he have been so dumb?

He pressed his face to the glass. A dog-sized hump was lying in the middle of the street. It didn’t seem to be moving. Grey waited a moment, his breath suspended. A pale shape bounded through the treetops, the image fading, then gone.

Grey knew he wouldn’t shut his eyes all night. But it didn’t matter. Upstairs Lila slept, dreaming of a world that was no more, while outside the walls of the house, a monstrous evil lurked—an evil Grey was part of. His mind returned to the scene in the kitchen, and the image of Lila, standing at the sink, desperate tears flowing down her cheeks, her fists clenched with rage. I can’t lose her again, I can’t .

He would stand guard at the window till morning, and then, come sunrise, get them the hell out of here.

Lila Kyle was brooding in the dark.

She’d heard the yelp from outside. A dog, she thought; something had happened to a dog. Some thoughtless motorist, speeding down the street? Surely that was what had happened. People should be more careful with their pets.

Don’t think, she told herself. Don’t think don’t think don’t think.

Lila wondered what it would be like, being a dog. She could see how there might be some advantages. A purely thoughtless existence, nothing on one’s mind but the next pat on the head, a walk around the block, the sensation of food in one’s belly. Probably Roscoe (because it was Roscoe she had heard; poor Roscoe) hadn’t even known what was happening to him. Maybe a little bit, at the end. One minute he was snuffling down the street, searching for something to eat—Lila recalled the floppy thing she’d seen in his mouth that morning, instantly pushing this unpleasant memory aside—and the next: well, there was no next. Roscoe was sailing into oblivion.

And now there was this man. This Lawrence Grey. About whom, Lila realized, she knew exactly nothing. He was a janitor. He cleaned. What did he clean? Probably David would have a conniption if he knew she’d let a total stranger into the house. She would have liked to see the look on David’s face. Lila supposed it was possible she’d misjudged the man, this Lawrence Grey, but she didn’t think so. She’d always been a good judge of character. Granted, Lawrence had said some disturbing things in the kitchen— very disturbing. About the lights being out and people missing and all the rest. (Dead, dead, everyone was dead.) He’d certainly gotten her upset. But to be fair, he’d done a wonderful job with the nursery, and she could tell just by looking at him that his heart was in the right place. Which was another of her father’s favorite expressions. What did it mean, exactly? Could the heart be anywhere else? Daddy, I’m a doctor, she’d told him once, laughing; I can tell you for a fact, the heart is where it is.

Lila heard herself sigh. Such an effort, just to keep everything straight in her mind. Because that was what you had to do; you had to look at things in a certain light and no other, and no matter what happened, you couldn’t break your gaze away. The world could overwhelm you otherwise, it could drown you like a wave, and then where would you be? The house itself was nothing she would miss; she had secretly hated it from the moment she’d stepped inside, its show-offy dimensions and too-many rooms and gaseous yellow light. It wasn’t at all like the one that she and Brad had lived in on Maribel Street—snug, homey, full of the things they’d loved—but how could it be? What was a house but the life it contained? This pompous monstrosity, this museum of nothing. It had been David’s idea, of course. The House of David: wasn’t that something from the Bible? The Bible was full of houses, the house of so-and-so and the house of such-and-such. Lila remembered being a little girl, snuggled up on the sofa to watch A Charlie Brown Christmas —she’d loved Snoopy almost as much as Peter Rabbit—and the moment when Linus, the smart one, the one who was really just a man pretending to be a boy with his blanket, stepped downstage to tell Charlie Brown what Christmas was all about. And there were in that same country shepherds abiding in the field, keeping watch over their flocks by night. And lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them, and they were sore afraid. And the angel said unto them, Fear not, for behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Savior, which is Christ the Lord .

City of David, House of David.

But the baby, Lila thought. The baby was where her thoughts belonged. Not with the house, or noises from outside (there were monsters), or David not coming home (dead David), or any of the rest. All the literature had clearly shown, indisputably shown, that negative emotions affected the fetus. It thought as you thought, it felt as you felt, and if you were frightened all the time, what then? Those upsetting things Lawrence had said in the kitchen: the man meant well, he was only trying to do what he thought was best for her and Eva (Eva?), but did these things have to be true, simply because he’d said them? They were theories . They were just his opinions . Which wasn’t to say she disagreed. Probably it was time to go. It had gotten awfully quiet around this place. (Poor Roscoe.) If Brad were here, that’s what he would have said to her. Lila, it’s time to go.

Because sometimes, lots of times, all the time, it felt to Lila Kyle as if the baby growing inside her wasn’t somebody new, a whole new person. Since the morning she’d squatted on the toilet with the plastic wand between her thighs, watching in mute wonderment as the little blue cross appeared, the idea had taken root. The baby wasn’t a new Eva, or a different Eva, or a replacement Eva: she was Eva, their own little girl, come home. It was as if the world had righted itself, the cosmic mistake of Eva’s death undone.

She wanted to tell Brad about it. More than wanted: his name produced a longing so powerful it brought tears to her eyes. She hadn’t meant to marry David! Why had Lila married David—sanctimonious, overbearing, eternally do-gooding David—when she was already married to Brad? Especially now, with Eva on the way, coming to make them a family again?

Lila still loved him; that was the thing. That was the sad and sorrowful mystery of it all. She’d never stopped loving Brad, nor he her, not for a second, even when their love was too much pain for either to carry, because their little girl was gone. They had parted as a way to forget, neither being able to accomplish this in the company of the other—a sad, inevitable sundering, like the primordial separation of continents. Until the very end they’d fought it. The night before he’d moved out, his suitcases in the hall of the house on Maribel Street, the lawyers properly apprised, so many tears having been shed that no one even knew what they were crying about anymore—a condition as general as the weather, a world of everlasting tears—he’d come to her in the bedroom he had long since vacated, slid beneath the covers, and for a single hour they’d been a couple again, silently moving together, their bodies still wanting what their hearts could no longer bear. Not a word had passed between them; in the morning Lila awoke alone.

But now all of that had changed. Eva was coming! Eva was practically here! She would write Brad a letter; that’s what Lila would do. Surely he was going to come look for her, it was just the kind of man he was, you could always count on Brad when things went to hell in a handbasket, and how would it be for him to find she wasn’t there? Her spirits restored by this decision, Lila crept to the little desk under the windows, fumbling in the drawer for a pencil and a sheet of notebook paper. Now, what words to choose? I am going away. I don’t know quite where. Wait for me, my darling. I love you. Eva will be here soon . Simple and clear, elegantly capturing the essence of the thing. Satisfied, she folded the paper into thirds, slid it into an envelope, wrote “Brad” on the outside, and propped it on the desk so she would see it in the morning.

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