Justin Cronin - The Twelve

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The Twelve: краткое содержание, описание и аннотация

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The end of the world was only the beginning.
In his internationally bestselling and critically acclaimed novel
, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with…
In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.
One hundred years in the future, Amy and the others fight on for humankind’s salvation… unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.
A heart-stopping thriller rendered with masterful literary skill,
is a grand and gripping tale of sacrifice and survival.
Named one of the Ten Best Novels of the Year by
and
, and one of the Best Books of the Year by

e •


THE TWELVE
PRAISE FOR JUSTIN CRONIN’S
“Magnificent… Cronin has taken his literary gifts, and he has weaponized them…. The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”
—Time “Read this book and the ordinary world disappears.”
—Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.”
—The Dallas Morning News

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“Come.”

The office’s occupant was bent forward over a stack of papers on his desk, scribbling with a fountain pen. A muted winter light filtered through the draped windows behind him. A moment passed; then he looked up.

“Dani, is it?”

Sara nodded.

The redeye shifted his gaze to Vale. “Wait outside, please.”

The door clicked shut. Wilkes rocked back in his chair. An air of weariness radiated from him. He pulled a sheet of paper from the pile and looked it over.

“The dairy barns. That was where you worked?”

“Yes, Deputy Director.”

“And you have no immediate family.”

“No, Deputy Director.”

Wilkes returned his attention to the page on his desktop. “Well, it seems this is your lucky day. You’re to be Lila’s companion. Does the name mean anything to you?”

Sara meekly shook her head.

“Heard rumors, perhaps? We have no illusions that security isn’t always what it could be. You can tell me if you have.”

With monumental effort, she forced herself to look him in the eye. “No, I haven’t heard anything.”

Wilkes let a moment pass before continuing. “Well. Suffice it to say that Lila is one of a kind. The job is pretty straightforward. Basically, do whatever she asks. You will find she can be—how do I put this? Unpredictable. Some of the things she asks of you will seem odd. Think you’re up to this?”

She returned a crisp nod. “Yes, sir.”

“The one thing you must do is get her to eat. This takes some coaxing. She can be extremely stubborn.”

“You can count on me, Deputy Director.”

He leaned back in his chair again, folding his hands in his lap. “You will find life in the Dome much more comfortable than the flatland. Three square meals a day. Hot water for bathing. Very little will be asked of you other than the duties I’ve described. If you do a good job, there’s no reason you can’t enjoy our largesse for years to come. One last matter. How are you with children?”

“Children, sir?”

“Yes. Do you like them? Get on with them? Personally, I find them rather trying.”

Sara felt a familiar pang. “Yes, Deputy Director. I like them fine.”

She waited for further explanation from Wilkes, but none was evidently forthcoming. He inspected her for another few seconds from across his desk, then picked up the telephone.

“Tell them we’re on the way.”

* * *

Roughly an hour later, Sara found herself garbed in an attendant’s robe, standing at the threshold of a room so sumptuously decorated that its volume of detail was difficult to absorb. Heavy drapes were drawn over the windows; the only sources of light were several large silver candelabras positioned around the room. Gradually the scene came into focus. The sheer volume of furniture and bric-a-brac made it seem less like a place where someone lived than a storage room of miscellaneous objects. A voluminous sofa covered in fat, tasseled pillows, as well as a pair of equally overstuffed chairs, stood to one side, facing a low square table of polished wood, its surface piled with books. More pillows of various colors were scattered on the floor, which was dressed by an ornately patterned rug. The walls were covered with oil paintings in heavy gilt frames—landscapes, pictures of horses and dogs, as well as a great many portraits of women and their children in curious costumes, the images possessing a disturbing half reality. One in particular caught Sara’s attention: a woman in a blue dress and an orange hat, sitting in a garden beside a little girl. She moved toward it to have a closer look. A small plaque at the bottom of the frame read, “Pierre-Auguste Renoir, On the Terrace , 1881.”

“Well, there you are. It’s about time they sent someone.”

Sara pivoted. A woman, arms folded over her chest, was standing in the bedroom doorway. She was both more and less than the image Sara had assembled from the things Vale and Wilkes had said. The person she had envisioned was at the very least a substantial presence, but the figure before her appeared quite frail. She was perhaps as old as sixty. Deep fissures lined her face, cutting borders between its various regions; crescents of drooping skin hung like hammocks beneath her watery eyes. Her lips were so pale they were practically nonexistent, like ghost lips. She was wearing a shimmering robe of some thin, shiny fabric, a thick towel encircling her head like a turban.

“¿Hablas inglés?”

Sara stared dumbly, unable to formulate a reply to this incomprehensible question.

“Do … you … speak … English?”

“Yes,” Sara stated. “I speak English.”

The woman gave a little start. “Oh. So you do. I have to say, that’s a surprise. How many times have I asked the service to send somebody who spoke even a little English? I don’t even want to tell you.” She made a distracted gesture with her hands. “I’m sorry, your name again?”

Never mind that she hadn’t told her to begin with. “It’s Dani.”

“Dani,” the woman repeated. “Where are you from, exactly?”

The most general answer seemed the wisest. “I’m from here.”

“Of course you’re from here . I meant originally . Your tribe. Your people. Your clan.” Another agitated flutter of her hands. “You know. Your familia .”

With each exchange, Sara felt herself being pulled deeper into the quicksand of the woman’s oddness. Yet something about her was almost endearing. She seemed quite helpless, a twittering bird in a cage.

“California, actually.”

“Ah. Now we’re getting somewhere.” A pause; then, with a dawning look: “Oh, I see. You’re working your way through school. Why didn’t you say so?”

“Ma’am?”

“Please,” she chirped, “call me Lila. And don’t be so modest. It’s an admirable thing you’re doing. A great show of character. Of course, that doesn’t mean I’ll be paying you more than the other girls. I made that clear with the service. Fourteen an hour, take it or leave it.”

Fourteen what? Sara wondered. “Fourteen is fine.”

“And, of course, the Social Security. We’ll be paying that, and filing the 1099. David is very particular about these things. He’s what you’d call a rule follower. A big ol’ stick in the mud. No health insurance, I’m afraid, but I’m sure you get that through your school.” She beamed encouragingly. “So, are we good?”

Sara nodded, completely dumbfounded.

“Excellent. I have to say, Dani,” the woman, Lila, continued, gliding into the room, “you’ve come just in the nick of time. Not a moment too soon, in fact.” She had taken a box of matches from her robe and was lighting a large candelabra near her dressing table. “Why don’t you just put that over there?”

She was referring to the tray Wilkes had given her. On it was a metal flask and cup. Sara placed the tray on the table the woman had indicated, adjacent to an ornately carved wardrobe draped with scarves. Lila had positioned herself in front of a standing mirror and was turning her shoulders this way and that, examining her reflection.

“So what do you think?”

“I’m sorry?”

She placed one hand on her stomach and pressed inward as she filled her chest with air. “This awful diet. I don’t think I’ve ever been so famished in my life. But it really does seem to be doing the trick. What would you say, Dani? Another five pounds? You can be honest.”

Standing in profile, the woman was just skin and bones. “You look fine to me,” she said gently. “I wouldn’t lose any more.”

“Really? Because when I look in this mirror what I’m thinking is, who is this blimp? This zeppelin? Oh God, the humanity . That’s what I’m thinking.”

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