Dean Koontz - One Door Away From Heaven

As his reflection slides away from him and as the interior of the wardrobe is revealed, Curtis sighs with relief when he fails to find jars of pickled eyeballs arrayed on the one long shell. None of the garments hanging from the rod appears to be made of human skin.

Still wary but with growing confidence, he drops to his knees to search the closet floor for anything that might be used as a bowl. Lie finds only men's and women's shoes, and he's grateful that they don't contain a collection of severed feet.

A pair of men's walking shoes appear new. He takes one of these from the closet, puts it on the floor near the bed, and fills it with orange juice from the plastic jug.

Ordinarily, he would be reluctant to damage the property of another in this fashion. But serial killers don't deserve the same respect as law-abiding citizens.

Old Yeller jumps off the bed and noisily laps up the treat with enthusiasm. She doesn't hesitate or pause to consider the taste — as though she has drunk orange juice before.

Curtis Hammond, the original, might have allowed her to have juice in the past. The current Curtis Hammond suspects, however, that he and the mutt are continuing to bond and that she recognizes the taste from his recent experience of it.

A boy and his dog can form astonishing, profound connections. He knows this to be true not entirely from movies and books, but from experience with animals in the past.

Curtis is "not quite right," as Burt Hooper put it, and Old Yeller is neither yellow nor male, nor particularly old, but they are going to be a great team.

After refilling the shoe, he puts down the juice container and sits on the edge of the bed to watch the dog drink.

I’ll take good care of you, he promises.

He is pleased by his ability to function in spite of his fear. He's also pleased by his resourcefulness.

Although they're riding the Hannibal Lecter band bus and running from a pack of terminators who have more attitude than Schwarzenegger with a bee up his ass, although they're wanted by the FBI and surely by other government agencies that have more-ominous initials and less-honorable intentions, Curtis remains optimistic about his chances of escape. The sight of his canine companion, happily drinking, draws a smile from him. He takes a moment to thank God for keeping him alive, and he thanks his mother for the survival training that so far has been an invaluable assist to God in this matter.

A siren arises in the distance. This could be a fire truck, an ambulance, a police vehicle, or a clown car. Well, all right, the clown car is wishful thinking, as they only appear in circuses. In fact, it's certain to be the police.

Old Yeller looks up from the shoe, juice dripping off her chin.

The siren quickly grows louder until it's close behind the motor home.

JAWS CRACKED WIDE as if unhinged, backward-hooked fangs exposed to their full wicked arc, split tongue fluttering, the serpent swam through the air with the wriggle of an eel through water, but faster than any eel, as bottle-rocket fast as a fireworks snake, launched straight at Leilani's face.

Although she juked, the viper must also have misaimed, because her reaction alone wouldn't have been quick enough to spare her from a bite. She might have imagined the thin hiss as the thwarted snake sailed past her left ear, but the lash of smooth dry scales across her cheek was real. This caressing flick, cold or not, sent chills chasing chills along her spine, with such palpable shivers that she could almost believe the hateful serpent had slipped under the collar of her T-shirt and along the small of her back.

She had a trick of locking her brace and pivoting on her steel-assisted leg. Even as she heard the hiss or dreamed it, she twisted around in time to see the "treasure out of Eden" as it raveled in a long arc to the floor, the brighter fraction of its scales glinting like sequins in the red light.

The snake wasn't huge, between two and three feet long, about as thick as a man's index finger, but when it struck the floor and tumbled, lashing angrily, as though mistaking its own whipping coils for those of a predator, it couldn't have been scarier if it had been a massive python or a full-grown rattlesnake. After that brief moment of frenzy, the viper slithered loose of its own tangles and flowed swiftly across the squashed-shag carpet, as if it were a quickness of water following the course of a rillet. Encountering the baseboard under the window, it reeled itself into a coiled pile once more and raised its head to assess the situation, ready to strike again.

Leading with her good leg, dragging her left, long-practiced grace abandoned, hard-won dignity lost, Leilani clumped in a panicked stagger toward the hallway. Though off-balance with every step, she managed to remain upright, lurching all the way to the door, where she clutched at the knob for support.

She had to escape from the snake. Get to her bedroom. Try to barricade that door against her mother's intrusion.

Sinsemilla was highly amused. Words whooped from her on peals of laughter. "It's not poisonous, you ninny! It's a pet-shop snake. You should've seen the look on your face!"

Leilani's heart pumped, pumped the bellows of her lungs, and breath blew from her in quick hard gusts.

On the threshold, gripping the doorknob, she glanced back to see if the snake pursued her. It remained coiled under the window.

Kneeling on the mattress, her mother bounced like a schoolgirl, making the springs sing and the bedrails rattle, laughing, shiny-eyed with delight over a prank well played. "Don't be such a goof! It's just a little slippery thingy, not a monster!"

Here's the deal: If she fled to her room and barricaded the door, she still wouldn't be safe, because sooner or later she'd have to come out. To get food. To use the bathroom. They were going to be here a few more days, and if the creature was loose in the house, it could be anywhere, and once she came out of her room to go to the toilet or to get something to eat, then it could slip in her room, too, through the one-inch gap under the poorly hung door, or because Sinsemilla let it into her room and then it could be waiting under Leilani's bed, in her bed. She'll have no sanctuary, no peace. Every place will belong to the snake; no place will belong to Leilani, no smallest place. Usually she had only a corner, a nook, a precious retreat; though Sinsemilla might invade any room without warning, Leilani could at least pretend her nook was a private place. But the snake won't allow even a pretense of privacy. She'll have no respite from torment, no relief from the expectation of attack, not even when Sinsemilla is asleep, because the snake is essentially sleepless. This wasn't a way Leilani could live, not a situation she could endure, this was too much, too much, intolerable.

Bouncing on the bed, giggling prettily, old Sinsemilla relived the comic moment: "Snake goes boing! straight in the air, and Leilani goes yikes! just about straight in the air herself, and then she's makin' for the door like two drunk kangaroos in a three-legged sack race!"

Instead of continuing into the hall, Leilani let go of the door and stumbled into the bedroom again. Fear kept her from regaining her usual ease of movement, but also anger; she remained unbalanced by a sense of injustice that quaked through her with 1906 San Francisco intensity, rocking her from good leg to bad, rolling through her in nauseating waves.

"Cute little slippery thingy won't kill you, Leilani. Little thingy just wants what we all want, baby. Little thingy just wants love," Sinsemilla said, drawing out love until it was longer than a twelve-syllable word, and she laughed with strange delight.

Poisonous or not, the snake had struck at Leilani's face, her face, which was the best thing she had going for her, the best thing she might ever have going for her, because in truth she'd probably never develop great bouncing bosoms, regardless of what she had told Micky. When she was sitting in a restaurant or somewhere, with her clatter-clank leg under a table, with her poster-child hand tucked out of sight in her lap, people looked at her face and often smiled, treated her like any other kid, with no sorrow in their eyes, no pity, because nothing in her face said cripple. The snake had struck at her face, and she didn't give a rat's ass whether it was poisonous or not, because it could have changed her life if it had gotten those fangs in her cheek or her nose. Then people would never think of her as sassy, but would always think, What a sad little crippled girl she is, with her little twisted leg and her little gnarled hand and her snake-gnawed face and her snake-chomped nose.