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C. Box: Savage Run

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C. Box Savage Run

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As they opened the doors of the pickup, the interior light came on. The Old Man looked at Charlie, and Charlie looked back. The harsh light emphasized their facial characteristics. They were both weathered, and aging. They shared a smile.

“Step one in winning back the west,” the Old Man said.

Charlie drove while the Old Man stared through the windshield. Their tires ground on the gravel road.

When they hit the pavement, Charlie turned the pickup northwest. They were headed to Washington state.

4

Morning sunlight poured over the jagged horizon as Joe Pickett turned his pickup off of the state highway onto the Vee Bar U Ranch’s gravel road, which led to Jim Finotta’s house. Maxine, the Pickett’s yellow Labrador, sat in the passenger seat looking alert, as if helping Joe to navigate the turns. Joe drove the truck beneath the ancient elk antler arches and wound through hundred-year-old cottonwoods. This was the first time Joe had ever had a reason to visit. He wished the reason for the call wasn’t to tell Mr. Finotta that ten of his cattle had been found dead and at least one of them had been blown up.

Finotta’s ranch, the Vee Bar U, was, by all standards, huge. Counting both deeded and leased land, it stretched from the highway all the way to the top of the distant Bighorn Mountains. The ranch held the second water right on the Twelve Sleep River, and leased more than forty thousand acres of spectacularly scenic and remote national forest land, including a geological wonder of a canyon known as Savage Run.

Joe had heard a couple of stories about how local lawyer Jim Finotta acquired the ranch, and he wasn’t certain which one was true. One version was that Mac “Rowdy” McBride, a fourth generation McBride, was a notorious drinker and carouser and had simply run the ranch into the ground. McBride could still be found from noon on perched on his corner stool at the Stockman Bar, or the booth closest to the bar at the Rustic Tavern. Finotta, fresh off of a string of personal injury cases with multimillion-dollar settlements, had purchased the ranch at a time when cattle prices were low and Rowdy McBride was too. But there was another theory on how Finotta had come to own and control the Vee Bar U.

The other version, which Joe had had whispered to him by an inebriated fishing guide at the Stockman Bar, was much more sinister. According to the fishing guide, Finotta had represented Rowdy McBride in a dispute when environmentalists were trying to persuade the federal government to proclaim the rugged, spectacular, and remote Savage Run canyon as a national monument. McBride, of course, was against it. Finotta persuaded McBride to take his claim all the way to the U.S. Supreme Court, even though virtually all legal scholars who studied the case opined that he had no case, and Rowdy McBride had already lost on state and district levels. The Supreme Court refused to hear the case, which left McBride with hundreds of thousands of dollars in legal bills at a time when beef prices had plummeted to record lows.

Finotta settled for the ranch in payment, and the suspicion of the fishing guide and his friends was that obtaining the historic ranch was Finotta’s plan all along-that Finotta had fueled McBride’s anger at the Feds and confidently assured the rancher of an eventual win or settlement, knowing all along that it was virtually impossible. Once he had taken over the ranch, Finotta had used his personal political contacts (of which he had many) to stall the canyon’s national monument designation, which was finally forgotten by a new administration.

Ranching to Finotta, according to the fishing guide, was a hobby and a means of dispensing power and influence in a state where ranchers occupied an exalted status. When moneyed entrepreneurs sought the ultimate cocktail-party aside, they now talked about their ranches in Wyoming, Montana, or Idaho.

Joe didn’t know Finotta well, although they nodded at each other when they happened to see each other, usually at the courthouse or occasionally at the post office. Finotta was a man known for his personal and political connections and for not being humble about them. He was a personal friend of the governor and was listed among the largest in-state contributors to the U.S. senators and the lone congressman for Wyoming. He treated local law enforcement officials well, and had half and quarter beefs sent to their homes at Christmas. Sheriff Barnum often had morning coffee with Finotta, as did the county attorney and chief of police.

So when Jim Finotta decided to create a subdivision-officially renamed Elkhorn Ranches-he had no trouble financing it or having it approved by the county. Elkhorn Ranches was a topic of conversation among the local coffee drinkers in the morning and the beer drinkers at night-a land scheme involving three-acre lots on three hundred acres of Finotta’s property nearest to the highway. The streets, curbs, gutters, and cul-de-sacs were already surveyed and poured in concrete. The sales effort was international. Three-hundred-and-fifty-thousand-dollar homes were being constructed on the prime lots, usually on the top of every hill. Only a few homes had been completed and purchased.

The trees parted, and the huge gabled stone house came into view, and so did a ranch hand on a four-wheel ATV who was racing up the road as if intent on having a head-on collision with Joe’s pickup.

Joe braked to a stop and the ranch hand swung around the grill of the pickup and slammed on his brakes adjacent to Joe’s door, a roll of dust following and settling over them both.

The ranch hand was wiry and dark with a pockmarked and deeply tanned face. He wore a T-shirt that said “I Know Jack Shit” and a feed store cap turned backward. He squinted against the roll of dust and the bright morning sun and rose in his seat with his fists on the handlebars until he could look Joe square in the eye.

“Name’s Buster,” the ranch hand said. “State your business.” Only then did Joe notice the holster and sidearm that was tucked into Buster’s jeans.

“I’m Joe Pickett. I’m here on business to see Mr. Finotta. I’m with the Wyoming Game and Fish Department.”

“I can see that from your truck and your shirt,” Buster said, raising himself a little more so he could see into the cab of Joe’s truck. Maxine, always kind to strangers, lolled out her tongue and panted.

“What do you need to see Mr. Finotta about?”

Joe masked his irritation. No need to antagonize a hand. He said simply, “Ten dead cows.”

This concerned the ranch hand. “Were they ours?”

“Yup,” Joe said, and offered no more.

Buster was puzzled in thought for a moment. Then he told Joe to wait in his truck while he went to tell Mr. Finotta.

Joe winced at the racketing sound of the ATV as Buster revved it and spun around the back of Joe’s pickup and on to the house. Disobeying Buster, Joe drove toward the house and parked against a hitching rack next to Finotta’s black Suburban.

The house was impressive and daunting. It looked to be constructed at a time when ranchers thought of themselves as feudal lords of a wild new land, and built accordingly. There were three sharp gables on the red slate roof and a two-story stone turret on the front corner. The building was constructed of massive rounded stones, probably from the bottom of the river, in the days when dredging didn’t require a permit. Huge windows made up of hundreds of tiny panes looked out over the ranch yard and beyond to the mountains.

When Buster opened the front door, Joe half expected the hand to bow and say something like “Mr. Finotta will see you now.” Instead, Buster nodded toward the interior of the house and told Joe to go inside. Which he did.

The foyer was decorated in pure mid-fifties ranch gothic. The chairs and couches were upholstered with dark Hereford red-and-white hides. The chandelier, suspended from the high ceiling by a thick logging chain, was a wagon wheel with 50-watt bulbs on each spoke. The dominating wall was covered with the brands of local ranches burned into the barnwood paneling, with tiny brass plaques under each brand naming the ranch.

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