Bill Pronzini: The Lighthouse

Despite the rather forbidding wording, Alix thought it wouldn’t keep adventurous tourists from wandering out there for a look at the lighthouse. Most of them would come in summer, but a few would no doubt show up in the off-season months as well. A few hundred yards to the south of the turnoff was a rest area with public toilets and a pay phone; the lighthouse, clearly visible from there, would attract a fair number of those who stopped. She and Jan would just have to deal as politely as possible with any who grew bold enough to come knocking on the door asking questions.

The county road was reasonably well paved; it hooked downward toward the bay, past a weathered gray Victorian house and ramshackle garage set on a low promontory and a smaller, squarish building in the foreground near the road. The smaller building bore a sign that said Lang ‘ s Gallery and Gifts in ornate blue lettering.

Alix noted the sign with interest. She wondered who Lang was, and what sort of artwork Lang’s Gallery exhibited. When she came into the village alone she would definitely stop in and find out.

The road dropped down to parallel the shoreline at sea level, and other buildings appeared ahead, some of them flanking the road, others visible among the pines and Douglas fir that wooded the slopes rising above the village to the east. One of the latter, near the road, had a large screened front porch that bore a banner advertising antiques, driftwood, and shells for sale. Antiques, Alix thought wryly, was probably a euphemism for junk. Not that she minded junk; junkshops were a favorite haunt of hers. That was another place she would have to stop in.

They were into the village proper now-two blocks long and deserted-looking, despite the sign on the outskirts that announced Hilliard’s population at three hundred and eleven. Mike’s Bar amp; Grill. A launderette. Hazel’s Beauty Salon and Bob’s Barber Shop, two halves of the same building. Hilliard General Store. Sea Breeze Tavern. The Seafood Grotto, a smallish restaurant built out over the bay on pilings. A-1 Marine Supply. A big cannery at the north end of the harbor, with its name painted in faded black on the sloping metal roof: South Coast Fisheries, Inc. They all seemed to be made of colorless native wood and stone, or of clapboard stripped of paint by the elements and scoured to a uniformly dull gray. Even the cannery and the long pier behind it, the boat slips that stood adjacent, and the two dozen or so fishing trawlers moored there, seemed to possess the same shabby, scrubbed gray appearance. The only buildings of much color were on the hillside. One was a whitewashed church, its steeple rising above the trees; the other was what looked to be a good-sized old schoolhouse painted red, with its bell tower intact. Beyond the Sea Breeze Tavern, an unpaved road led up that way; a wooden arrow at the intersection indicated that the two structures were the Hilliard Community Church and the Hilliard Town Hall.

As she turned onto the gravel parking area in front of A-I Marine, Jan stirred and spoke for the first time in twenty minutes-an occurrence she took as a positive sign. “Not much to it, is there.”

“No. It looks kind of… I don’t know, depressed.”

“It is. Hard times around here these days.”

“How come?”

“Commercial fishing is Hilliard’s life-support,” he said, “and the main catch is salmon. Chinook and coho, the big ones. But the salmon runs have been poor the past three years; the trolling season that ended earlier this month was the worst of them.”

“Why?”

“Dry winters, dry rivers and streams. Salmon are anadromous, remember? Thousands of them couldn’t get from the sea to their spawning grounds.”

“Can’t the fishermen go after other species?”

“They do. Groundfish, mostly, but they don’t fetch the same high price. And their boats have to be re-outfitted for that kind of fishing.”

“What’re groundfish?”

“Flounder, perch, lingcod,” Jan said. “They use lines and nets to haul them up off the ocean floor.”

He opened his door and stepped out into the chill wind; she followed suit. The air had a brackish, fishy smell that was not unpleasant. Gulls wheeled out over the cannery pier and boat slips, shrieking hungrily. A few men moved around out there; a late-arriving trawler was just putting into one of the berths. Across the road, on a flattish strip of raised land, two yelling boys chased each other among six or seven dilapidated trailers-a sort of makeshift trailer park, Alix thought. Otherwise, there was no activity anywhere in the vicinity.

She unlatched the rear door and helped Jan carry the empty propane cylinders into A-1 Marine. A taciturn man in overalls traded them full tanks, charged them what Jan grumbled was too much, and didn’t offer to help them take the full tanks out to the car. Friendly natives, she thought, and the thought depressed her. The whole village depressed her in a vague sort of way. Or maybe she was just reacting-overreacting? — to Jan’s moodiness.

They left the Ford where it was and walked down past the Seafood Grotto to the general store. Its interior was cavernous; opaque globes suspended from long metal conduit cast dim light over the rows of shelves, old-fashioned meat case, dark wood checkout counter, and the partitioned-off cubicle adjacent to it, near the door, that contained a barred window and a sign reading U.S. Post Office, Hilliard, OR. The look and smell of the place caused a bittersweet wave of nostalgia to wash over Alix. Her corner deli in New York’s Greenwich Village had had the same black-and-white linoleum squares, the same aromas. Now, thousands of miles and over a dozen years away, she could still conjure up the warmth and coziness that had made Greenberg’s a haven for the twenty-three-year-old artist who had been so eager to take on life in the big city. Eager, yet secretly so afraid…

“Help you, folks?”

The gruff, mannish voice came from a woman sitting on a stool behind the grocery counter. Her hair was short and gray, in a style that Alix automatically labeled “home chop job,” and she wore a heavy red-plaid flannel workshirt. The expression on her seamed, weathered face was neither welcoming nor unfriendly.

Alix rummaged in her purse for the list she’d made the night before. “Thanks, we have quite a few things to pick up. We’re the Ryersons, the new caretakers out at the lighthouse—”

“Take your time. When you fill a basket, bring it up and leave it on the counter.”

There was a stack of vari-colored plastic baskets on the floor next to the produce section; Alix picked one up. Jan had already wandered off toward a far comer of the store that appeared to be stocked with hardware and household goods. The woman behind the counter had picked up a magazine and was leafing through it; her disinterest struck Alix as odd. She didn’t seem to care what sort of people had moved into the vicinity, had chosen to live in isolation on Cape Despair. Well, maybe she was a friend of Seth Bonner’s. That might explain it. Or maybe she was just plain disinterested-the exact opposite of the stereotypical small-town busybody.

With her list in one hand and the basket in the other, Alix went down the first aisle to the left. That was where the bottled water was; she loaded the basket with that and took it up to the counter. The older woman didn’t even glance up from her magazine. Alix was surprised, and mildly amused, to see that it was Sunset, a publication whose offices were located in Menlo Park, Palo Alto’s neighbor to the north, and for which she occasionally did freelance illustrating. Sunset was a glossy paean to the refinements of living in the western U.S.-such refinements including an indulgence in gourmet food and wine, redwood decking and hot tubs in the backyard, and spacious homes with lots of cutely concealed storage space. The magazine’s presence in this backwater store was a contradiction that pleased Alix, as life’s inconsistencies often did.