Justin Cronin - The Twelve

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The Twelve: краткое содержание, описание и аннотация

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The end of the world was only the beginning.
In his internationally bestselling and critically acclaimed novel
, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with…
In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.
One hundred years in the future, Amy and the others fight on for humankind’s salvation… unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.
A heart-stopping thriller rendered with masterful literary skill,
is a grand and gripping tale of sacrifice and survival.
Named one of the Ten Best Novels of the Year by
and
, and one of the Best Books of the Year by

e •


THE TWELVE
PRAISE FOR JUSTIN CRONIN’S
“Magnificent… Cronin has taken his literary gifts, and he has weaponized them…. The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”
—Time “Read this book and the ordinary world disappears.”
—Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.”
—The Dallas Morning News

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46 Houston The liquefied city drowned by the sea The great urban quagmire - фото 60

46

Houston.

The liquefied city, drowned by the sea. The great urban quagmire, none but its skyscrapered heart left standing. Hurricanes, drenching tropical rains, the unchecked slide of a continent’s waters seeking final escape to the Gulf: for a hundred years the tides had come and gone, filling the lowlands, carving out grimy bayous and contaminated deltas, erasing all.

They were ten miles from the city’s central core. The last days of travel had been a game of hopscotch, seeking out the dry places and segments of passable roadway, hacking their way through thickets of spiny, insect-infested vegetation. In these quarters, nature unveiled its true malevolent purpose: everything here wanted to sting you, swarm you, bite you. The air creaked with its saturated weight and miasma of rot. The trees, gnarled like grasping hands, seemed like something from another age entirely. They seemed positively made up. Who would invent such trees?

Darkness came on with a chemically yellowish dimming. The trip had compacted to a crawl. Even Amy had begun to show her irritation. Her signs of illness had not abated; rather, the opposite. When she thought Greer wasn’t looking, he caught her pressing her palms to her stomach, exhaling with slow pain. They quartered that night on the top floor of a house that seemed outrageous in its ruined opulence: dripping chandeliers, rooms the size of auditoriums, all of it spattered with a black, off-gassing mold. A brown line three feet above the marble floor circumscribed the walls where floodwaters had once risen. In the massive bedroom where they took shelter, Greer opened the windows to clear the air of the ammonic stench: below him, in the vine-clotted yard, lay a swimming pool full of goo.

All night long, Greer could hear the dopeys moving in the trees outside. They vaulted from limb to limb, like great apes. He listened to them rustling through the foliage, followed by the sharp animal cries of rats and squirrels and other small creatures meeting their demise. Amy’s injunction notwithstanding, he dozed fitfully, pistol in hand. Just remember. Carter’s one of us . He prayed it was true.

Amy was no better in the morning.

“We should wait,” he said.

Even standing seemed to take all the strength she could muster. She made no effort to hide her discomfort, gripping the flat of her belly, her head bowed in pain. He could see the spasms shuddering her abdomen as the cramps moved through her.

“We go,” she said, speaking through gritted teeth.

They continued east. The skyscrapers of downtown emerged in their particularity. Some had collapsed, the clay soil having expanded and contracted over the years to pulverize their foundations; others reclined against each other like drunks stumbling home from a bar. Amy and Greer traced a narrow spit of sand between weed-choked bayous. The sun was high and bright. Seaborne wreckage had begun to appear: boats, and parts of boats, splayed on their sides in the shallows as if in a swoon of exhaustion. When they reached the place where the land ended, Greer dismounted, retrieved the binoculars from his saddlebag, and pointed them across the stained waters. Dead ahead, wedged against a skyscraper, lay a vast ship, hard aground. Her stern rose impossibly high in the air, massive propellers visible above the waterline. On it was written the vessel’s name, dripping with rust: CHEVRON MARINER.

“That’s where we’ll find him,” said Amy.

There was no dry path across; they would have to find a boat. Luck favored them. After backtracking a quarter mile, they discovered an aluminum rowboat overturned in the weeds. The bottom appeared sound, the rivets tight. Greer dragged it to the lagoon’s edge and set it afloat. When it failed to sink, he helped Amy down from her mount.

“What about the horses?” he asked her.

Her face was a mask of barely bottled pain. “We should be back before dark, I think.”

He stabilized the craft as Amy boarded, then lowered himself onto the middle bench. A flat board served as a paddle. Seated in the stern, Amy had been reduced to cargo. Her eyes were closed, her hands wrapped her waist, sweat dripping from her brow. She made no sound, though Greer suspected her silence was for his benefit. As the distance narrowed, the ship expanded to mind-boggling dimensions. Its rusted sides loomed hundreds of feet over the lagoon. It was listing to one side; the surrounding water was black with oil. Greer paddled their craft into the lobby of the adjacent building and brought them to rest beside a bank of motionless escalators.

“Lucius, I think I’m going to need your help.”

He assisted her from the boat and up the nearest escalator, supporting her by the waist. They found themselves in an atrium with several elevators and walls of smoked glass. ONE ALLEN CENTER a sign read, with a directory of offices beneath. The ascent that lay ahead would be serious; they’d need to climb ten stories at least.

“Can you make it?” Greer asked.

Amy bit her lip and nodded.

They followed the sign for the stairs. Greer lit a torch, gripped her at the waist again, and began to climb. The trapped air of the stairwell was poisonous with mold; every few floors they were forced to step out just to clear their lungs. At the twelfth floor, they stopped.

“I think we’re high enough,” said Greer.

From the sealed windows of a book-lined office they looked down on the tanker’s decking, wedged hard against the building ten feet below. An easy drop. Greer took the desk chair, hoisted it over his head, and flung it through the window.

He turned to look at Amy.

She was studying her hand, holding it before her like a cup. A bright red fluid filled her palm. It was then that Greer noticed the stain on her tunic. More blood was trickling down her legs.

“Amy—”

She met his eye. “You’re tired.”

It was like being wrapped in an infinite softness. A blanketing, whole-body sleep.

“Oh, damn,” he said, already gone, and folded to the floor.

47 Peter and the others entered San Antonio on Highway 90 It was early - фото 61

47

Peter and the others entered San Antonio on Highway 90. It was early morning; they had passed the first night in a hardbox in the city’s outer ring of suburbs, a sprawl of collapsed and scoured houses. The room lay beneath a police station, with a fortified ramp at the rear. Not a DS hardbox, Hollis explained; one of Tifty’s. It was larger than the hardboxes Peter had seen, though no less crude—just a stuffy room with bunks and a garage bay where a fat-tired pickup awaited, cans of fuel in the bed. Crates and metal military lockers were stacked along the walls. What’s in these? Michael asked, to which Hollis said, one eyebrow raised, I don’t know, Michael. What do you think?

They drove out at first light beneath a heavy sky, Hollis at the wheel beside Peter, Michael and Lore riding in the truck’s bed. Much of the city had burned in the days of the epidemic; little remained of the central core save for a handful of the taller buildings, which stood with forlorn austerity against the backdrop of bleached hills, their scorched facades telegraphing the blackened and collapsed interiors where an army of dopeys now dozed the day away. “Just dopeys,” people always said, though the truth was the truth: a viral was a viral.

Peter was waiting for Hollis to turn off, to take them north or south, but instead he drove them into the heart of town, leaving the highway for narrow surface streets. The way had been cleared, cars and trucks hauled to the sides of the roadway. As the shadows of the buildings engulfed the truck, Hollis slid the cab’s rear window open. “You better weapon up,” he cautioned Michael and Lore. “You’ll want to watch yourself through here.”

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