Justin Cronin - The Twelve

She looked at him skeptically. “Why would I want to paint it white?”

“They say white goes with anything, right?” For the love of God, listen to him; he sounded like one of those fags on TV. “You can do anything with white. Maybe add something else with color in the room. The curtains and stuff.”

She hesitated. “I don’t know. White does seem a little plain. On the other hand, I did want to get the painting done today.”

“Exactly,” Grey said, and did his best to smile. “That’s just what I’m saying. You can paint it white, then figure out the rest when you see how it looks. That’s what I’d recommend.”

“And white does go with anything. You’re correct about that.”

“You said it was a nursery, right? So maybe later you could add a border, to jazz it up a little. You know, like bunnies or something.”

“Bunnies, you say?”

Grey swallowed. Where had that come from? Bunnies were the glow-sticks’ all-time favorite food. He’d watched Zero gobble them down by the cartload.

“Sure,” he managed. “Everybody likes bunnies.”

He could see the idea taking hold of her. Which raised another question. Assuming the woman agreed to leave, what then? He could hardly let her go off on her own. He also wondered just how pregnant she was. Five months? Six? He wasn’t a good judge of these things.

“Well, I think you really may have something there,” the woman said with a nod from her fine-boned chin. “We really seem to be on the same wavelength, Mr. Grey.”

“It’s Lawrence,” he said.

Smiling, she held out her hand. “Call me Lila.”

It wasn’t until he was sitting in the woman’s Volvo—Lila had actually left a wad of cash at one of the registers, with a note promising to return—that Grey realized that somewhere between his carrying the cans to the car and loading them into the cargo area, she had successfully maneuvered him into agreeing to paint the nursery. He didn’t recall actually doing this; it just kind of happened, and the next thing he knew they were driving away, the woman steering the Volvo through the abandoned city, past wrecked cars and bloated bodies, overturned Army trucks and the still-smoking rubble of gutted apartment complexes. “Really,” she remarked, guiding the station wagon around the burned-out hulk of a FedEx delivery truck with barely a glance, “you’d think people would have the sense to call a wrecker and not just leave their cars sitting in the road.” She also chattered on about the nursery (he’d hit pay dirt with the bunnies), tucking in more snide asides about David, who Grey figured was her husband. Grey guessed the man had gone off somewhere, leaving her alone in her house. Based on the things he’d seen, it seemed likely he’d gotten himself killed. Maybe the woman had been crazy before, but Grey didn’t think so. Something bad had happened to her, really bad. There was a name for this, he knew. Post-traumatic something. Basically the woman knew but didn’t know, and her mind, in its terrified state, was protecting her from the truth—a truth that, sooner or later, Grey would have to tell her.

They arrived at the house, a big brick Tudor that seemed to soar above the street. He’d already guessed the woman was well-off from the way she’d spoken to him, but this was something else. Grey retrieved the supplies from the Volvo’s cargo area—in addition to the paint, she’d selected a package of rollers, a tray, and an assortment of brushes—and mounted the steps. At the front door, Lila fumbled with her keys.

“Now, this always sticks a little.”

She shouldered the door open to a wash of stale air. Grey followed her into the foyer. He had expected the interior of the house to be like something in a castle, all heavy drapes and overstuffed furniture and dripping chandeliers, but it was the opposite, more like some kind of office than a place people actually lived. To his left, a wide arch led to the dining room, which was occupied by a long glass table and some uncomfortable-looking chairs; to the right was the living room, a barren expanse interrupted only by a low-slung couch and a large black piano. For a moment Grey just stood there, dumbly holding the cans of paint, trying to put his thoughts together. He smelled something, too—a pungent whiff of old garbage coming from deep within the house.

As the silence deepened, Grey scrambled for something to say. “Do you play?” he asked.

Lila was depositing her purse and keys on the little table by the door. “Play what?”

Grey gestured at the piano. She swiveled her head to look at the instrument, seeming vaguely startled.

“No,” she answered with a frown. “That was David’s idea. A little pretentious, if you ask me.”

She led him up the stairs, the air thickening as they made their ascent. Grey followed her to the end of the carpeted hall.

“Here we are,” she announced.

The room felt disproportionately snug, considering the dimensions of the house. A ladder stood in one corner, and the floor was covered by a plastic drop cloth taped to the baseboards; a roller sat in a tray of paint, hardening in the heat. Grey moved farther in. The room’s original tone had been a neutral cream, but someone—Lila, he guessed—had rolled broad, haphazard stripes of yellow up and down the walls, following no organized pattern. It would take him three coats just to cover it.

Lila was standing in the doorway with her hands on her hips. “It’s probably pretty obvious,” she said with a wince, “I’m not much of a painter. Certainly not a professional such as yourself.”

This again, Grey thought. But as long as he’d decided to play along, he saw no reason to disabuse her of the notion that he knew what he was doing.

“Do you need anything else before you get started?”

“I guess not,” Grey managed.

She yawned into her hand. A sudden weariness seemed to have overcome her, as if she were a slowly deflating balloon. “Then I suppose I’ll leave you to it. I’m going to get off my feet for a bit.”

With these words, she left him alone. Grey heard the snap of a door closing down the hall. Well, wasn’t this the damnedest thing, he thought. Painting a baby’s room in some rich lady’s house certainly wasn’t anything he’d imagined himself doing when he’d woken up at the Red Roof. He listened for more sounds from her but heard nothing. Maybe the funniest thing of all was that Grey didn’t mind, not really. The woman was as nutty as they came, and not a little bossy. But it wasn’t as if he’d deceived her about who he was, since she’d never even asked. It felt good to be trusted by someone, even if he didn’t deserve it.

He retrieved his supplies from the foyer and got to work. Painting wasn’t anything he’d ever done much of, but it was hardly rocket science, and he quickly settled into its rhythms, his mind a pleasant blank. He could almost forget about waking up at the Red Roof, and Zero and Richards and the Chalet and all the rest. An hour passed, and then another; he was cutting in the edges along the ceiling when Lila appeared in the doorway, bearing a tray with a sandwich and a glass of water. She had changed into a high-waisted denim maternity dress that, despite its roominess, made her appear even more pregnant.

“I hope you like tuna.”

He climbed off the ladder to receive the tray. The bread was covered with furry green mold; there was a smell of rancid mayonnaise. Grey’s stomach flipped.

“Maybe later,” he stammered. “I want to do a second coat first.”

Lila said nothing more about this, instead stepping back to look around the room. “I have to say, this really looks better. So much better. I don’t know why I didn’t think of white before.” She pointed her eyes at Grey again. “I hope you don’t think me too forward, Lawrence, and I don’t want to assume anything, but you don’t by chance need a place to stay the night?”