Bill Pronzini - The Lighthouse

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The Lighthouse: краткое содержание, описание и аннотация

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Anticipating a peaceful and relaxing year in which to write and illustrate a book, college professor Jan Ryerson and his artist wife Alix move to the isolated Cape Despair Lighthouse on a desolate stretch of Oregon coast. But their well-laid plans are twisted awry shortly after their arrival. Jan experiences several terrifying blackouts, but conceals them from his wife, fearing that she will leave him if she knows that he will soon be blind. The villagers, suspicious of the couple from the start, become increasingly hostile and resentful. And when the murdered body of a young woman is discovered, they are quick to blame the stranger in town…
“…one of America’s Fines writers of any genre. Muller is must reading for all mystery fans.”

“Pronzini makes people and events so real that you're living those explosive days of terror.”
— Robert Ludlum “Pronzini is the master of the shivery, spine-tingling it-could-happen suspense story.”

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Adam… why wasn’t he here? Disappeared all of a sudden, ran downstairs a while ago and never came back. Where was he?

“Son of a bitch!”

“Shut up, Seth, will you shut up! Quit beating on that door!”

Bonner stopped his hammering. From up in the tower, then, Mitch could hear noises-scraping sounds, as if something heavy were being dragged across the floor; hard footfalls on the stairs.

“Listen to that,” Bonner said. “They’re up to something. We got to get up there, Mitch.”

“How? That trap’s made of solid oak.”

“Get a tool, crowbar or something. Might be able to wedge a bar up in there and snap the lock.”

“We haven’t got a crowbar…”

“One in Adam’s van,” Bonner said. He was so excited, spit came spraying out with every word. “I seen it, Mitch. I’ll run down and get it.”

Adam’s van. Adam. Where the hell was he?

“No,” Mitch said, “I’ll go. You stay here.”

Up in the tower, there was a loud thumping. Then a sliding, dragging, slithering sound-something heavy and loose being hauled up the stairs.

“No telling what them damn people are up to. We got to get up there, Mitch!”

Mitch turned his body in the cramped space, started down the stairs. He was almost to the bottom when Bonner yelled, “Son of a bitch!” again and beat another tattoo on the trap with that fucking ax handle.

Alix

She ran through the night in a haze of terror.

Staggering, stumbling, losing her balance and falling sometimes because the terrain was rough and there was no light of any kind except for the bloody glow of the flames that stained the fog-streaked sky far behind her. The muscles in her legs were knotted so tightly that each new step brought a slash of pain. Her breath came in ragged, explosive pants; the thunder of blood in her ears obliterated the moaning cry of the wind. She could no longer feel the cold through the bulky sweater she wore, was no longer aware of the numbness in her face and hands. She felt only the terror, was aware only of the need to run and keep on running.

He was still behind her. Somewhere close behind her.

On foot now, just as she was; he had left the car some time ago, back when she had started across the long sloping meadow. There had been nowhere else for her to go then, no place to conceal herself: the meadow was barren, treeless. She’d looked back, seen the car skid to a stop, and he’d gotten out and raced toward her. He had almost caught her then. Almost caught her another time, too, when she’d had to climb one of the fences and a leg of her Levi’s had got hung up on a rail splinter.

If he caught her, she was sure he would kill her.

She had no idea how long she had been running. Or how far she’d come. Or how far she still had left to go. She had lost all sense of time and place. Everything was unreal, nightmarish, distorted shapes looming around her, ahead of her-all of the night twisted and grotesque and charged with menace.

She looked over her shoulder again as she ran. She couldn’t see him now; there were trees behind her, tall bushes. Above the trees, the flames licked higher, shone brighter against the dark fabric of the night.

Trees ahead of her, too, a wide grove of them. She tried to make herself run faster, to get into their thick clotted shadow; something caught at her foot, pitched her forward onto her hands and knees. She barely felt the impact, felt instead a wrenching fear that she might have turned her ankle, hurt herself so that she couldn’t run anymore. Then she was up and moving again, as if nothing had happened to interrupt her night-and then there was a longer period of blankness, of lost time, and the next thing she knew she was in among the trees, dodging around their trunks and through a ground cover of ferns and high grass. Branches seemed to reach for her, to pluck at her clothing and her bare skin like dry, bony hands. She almost blundered into a half-hidden deadfall; veered away in time and stumbled on.

Her foot came down on a brittle fallen limb, and it made a cracking sound as loud as a pistol shot. A thought swam out of the numbness in her mind: Hide! He’ll catch you once you’re out in the open again. Hide!

But there was no place safe enough, nowhere that he couldn’t find her. The trees grew wide apart here, and the ground cover was not dense enough for her to burrow under or behind any of it. He would hear her. She could hear him, back there somewhere-or believed she could, even above the voice of the wind and the rasp of her breathing and the stuttering beat of her heart.

Something snagged her foot again. She almost fell, caught her balance against the bole of a tree. Sweat streamed down into her eyes; she wiped it away, trying to peer ahead. And there was more lost time, and all at once she was clear of the woods and ahead of her lay another meadow, barren, with the cliffs far off on one side and the road winding emptily on the other. Everything out there lay open, naked-no cover of any kind in any direction.

She had no choice. She plunged ahead without even slowing.

It was a long time, or what she perceived as a long time, before she looked back. And he was there, just as she had known he would be, relentless and implacable, coming after her like one of the evil creatures in a Grimm’s fairy tale.

She felt herself staggering erratically, slowing down. Her wind and her strength seemed to be giving out at the same time. I can’t run much farther, she thought, and tasted the terror, and kept running.

Out of the fear and a sudden overwhelming surge of hopelessness, another thought came to her: How can this be happening? How did it all come to this?

Dear God, Jan, how did it all come to this?…

Jan

At first he thought the air hose wouldn’t be long enough. But then he got it uncoiled and all the way up into the lantern, and he found that it was long enough, by at least a couple of feet. He paused to wipe the sweat from his forehead, and to listen to the shouting and banging below the trap. It seemed to be just one voice now-Seth Bonner’s. Were the others still down there with him? Or were they up to something else?

I’m going to have to go through with it, he thought.

He moved sideways to the glass wall, looked out. Two-thirds of the garage was burning now, but so far the wind hadn’t spread it any farther. He scanned the area for some sign of the other men; but his headache was worsening and now his vision had started to kick in and out of focus, especially when he tried to look at anything in the distance. If they were out there, where were they? Up to something, damn it. The thought freshened his sense of urgency, drove him away from the glass and down the stairs again to the lightroom.

He had anchored the diaphone in the doorway, using the barrel of fire sand to wedge it against the jamb with its flanged mouth pointing downward. He’d loosely connected the air line; now he tightened the connection. Straightening again, he stepped over the diaphone and lifted the heavy bulk of the compressor. Struggled with it up the stairs into the lantern.

When he set the compressor down he found himself looking at the Fresnel lens. And he felt twinges of both pain and reluctance. The vibration, even using the smallest possible volume of air, would be tremendous-enough to shatter every prism and bull’s-eye in the lens. Shatter all the glass in the lantern walls, too. And the noise, trapped in the confines of the tower… it might burst his eardrums as well as those of the men below. He had the cotton and the pillows and bedclothes for protection, but there was no guarantee he wouldn’t be deafened, or hurt by flying glass or in some other way. And what if all four weren’t inside the lighthouse when he was ready?

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