Steven Savile - Silver

He sorted through the envelopes as he walked up the stairs. Every groove from every dragged foot was worn deep into the steps, and the wrought-iron filigree beneath the polished-smooth banister had oxidized to the richest red. There were more than twenty envelopes, and the majority of them were computer-generated mass-mailings or this month’s bills. Even with three flights of stairs to climb he hadn’t managed to read more than half of the dead man’s letter. He didn’t really need to read any more than that.

Only one envelope was handwritten. People didn’t send letters anymore. That made a handwritten envelope something of a curiosity. He teased one of the seams open, careful not to contaminate the glued edge. There was no way of knowing if the contents of the envelope were important, but there was no sense in treating them any other way. If needs be, the old man could get the saliva used to lick the stamp and seal the envelope analyzed, its DNA lifted for comparison or identification purposes. There was so much about this new world that was every bit as frightening as anything that had ever happened in Stalinist Russia.

He reached Metzger’s door. The brass number in the center of it had turned green. What he read caused him to check the ate stamped on the envelope. It had been posted the day before-the same day Grey Metzger had killed himself. The processing time was stamped at 16:0 °CET. The precise moment Metzger had hung up his phone and burned.

It was a love letter, but it talked about him, not to him, as though the writer knew he would never read it but needed to get these words down, to make them exist; as though, like the little girl with her paper cranes, by setting them down God would read them and would remember her man and her love for him-which, Konstantin extrapolated the thought, meant the writer had known Metzger was going to die when she wrote it. He grunted. That meant she had mailed it out with an almost prescient precision. Was she involved? No, he shook his head. This wasn’t the confession of his killer. There was no mocking tone, no gloating. Only sadness. Her words were so intense. It wasn’t about Metzger at all, it was about his woman. The one Lethe hadn’t been able to find on the paper trail.

It was about leverage.

They’d given her the chance to put it all down on paper, and they’d led her to the post office and mailed the letter out at the precise moment the man she loved burned himself alive.

Who were these people?

The strange tense wasn’t because she had known he was dead-she wasn’t mourning him-it was because she knew she was going to be dead when he read it. It had kept her quiet, given her something to focus on, but she would have known she was a dead woman walking. She hadn’t collapsed, she’d written the letter. That took strength. Strength meant she would almost certainly have tried to tell him what had happened to her, somehow, somewhere in the letter.

Did they have pet words? Did she say “remember when we sat on the steps of the Berliner Dom” or “I’ve never forgotten the rain-filled day we walked hand in hand in the shadow of Checkpoint Charlie”? Something, a reference to a place, a name, anything? There had to be something buried in all of these words of love, a clue that told them who had taken her, or where, something. There had to be. She had been strong enough to write the letter; that meant she had to be smart enough to help them now, from beyond the grave.

He stuffed it into his pocket and kicked his shoe off again. He’d finish it inside.

It only took him nine seconds to open Metzger’s front door in exactly the same way he had bumped the lock on the mailbox.

Konstantin closed the door behind him.The apartment was everything he would have expected from a middle-class existence. The hallway doubled as the library, shelved floor to ceiling with the battered spines of academia and the occasional concession to pop culture. There were very few novels, he noticed, scanning the titles. The books nearest the door were almost exclusively concerned with the Byzantine period. As he moved toward the living room the time line moved with him. The majority of interest seemed to be focused on Medieval Europe, which made sense.

The last bookcase was filled with cheap, trashy airport novels. The spines were creased, the pages dog-eared, as though each one had been read a dozen times. He took one down from the shelf and thumbed through it. On the inside he saw a price written in pencil and the stamp of a second-hand bookstore in the city. He tried three more, selected at random. They all bore the same secondhand stamp.

There was a television, a small portable set that had to be over twenty years old. It didn’t dominate the room. Indeed, given the angle it was on, it was almost certainly never watched. There was nothing to say it even worked. Konstantin assumed that these dog-eared paperbacks had replaced the television in Grey Metzger’s life. Like Russia, the Germans protected their language obsessively, dubbing the endless reruns of American sitcoms. It would have come as something of a culture shock to an Englishman who probably thought the world revolved around his mother tongue. Konstantin shelved the book.

The hallway opened into a high-ceilinged room. The drapes where thick, heavy green velvet, tied back with a thick gold brocade rope. The hook in the wall had an exquisitely molded lion’s head. It was a small detail, but as the KGB had drilled into him, the truth was in the details. There were dozens of tiny details, from the wainscoting on the sash window and the original ropes laid into the side of the frame to the black and white tiles that made a chessboard of the floor, or rather the three broken ones that might have been proof of a struggle. Konstantin walked slowly around the room, then sank into the faux Chesterfield sofa in the middle of the room.

He put his feet up on the granite-topped coffee table. The room barely looked lived in. He had expected it to be strewn with journals and academic literature, with forgotten coffee cups and other signs of the absent-minded professor, but Grey Metzger was meticulously ordered and fastidiously tidy. Like a man who had been a guest here, not the owner.

Or like a man whose life had been purged away before he could come in and look at it, he thought.

There was a single painting on the wall. Konstantin recognized it: Sorrow. It was a print, rather than the original, but that was hardly surprising-a school teacher would not have had the wherewithal to on a painting worth upwards of fifty million dollars. It was, Konstantin thought, an ugly image to have on the wall where you did most of your living.

There was a fish tank beneath it, but there were no fish in it.

Konstantin was beginning to get a feel for the man he was following.

He checked the rest of the apartment.

There was a neatly made bed with white silk sheets in the one bedroom, and a manikin draped with the dead man’s clothes stood in the corner, looking like the Ghost of Christmas Past come to haunt the room. The rug appeared to be an elk hide. There was little in the way of personality to the room, not so much as an alarm clock on the side table. He checked the drawers. They were empty. That, more than anything else, convinced him that the apartment had been cleaned by whoever had last set foot in the place. It would be pointless dusting for fingerprints.

In the center of the bathroom was a beautiful antique porcelain bathtub set on pedestal legs. Again, like the details in the curtain hooks in the front room, the legs were molded in the likeness of lions. There were no shampoo bottles, no body washes or facial scrubs. There wasn’t a toothbrush in the cup on the sink. He ran his finger along the top of the medicine cabinet-it came away without so much as a speck of dust on it.