Douglas Preston - Thunderhead

At last her foot reached the firmness of the second shelf. She paused for a second, trying once again to steady the wild rise and fall of her chest. But she could not remain here: poised between roof and floor, she was even more vulnerable. Groping in the darkness, fingers extended, she reached for the top of the detached second ladder. Once again, she began the descent, limbs balanced between the creaking wooden pole and the stone protrusions.

Just as she was about to reach for the next shelf, she froze. There had been a sound, she thought: the soft hollow sound of a footfall. She waited, listening, in the darkness. But there was nothing more, and with relief she slid down onto the safety of the shelf.

One more ladder. Steadying herself, she reached for it, tested it. Then, as carefully as before, she descended first one notch, then another, and then another.

Suddenly, she felt the pole give with a dry crack. The entire wooden structure seemed to shudder around her. Immediately, she pushed herself away from the pole and dropped the last ten feet, hitting the stone floor with a mighty impact. Needles of pain lanced through her knees and ankles as she scrambled to her feet and stumbled through the low doorway onto the adjacent rooftop. She glanced around, shaking with exertion and fear. But there was nothing: the city seemed perfectly silent and deserted.

She had to get to the valley. At least there, she might have a chance. Perhaps Sloane had been wrong. Perhaps Swire and Bonarotti were still alive. If she could hide until daylight, she’d have a better chance of finding them. There was safety in numbers. She might even be able to locate Sloane’s gun, lying somewhere in the darkness of the valley floor. And there was always the hope, remote as it was, that Smithback’s gunshot wound was not fatal . . .

Nora brushed her hand across her face with a sob. She could not allow herself to think about that; not now.

Keeping as low as possible, she crept across the roof and peered down the ladder that leaned against it. The way below seemed clear. Swinging herself over the edge, she descended as quickly as she dared, then paused to look around. Nothing.

She paused once again. The city seemed silent and asleep. The moon, alternately emerging from and disappearing behind the racing clouds, painted uncertain fingers of light across the roomblocks. And yet her instincts told her that something was wrong.

Cautiously, keeping against the wall of the tower, she moved around toward the front of the city and peeked around the corner. One at a time, objects came into view, lit by the fitful glow of the moon: the retaining wall, the central plaza, the ghostly outline of roomblocks.

Once again, a sense of imminent danger washed over her. And this time she realized what it was: borne on the fitful midnight wind came the faint scent of morning glories.

Almost without knowing what she was doing, she fell back, away from the tower and into the darkness along the edge of the city. She found herself running with a reckless speed, heedless of obstacles. There was no plan in her mind. She felt simply an animal panic to get away: to race for the deepest, most secret place she could find.

Dark alleys, low mounds of rubble, angular adobe structures flashed by in the faint moonlight as she ran. Suddenly, she caught herself short. To the right were the squat, low forms of the granaries. And directly before her, its low maw a rectangle of deeper darkness, was the entrance to the Crawlspace. Inside, she knew, the blackness would be complete. There might be a hiding place in there, perhaps inside the roomblocks of the secret city itself.

She began to move forward, then stopped. Pursuer or no, she would not allow herself to enter the Crawlspace, and its lethal payload of dust, ever again.

Instead, she turned and dashed into the alley alongside the granaries. Halfway down the alley’s gentle curve, she stopped at a notched pole ladder, leaning against the rearward set of roomblocks. Grasping at the dry wood, she climbed as quietly as she could to the second-floor setback. Stepping onto the roof, she pulled the ladder up behind her. At least that would slow the skinwalker down, buy her a few more seconds of time.

She shook her head, forcing the panic away, trying to keep her thoughts clear. The clouds moved once again over the moon. Only the river spoke. Quivira was silent, watching, under a shroud of darkness.

She moved across the rearward set of roofs, past a long row of keyhole doorways. Bats flitted from the recesses of the city, flicking through the shadows on their way to the valley. Except for a few central roomblocks that ran from the front of the city to the back, most of the buildings were cul-de-sacs. She thought of hiding inside one of the roomblocks, then quickly dismissed the idea; out here, in the city proper, it would only be a matter of time until she was hunted down. Better to keep moving, to wait for an opportunity to descend into the valley.

She crept along the row of open doorways, then paused at the corner of the roomblock, listening.

A sudden footfall invaded the darkness. Nora looked around wildly; with the sound of the river echoing through the vault, it was almost impossible to tell where the sound had come from. Had the skinwalker followed her around to the granaries, and was it even now slipping up behind? Or was it lying in wait somewhere in the plaza, biding its time until she crept toward the rope ladder?

There was another noise, not as faint as the last. It seemed—she thought—to have come from below. Dropping to her stomach, Nora crawled to the side of the roof, and cautiously peered over the edge into the pool of darkness. Empty.

She rose to her feet, the smell of flowers stronger now: overripe, sickly sweet. Her heart was hammering violently in her chest. She backed away from the parapet, and as she did so she heard the rattling sound of the pole ladder being placed against its flanks. Quickly, she ducked into the nearest set of roomblocks.

She pressed herself against the wall, gasping for breath. Whatever she did, wherever she went, she was at a disadvantage. The skinwalker was faster than she was, and far stronger. It was at home in the dark. She realized that it would never allow her to escape from the valley.

There was only one possibility. She had to even the playing field, to minimize the threat. And that meant finding a weapon.

Inside, the room was still and cool. Nora glanced quickly around. A pile of war god masks stood in one corner, crimson mouths twisted and leering in the faint moonlight. The air smelled of pack rats and mold. She crept through the next doorway into another room, darker than the first, feeling along the walls, letting her memory of the place guide her steps.

Cautiously, she felt her way into the third room. A shaft of pale light came through a crack in the roof, and there they were: a stack of fire-hardened wooden spears, ending in razor-sharp obsidian tips. She hefted a few, selected the two lightest, and moved out of the room into a narrow passageway.

She felt her way along the wall, moving toward the next room in the block. Her memory of the location of the spears had been more or less correct; she also recalled that this system of rooms had an entrance at the front as well as the back. But there were many hundreds of rooms in Quivira, and she could not be certain.

Locating the doorframe, she ducked into the next room. Here, gray light filtered from the far doorway. With a small glimmer of relief, Nora realized she must be close to the front of the structure. She moved into the darkest corner and waited, listening.

By now, the skinwalker would have followed her into the roomblocks. Nora rested the spear on her shoulder. It felt puny, insubstantial, in her sweaty fist. Perhaps it was the height of folly for her to think she could do anything to save herself. But the only other option was to do nothing, to wait in terror for the inevitable end. And she knew that—however quick and strong the skinwalkers were—they were also mortal.