Dean Koontz - Lightning

Worse than the Eel's diligence was the frightening rate at which his dark passion for her grew, a sick need revealed by the steadily increasing intensity of his gaze and the sour sweat that burst from him when he was in the same room with her for more than a few minutes.

Laura, Ruth, and Thelma tried to convince themselves that the threat from the Eel lessened with every day he did not act, that his hesitation revealed his awareness of Laura as unsuitable prey. At heart they knew they were hoping to slay the dragon with a wish, but they were unable to face the full extent of the danger till a Saturday afternoon late in August, when they returned to their room and found Tammy destroying Laura's book collection in a fit of twisted jealousy.

The library of fifty paperbacks — her favorite books, which she had brought with her from the apartment above the grocery — were kept under Laura's bed. Tammy had brought them out into the middle of the room and in a hateful frenzy had ripped apart two-thirds of them.

Laura was too shocked to act, but Ruth and Thelma pulled the girl away from the books and restrained her.

Because those were her favorite books, because her father bought them for her and they were therefore a link to him, but most of all because she owned so little, Laura was pained by the destruction. Her possessions were so meager, of no value, but she suddenly realized that they formed ramparts against the worst cruelties of life.

Tammy lost interest in the books now that the true object of her rage stood before her. "I hate you, I hate you!" Her pale, drawn face was alive for the first time since Laura had known her, flushed and contorted with emotion. The bruiselike circles around her eyes hadn't vanished, but they no longer made her appear weak or broken; instead she looked wild, savage. "I hate you, Laura, I hate you!"

"Tammy, honey," Thelma said, struggling to hold on to the girl, "Laura's never done anything to you."

Breathing hard but no longer thrashing to break free of Ruth and Thelma, Tammy shrieked at Laura: "You're all he talks about, he isn't interested in me any more, just you, he can't stop talking about you, I hate you, why did you have to come here, I hate you!"

No one had to ask her to whom she was referring. The Eel.

"He doesn't want me any more, nobody wants me now, he only wants me so I can help him get to you. Laura, Laura, Laura. He wants me to trick you into a place where he can get you alone, where it'll be safe for him, but I won't do it, I won't! 'Cause then what would I have once he's got you? Nothing." Her face was a furious red. Worse than her rage was the awful desperation that lay behind it.

Laura ran out of the room, down the long hall into the lavatory. Sick with disgust and fear, she fell to her knees on the cracked yellow tiles before one of the toilets and threw up. Once her stomach was purged she went to one of the sinks, rinsed her mouth repeatedly, then splashed cold water on her face. When she raised her head and looked in the mirror, the tears came at last.

It was not her own loneliness or fear that brought her to tears. She was crying for Tammy. The world was an unthinkably mean place if it would allow a ten-year-old girl's life to be devalued to such an extent that the only words of approval she ever heard from an adult were those spoken by the demented man who abused her, that the only possession in which she could take pride was the underdeveloped sexual aspect of her own thin, prepubescent body.

Laura realized that Tammy's situation was infinitely worse than her own. Even stripped of her books, Laura had good memories of a loving, kind, gentle father, which Tammy did not. If what few things she owned were taken from her, Laura would still be whole of mind, but Tammy was psychologically damaged, perhaps beyond repair.

Sheener lived in a bungalow on a quiet street in Santa Ana. It was one of those neighborhoods built after World War II: small, neat houses with interesting architectural details. In this summer of 1967, the various types of ficus trees had reached maturity, spreading their limbs protectively over the homes; Sheener's place was further cloaked by overgrown shrubbery — azaleas, eugenias, and red-flowering hibiscus.

Near midnight, using a plastic loid, Stefan popped the lock on the back door and let himself into the house. As he inspected the bungalow, he boldly turned on lights and did not bother to draw the drapes at the windows.

The kitchen was immaculate. The blue Formica counters glistened. The chrome handles on the appliances, the faucet in the sink, and the metal frames of the kitchen chairs all gleamed, unmarred by a single fingerprint.

He opened the refrigerator, not sure what he expected to find there. Perhaps an indication of Willy Sheener's abnormal psychology; a former victim of his molestations, murdered and frozen to preserve the memories of twisted passion? Nothing that dramatic. However, the man's fetish for neatness was obvious: All the food was stored in matching Tupperware containers.

Otherwise, the only thing odd about the contents of both the refrigerator and cupboards was the preponderance of sweets: ice cream, cookies, cakes, candies, pies, doughnuts, even animal crackers. There were a great many novelty foods, too, like Spaghetti-Os and cans of vegetable soup in which the noodles were shaped like popular cartoon characters. Sheener's larder looked as if it had been stocked by a child with a checkbook but no adult 3 supervision.

Stefan moved deeper into the house.

The confrontation over the shredded books was sufficient to drain what little spirit Tammy possessed. She said no more about Sheener and seemed no longer to harbor any animosity toward Laura. Retreating further into herself day by day, she averted her eyes from everyone, hung her head lower; her voice grew softer.

Laura wasn't sure which was less tolerable — the constant threat posed by the White Eel or watching Tammy's already wispy personality fading further as she slid toward a state hardly more active than catatonia. But on Thursday, August 31, those two burdens were lifted unexpectedly from Laura's shoulders when she learned that she would be transferred to a foster home in Costa Mesa the following day, Friday.

However, she regretted leaving the Ackersons. Though she'd known them only a few weeks, friendships forged in extremity solidified faster and felt more enduring than those made in more ordinary times.

That night, as the three of them sat on the floor of their room, Thelma said, "Shane, if you wind up with a good family, a happy home, just settle down snug and enjoy. If you're in a good place, forget us, make new friends, get on with your life. But the legendary Ackerson sisters — Ruth and moi — have been through the foster-family mill, three bad ones, so let me assure you that if you wind up in a rotten place, you don't have to stay there."

Ruth said, "Just weep a lot and let everyone know how unhappy you are. If you can't weep, pretend to."

"Sulk," Thelma advised. "Be clumsy. Accidentally break a dish each time you've got to wash them. Make a nuisance of yourself.''

Laura was surprised. "You did all that to get back into McIlroy?"

"That and more," Ruth said.

"But didn't you feel terrible — breaking their things?"

"It was harder for Ruth than me," Thelma said. "I've got the devil in me, while Ruth is the reincarnation of an obscure, treacly, fourteenth-century nun whose name we've not yet ascertained."

Within one day Laura knew she did not want to remain in the care of the Teagel family, but she tried to make it work because at first she thought their company was preferable to returning to McIlroy.

Real life was just a misty backdrop to Flora Teagel, for whom only crossword puzzles were of interest. She spent days and evenings at the table in her yellow kitchen, wrapped in a cardigan regardless of the weather, working through books of crossword puzzles one after another with a dedication both astonishing and idiotic.