Peter Abrahams - Crying Wolf

Nat stayed in the basement corridor for a minute or two, listening for a sound, waiting for something to happen. Nothing did.

He went upstairs, along the first floor to the main entrance of the dorm. Had he imagined those footsteps on the brick floor, or misinterpreted some sound he had heard? It was one or the other. Nat opened the door to the quad. Surprise.

White. White everywhere: snow had fallen while he slept, fallen heavily, although it wasn’t snowing now, and the stars shone bright. A foot of snow, maybe more, deep, crisp, even. It bent the branches of the old oaks, gave the statue of Emerson a hulking, steroidal profile, rounded the dorm entry pediments and other architectural features whose names Nat was starting to learn: pure, unmarred whiteness, glowing under the old Victorian lampposts as though lit from below.

Nat called campus security from his room and was told to file a report in the morning. He locked the door to the hall, went into Wags’s bedroom, took in the disarray, no worse than before, and the coffee cup on the windowsill, still half full but now cold, satisfied himself that nothing else was missing. Back in the outer room, he picked up Wags’s lab notes and piled them neatly on his desk, even trying to arrange them in some sort of order.

Nat sat on the couch that Bloomingdale’s had delivered after the visit of Wags’s parents and reopened Young Goodman Brown. This time he followed Goodman Brown out of Salem to his meeting in the forest with what Nat supposed was the devil. He paused at the sentence “But he was himself the chief horror of the scene, and shrank not from its other horrors.” Nat read it several times and was reaching for his yellow highlighter when he thought: unmarred.

Snow unmarred. And therefore? Nat went downstairs, out to the quad. The night was cold and still, the only movement his own rising breath. He circled the dorm, snow up to his knees, sometimes higher. The only footprints were his, a shadow-filled trench he tramped around the building like a moat in miniature. His feet, still in the sneakers he’d slept in, got cold and then cold and wet. Other than that, no result. Back in his room, he called security again.

This time he reached a recording that gave him a choice between voice mail and an emergency number. Was this an emergency? No footprints except his own: didn’t that mean the thief was still in the dorm, and had been there before the snowfall? A student, then, some other student still on campus, like him, possibly a resident of the dorm, and therefore a freshman, like him, possibly without money to go home, like him. Better to find him in the morning, get him to return the TV without a fuss, without involving security. Nat hung up the phone.

Were there any freshmen who looked like that, big with ponytails? Nat couldn’t recall any, but there were five hundred people in the class, many he still hadn’t even seen. He flipped through the freshman directory, useless because he’d had only a back view of the thief. He came to his own picture-the graduation picture, wearing Mr. Beaman’s blazer-knew with certainty that he didn’t look at all like that anymore. He checked in the mirror and found that he did.

Nat thought of calling Wags in Sewickley, but it was almost one, and he could imagine Wags’s mother picking up the phone. He made sure the front door was locked, took off his wet shoes, put them on the radiator to dry, and went to bed.

Nat’s mother had a funny story she liked to tell about him. When Nattie was very young, before he could talk, he couldn’t bear to go to sleep if any of the dresser drawers in his room were open, even a crack. She didn’t always remember to close them, and would sometimes poke her head in the room to find him laboriously climbing out of his crib and crawling across the floor toward the dresser. Nat thought of this story about half an hour later when he gave up on sleep, unlocked the door, and stepped into the hall.

Plessey Hall had three floors, ten rooms on each, most of them doubles, a few triples, and a single for the RA. Nat started at number thirty on the third floor. He checked for light leaking under the door, listened for any sound, knocked, tried the knob. No light, no sound, no answer to his knock, door locked. All the rooms were just like that down to number one, except for seventeen, his own.

Nat went back to bed, first locking the door. He turned his face to the wall and closed his eyes. Once, climbing out of his crib, he’d somehow tangled the back of his Dr. Denton’s on the corner of the guardrail and hung there outside the crib, not strangling or anything, but helpless. He’d heard his parents shouting at each other in the next room. That was Nattie’s earliest memory.

Peter Abrahams

Crying Wolf

The next time Nat looked at his bedside clock, it read 10:23. He got out of bed, feeling stiff and sore, as though he’d played some contact sport the previous day, and went to the outer room. Through the window, he saw a morning that could have been painted in a few dull colors: dark gray for the sky and trees, brownish red for the bricks, light gray for the snow, for Emerson, for everything else. One more detail: the footprints. Hard packed, they caught what little light there was, and shone white. Footprints coming and going at the Plessey entrance, crisscrossing between the dorms, meandering over the quad; footprints everywhere. There were even some ski and snowshoe tracks, also white. Had the quad really been unmarred hours before? Nat went into Wags’s bedroom and found the TV still gone. Daytime made it conclusive.

Nat dressed and went outside, headed for the campus security office. A silent campus: as beautiful as in the brochure, but there was more-a sense of gravity, importance, even power-that the brochure, perhaps trying to be friendly, hadn’t conveyed. Nat told himself he was glad to have this time alone. He needed to catch up with himself, if that made sense. The workload, the assignments, the expectations of the teachers: all so demanding, but the real pressure came from the kids. So smart; and so cool, some of them, which was very different from home, where smart and cool were almost always opposites. And here the others, the not so cool, could be strange and fascinating-like Wags, for example, with the little shrine he’d built to Alfred Hitchcock, and the way Nat would sometimes hear him late at night, lying in bed and muttering whole scenes of movie dialogue from memory. So even as the sky darkened still more while he crossed the quad, draining what little color there was and lowering the temperature in seconds, Nat told himself this solitary Christmas would be good.

That thought was still in his mind when he saw he wasn’t quite alone. Across the quad, the main door to Lanark Hall-the residence opposite Plessey, the nicest, by reputation, although Nat had never been inside-opened. Two girls came out-women’s studies majors spoke of women and men, but everyone else on campus said girls and guys-sidestepped down the broad snowy stairs facing each other, carrying something. Nat thought TV at once, because of the mission he was on, and from the way they carried it. The problem was its invisibility. There was nothing to see. Were they pretending to carry something? Was it some sort of pantomime? Nat was about to look around for the film crew when one of the girls lost her footing. He heard a little cry; then the girls were tumbling down the steps, one after the other, a flurry of kicking legs, waving arms, flapping scarves, airborne hats. The object they carried, now free, spun in the air, became visible: an aquarium. It spilled its water in one perfectly shaped wave, a wave topped by a bar of gold.