Dean Koontz - One Door Away From Heaven

An alligator of tread strips away from one wheel and lashes across the pavement, snapping like a whipping tail. The dog whimpers.

So does Curtis.

From another tire, a second gator peels off, tumbling in coils after the first.

A tire blows, the trailer bounces, the stacks bark as loud as a mortar lobbing hundred-millimeter rounds toward enemy positions, another tire blows. An air line ruptures and pressure falls and the brakes automatically lock, so the truck skates like a pig on ice, with a lot more squeal than grace, though the biggest prize hog ever judged couldn't have weighed a fraction of the tonnage at which this behemoth tips the scales. In a reek of scorched rubber, with one last attenuated grunt of protesting gears, it shudders to a halt in front of the motel, next to the restaurant, still upright, hissing and rumbling, smoking and steaming.

With a whimper, the dog squats and pees.

Curtis successfully resists the urge to water the pavement, too, but he counts himself fortunate to have used the restroom only a short while ago.

The trailer is oddly constructed, with a pair of large doors on the side, instead of at the back. An instant after the semi comes to a full stop, these doors slide open, and men in riot gear jump out of the rig, not staggering and bewildered, as they ought to be, but instantly balanced and oriented, as though they have been delivered with all the gentle consideration that might have been accorded a truckload of eggs.

At least thirty men, dressed in black, debark from the trailer: not merely a SWAT team, not even a SWAT squad, but more accurately a SWAT platoon. Shiny black riot helmets. Shatterproof acrylic face shields feature built-in microphones to allow continuous strategic coordination of every man in the force. Kevlar vests. Utility belts festooned with spare magazines of ammunition, dump pouches, cans of Mace, lasers, slim grenades, handcuffs. Automatic pistols are holstered at their hips, but they arrive with more powerful weapons in hand.

They are here to kick ass.

Perhaps Curtis's ass, among others.

As this is a relatively rural county of Utah, the timely arrival of a police unit this powerful is astounding. Not even a major city, with a fat budget and crime-busting mayor, could turn out a force of this size and sophistication on just a five-minute notice, and Curtis doubts that even five minutes have passed since the first shots were fired in the kitchen.

Even as the troops are pouring out of the trailer, a helmetless man throws open the passenger's-side door on the truck cab and jumps to the pavement. Although he was riding shotgun position beside the driver, he's the only member of this contingent who's not carrying either a pistol-grip 12-gauge or an Uzi. He's wearing a headset with an extension arm that puts the penny-size microphone two inches in front of his lips, and though the other platoon members bear no identifying legends or insignia, this man is wearing a dark blue or black windbreaker with white letters that don't stand for Free Beer on Ice.

From at least a score of movies, Curtis has learned that the Bureau possesses the resources to mount an operation like this in the Utah boondocks as easily as in Manhattan — although not with a mere five-minute warning. They've obviously been tracking the hunters who have been tracking Curtis and his family. Consequently, they must know the entire story; and although it must seem improbable to them, they clearly have developed sufficient evidence to overcome all their doubts.

If the Bureau knows what those two cowboys are up to, and if it understands how many others are combing this part of the West in close coordination with the cowboys, then these FBI agents must also know the identity of their quarry: which is one small boy. Curtis. Standing here in plain sight. Perhaps ten yards from them. Under a parking-lot arc lamp.

Can you say sitting duck?

Rooted to the blacktop by terror, temporarily us immovable as an oak tree knotted to the earth, Curtis expects to be immediately riddled with bullets or, alternately, to be maced, tasered, clubbed, handcuffed for interrogation, and at some later date, at his captors' leisure, riddled extensively.

Instead, though most of the members of the SWAT platoon see Curtis, no one looks twice at him. Scant seconds after storming out of the semi, they're forming up and hurrying toward the restaurant and the front of the motel.

So they don't know everything, after all. Even the Bureau can make mistakes. The ghost of J. Edgar Hoover must be throwing fits somewhere in the night nearby, struggling to work up enough ectoplasm to produce a credible apparition and point at least a few of the SWAT agents toward Curtis.

As one, the customers exiting the building had been paralyzed in midflight by the arrival of this scowling strike force. Now, also as one, they spin into motion, scattering toward their vehicles, eager to clear out of the battle zone.

On all sides of Curtis, remote-released locks electronically disengage with sharp double-beep signals, like a pack of miniature dachshunds whose tails have been trod upon in rapid succession.

Old Yeller either reacts to this serenade of bleats or to an instinctive realization that time to escape is fast ticking away. The truck stop is a hot zone; they need a ride out to a more comfortable place where the heat isn't blistering. She turns in a four-legged pirouette, with enough grace to qualify her for the New York City Ballet, considering her options as she rotates. Then she sprints around the front of a nearby Honda and out of sight.

Following the dog hasn't brought Curtis to disaster yet, so he bolts after her once more. As he races down an aisle of parked cars and other civilian vehicles, he catches up with Old Yeller and comes upon a Windchaser motor home at the very moment when two loud beeps blare from it. The headlights flash, flash again, as though a vehicle this enormous could not be located at night without identifying pyrotechnics.

At once the mutt skids to a stop, and so does Curtis. They look at each other, at the door, at each other again, executing as fast a double take as ever did Asta the dog and his master, the detective Nick Charles, in those old Thin Man movies.

The owners of the Windchaser aren't in sight, but they must be nearby to be able to trigger the lock by remote control. They're most likely fast approaching from the other side of the vehicle.

This isn't the ideal ride, but Curtis isn't likely to luck into a cushy berth on another automobile transport any more than he's likely to escape on a flying carpet with a magic lamp and a helpful genie.

Besides, there's no time to pick and choose. As those SWAT agents help their more conventional brethren deal with the cowboys and secure the restaurant, they will hear about the kid who was the object of the chase, and they will remember the boy standing in the parking lot, clutching a half-gallon container of orange juice and a package of frankfurters, with a dog at his side.

Then: big trouble.

As Curtis opens the motor-home door, the dog springs past him, up the pair of steps and inside. He follows, pulling the door shut behind them, staying low to avoid being seen through the windshield.

The cockpit, with two large seats, is to his right, a lounge area to the left. All lies in shadow, but through windows along the sides of the vehicle and through a series of small skylights, enough yellow light from the parking lot penetrates to allow Curtis to move quickly toward the back of the motor home, although he feels his way with outstretched hands to guard against surprises.

Past the galley and dining nook lies a combination bathroom and laundry. The dog's panting acquires a hollow note in this confined space.

Hiding in the tiny toilet enclosure is out of the question. The owners just came from the restaurant, and maybe they finished their dinner before the hullabaloo. One of them is likely to hit the John soon after they hit the road.