Dean Koontz - One Door Away From Heaven

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In a dusty trailer park on the far edge of the California dream, Michelina Bellsong contemplates the choices she has made. At twenty-eight, she wants to change the direction of her troubled life but can’t find her way — until a new family settles into the rental trailer next door and she meets the young girl who will lead her on a remarkable quest that will change Micky herself and everything she knows — or thinks she knows — forever. Despite the brace she must wear on her deformed left leg, and her withered left hand, nine-year-old Leilani Klonk radiates a buoyant and indomitable spirit that inspires Micky. Beneath Leilani’s effervescence, however, Micky comes to sense a quiet desperation that the girl dares not express. Leilani’s mother is little more than a child herself. And the girl’s stepfather, Preston Maddoc, is educated but threatening. He has moved the family from place to place as he fanatically investigates UFO sightings, striving to make contact, claiming to have had a vision that by Leilani’s tenth birthday aliens will either heal her or take her away to a better life on their world. Slowly, ever more troubling details emerge in Leilani’s conversations with Micky. Most chilling is Micky’s discovery that Leilani had an older brother, also disabled, who vanished after Maddoc took him into the woods one night and is now “gone to the stars.” Leilani’s tenth birthday is approaching. Micky is convinced the girl will be dead by that day. While the child-protection bureaucracy gives Micky the runaround, the Maddoc family slips away into the night. Micky sets out across America to track and find them, alone and afraid but for the first time living for something bigger than herself. She finds herself pitted against an adversary, Preston Maddoc, as fearsome as he is cunning. The passion and disregard for danger with which Micky pursues her quest bring to her side a burned-out detective who joins her on a journey of incredible peril and startling discoveries, a journey through terrible darkness to unexpected light.

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Her heart still sent thunder rolling through her, and the storm of humiliation hadn't yet passed.

She refused to cry. Not here. Not now. Neither fear nor anger, nor even this unwanted new knowledge of herself, could wring tears from her in front of her mother. The world didn't have enough misery in it to force her to reveal her vulnerability before Sinsemilla.

Her usual ease of movement still eluded Leilani; however, when she thought through the movement of each step before taking it, like a patient learning to walk again after spinal injury, she was able to proceed to the open bedroom door with a measure of dignity.

In the hall, a violent fit of the shakes overcame her, rattling teeth to teeth, knocking elbows against ribs, but she willed steel into her good knee and kept moving.

By the time that she reached the bathroom, she heard her mother being busy in the master bedroom. She looked back just as a pulse of icy light filled that open doorway. The flash from a camera. The snake wasn't road kill, but apparently the artist in Sinsemilla had been inspired by the grisly grace of the serpentine carcass resting on a grave cloth of orange shag.

Another pulse.

Leilani went into the bathroom, switched on the light and the fan. She closed the door and locked her mother out.

She turned on the shower, as well, but she didn't undress. Instead, she lowered the lid on the toilet and sat there.

With the hum of the fan and the noise of the running water as cover, she did what she had never done in front of her mother or Preston Maddoc. Here. Now. She wept.

Chapter 22

AS TASTY AS FRESH orange juice is when lapped out of a shoe, Old Yeller nevertheless loses interest in her drink when the siren grows as loud as an air-raid warning in the immediate wake of the motor home. Curtis's concern becomes her concern, too, and she watches him, ears pricked, body tensed, ready to follow his lead.

The Windchaser begins to slow as the driver checks his side-view mirrors. Even serial killers who keep collections of victims' teeth at bedside for nostalgic examination will evidently pull over without hesitation for the highway patrol.

When the police cruiser sweeps past and rockets away into the night, the motor home gains speed once more, but Old Yeller doesn't return to her juice. As long as Curtis remains uneasy, the dog will stay on guard, as well.

First the helicopter tracking the highway toward Nevada and now this patrol car following: These are signs and portents of trouble ahead. Though he may be dead, J. Edgar Hoover is no fool, and if his restless spirit guides the organization from which he so reluctantly departed, then two squads of FBI agents, and probably various other authorities, are already establishing roadblocks on the interstate both northeast and southwest of the truck stop.

Sitting on the edge of the bed once more, Curtis extracts the wadded currency from the pockets of his jeans. He smooths the bills and sorts them. Not much to sort. He counts his treasury. Not much to count.

He certainly doesn’t have enough money to bribe an FBI agent, and by far the most of them can't be bribed, anyway. They aren't politicians, after all. If the National Security Agency also has operatives in the field here, which now seems likely, and possibly the C1A, as well — those guys won't sell out their country and their honor for a few wrinkled five-dollar bills. Not if movies, suspense novels, and history books can be believed. Maybe the history texts are written with political bias, and maybe some of those novelists took literary license, but you could trust most of what you saw in movies, for sure.

With his meager resources, Curtis has little hope of being able to bribe his way past even state or local authorities. He shoves the currency into his pockets once more.

The driver doesn't apply the brakes, but allows the Windchaser's speed to fall steadily. Not good, not good. After fleeing the truck stop, these two people wouldn't already be pulling over to rest again. Traffic must be clotting ahead of them.

"Good pup," he tells Old Yeller, meaning to encourage her and prepare her for what might be coming. Good pup. Stay close.

As their speed continues to fall precipitously to fifty, then below forty, under thirty, as the brakes are tapped a time or two, Curtis goes to the bedroom window.

The dog follows at his heels.

Curtis slides a pane open. Wind blusters like restless bears at the bars of a cage, but this is a mildly warm and toothless zephyr.

He boosts himself against the sill. Leaning out, he squints into the wind, toward the front of the motor home.

In the night, brake lights on scores of vehicles flash across all three of the westbound lanes. More than half a mile ahead, at the top of a rise, traffic has come to a complete stop.

As the Windchaser slows steadily, Curtis slides shut the window and takes up a position at the bedroom door. The faithful dog stays at his side.

Good pup.

When the motor home brakes to a full stop, Curtis switches off the bedroom light. He waits in darkness.

More likely than not, both sociopathic owners of the Windchaser will remain in their cockpit seats for a while. They'll be studying the roadblock with acute interest, planning strategy in the event of a vehicle inspection.

At any moment, however, one of them might retreat here to the bedroom. If a search by authorities seems imminent, these tooth fetishists will try to gather up and dispose of their incriminating collection of grisly souvenirs.

The advantage of surprise will belong to Curtis, but he's not confident that surprise alone will carry the day. Either of the murderous pair up front will enjoy the greater advantages of size, strength, and psychotic disregard for his or her personal safety.

In addition to surprise, however, the boy has Old Yeller. And the dog has teeth. Curtis has teeth, too, though his aren't as big and sharp as those of the dog, and unlike his four-legged companion, he doesn't have the heart to use them.

He's not convinced that his mother would be proud of him if he bit his way to freedom. Fighting men and women have seldom, if ever, to his knowledge, been decorated for bravery after gnawing their way through their adversaries. Thank God, then, for his sister-becoming.

Good pup.

After the Windchaser has been stopped for a couple minutes, it eases forward a few car lengths before halting again, and Curtis uses this distraction to open the bedroom door a crack. The lever-action handle squeaks softly, as do the hinges, and the door swings outward.

He puts one eye to the inch-wide gap and studies the bathroom beyond, which separates the bedroom from the galley, lounge, and cockpit. The door at the opposite end of the bath stands less than halfway open, admitting light from the forward part of the vehicle, but he can't see much of what lies beyond it.

Staying closer than Curtis intended, the dog presses against his legs and pushes her nose to the gap between jamb and door. He hears her sniffing. Her exceptional sense of smell brings to her more information than all five human senses combined, so he doesn't nudge her out of the way.

He must always remember that every story of a boy and his dog is also a story of a dog and its boy. No such relationship can be a success without respect.

The dog’s tail wags, brushing Curtis's legs, either because she catches an appealing scent or because she agrees with his assessment of the fundamental requirement of a boy-dog friendship.

Suddenly a man enters the bathroom from the front of the motor home.

In the dark bedroom, Curtis almost shuts the door in shock. He realizes just in time that the one-inch gap won't draw the man's attention as much as will the movement of the door closing.

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