Dean Koontz - Lightning

She had no relatives, and she could not stay with her father's best friends, the Lances. Tom was sixty-two, and Cora was fifty-seven, and though married thirty-five years, they had no children. The prospect of raising a young girl daunted them.

Laura understood and bore no grudge against them. On the day in August when she left the Lance house in the company of a woman from the Orange County Child Welfare Agency, Laura kissed both Cora and Tom and assured them that she would be fine. Riding away in the social worker's car, she waved gaily, hoping they felt absolved.

Absolved. That word was a recent acquisition. Absolved: freed from the consequences of one's actions; to set free or release from some duty, obligation, or responsibility. She wished that she could grant herself absolution from the obligation to make her way in the world without the guidance of a loving father, absolution from the responsibility to live and carry on his memory.

From the Lances' house she was conveyed to a child shelter — the McIlroy Home — an old, rambling, twenty-seven-room Victorian mansion built by a produce magnate in the days of Orange County's agricultural glory. Later it had been converted to a dormitory where children in public custody were housed temporarily between foster homes.

That institution was unlike any she had read about in fiction. For one thing, it lacked kindly nuns in flowing black habits.

And there was Willy Sheener.

Laura first noticed him shortly after arriving at the home, while a social worker, Mrs. Bowmaine, was showing her to the room she would share with — she had been told — the Ackerson twins and a girl named Tammy. Sheener was sweeping a tile-floored hallway with a pushbroom.

He was strong, wiry, pale, freckled, about thirty, with hair the color of a new copper penny and green eyes. He smiled and whistled softly while he worked. "How're you this morning, Mrs. Bowmaine?"

"Right as rain, Willy." She clearly liked Sheener. "This is Laura Shane, a new girl. Laura, this is Mr. Sheener."

Sheener stared at Laura with a creepy intensity. When he managed to speak, the words were thick, "Uhhh. welcome to McIlroy."

Following the social worker, Laura glanced back at Sheener. With no one but Laura to see, he lowered one hand to his crotch and lazily massaged himself. Laura did not look at him again.

Later, as she was unpacking her meager belongings, trying to make her quarter of the third-floor bedroom more like home, she turned and saw Sheener in the doorway. She was alone, for the other kids were at play in the backyard or the game room. His smile was different from the one with which he'd favored Mrs. Bowmaine: predatory, cold. Light from one of the two small windows fell across the doorway and met his eyes at such an angle as to make them appear silver instead of green, like the cataract-filmed eyes of a dead man.

Laura tried to speak but could not. She edged backward until she came up against the wall beside her bed.

He stood with his arms at his sides, motionless, hands fisted. The McIlroy Home was not air conditioned. The bedroom windows were open, but the place was tropically hot. Yet Laura had not been sweating until she turned and saw Sheener. Now her T-shirt was damp.

Outside, children at play shouted and laughed. They were nearby, but they sounded far away.

The hard, rhythmic rasp of Sheener's breathing seemed to grow louder, gradually drowning out the voices of the children.

For a long time neither of them moved or spoke. Then abruptly he turned and walked away.

Weak-kneed, sweat-soaked, Laura moved to her bed and sat on the edge of it. The mushy mattress sagged, and the springs creaked.

As her thudding heartbeat deaccelerated, she surveyed the gray-walled room and despaired of her circumstances. In the four corners were narrow, iron-framed beds with tattered chenille spreads and lumpy pillows. Each bed had a battered, Formica-topped nightstand, and on each was a metal reading lamp. The scarred dresser had eight drawers, two of which were hers. There were two closets, and she was allotted half of one. The ancient curtains were faded, stained; they hung limp and greasy from rust-spotted rods. The entire house was moldering and haunted; the air had a vaguely unpleasant odor; and Willy Sheener roamed the rooms and halls as if he were a malevolent spirit waiting for the full moon and the blood games attendant thereon.

That night after dinner the Ackerson twins closed the door to the room and encouraged Laura to join them on the threadbare maroon carpet where they could sit in a circle and share secrets.

Their other roomie — a strange, quiet, frail blonde named Tammy — had no interest in joining them. Propped up by pillows, she sat in bed and read a book, nibbling her nails continuously, mouselike.

Laura liked Thelma and Ruth Ackerson immediately. Having just turned twelve, they were only months younger than Laura and were wise for their age. They had been orphaned when they were nine and had lived at the shelter for almost three years. Finding adoptive parents for children their age was difficult, especially for twins who were determined not to be split up.

Not pretty girls, they were astonishingly identical in their plainness: lusterless brown hair, myopic brown eyes, broad faces, blunt chins, wide mouths. Although lacking in good looks, they were abundantly intelligent, energetic, and good-natured.

Ruth was wearing blue pajamas with dark green piping on the cuffs and collar, blue slippers; her hair was tied in a ponytail. Thelma wore raspberry-red pajamas and furry yellow slippers, each with two buttons painted to represent eyes, and her hair was unfettered. With darkfall the insufferable heat of the day had passed. They were less than ten miles from the Pacific, so the night breezes made comfortable sleep possible. Now, with the windows open, currents of mild air stirred the aged curtains and circulated through the room.

"Summer's a bore here," Ruth told Laura as they sat in a circle on the floor. "We're not allowed off the property, and it's just not big enough. And in the summer all the do-gooders are busy with their own vacations, their own trips to the beach, so they forget about us."

"Christmas is great, though," Thelma said.

"All of November and December are great," Ruth said.

"Yeah," Thelma said. "Holidays are fine because the do-gooders start feeling guilty about having so much when we poor, drab, homeless waifs have to wear newspaper coats, cardboard shoes, and eat last year's gruel. So they send us baskets of goodies, take us on shopping sprees and to the movies, though never the good movies."

"Oh, I like some of them," Ruth said.

' 'The kind of movies where no one ever, ever gets blown up. And never any feelies. They'll never take us to a movie in which some guy puts his hand on a girl's boob. Family films. Dull, dull, dull."

"You'll have to forgive my sister," Ruth told Laura. "She thinks she's on the trembling edge of puberty—"

"I am on the trembling edge of puberty! I feel my sap rising!" Thelma said, thrusting one thin arm into the air above her head.

Ruth said, "The lack of parental guidance has taken a toll on her, I'm afraid. She hasn't adapted well to being an orphan."

"You'll have to forgive my sister," Thelma said. "She's decided to skip puberty and go directly from childhood to senility."

Laura said, "What about Willy Sheener?"

The Ackerson twins glanced knowingly at each other and spoke with such synchronization that not a fraction of a second was lost between their statements: "Oh, a disturbed man," Ruth said, and Thelma said, "He's scum," and Ruth said, "He needs therapy," and Thelma said, "No, what he needs is a hit over the head with a baseball bat maybe a dozen times, maybe two dozen, then locked away for the rest of his life."