Dean Koontz - One Door Away From Heaven

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In a dusty trailer park on the far edge of the California dream, Michelina Bellsong contemplates the choices she has made. At twenty-eight, she wants to change the direction of her troubled life but can’t find her way — until a new family settles into the rental trailer next door and she meets the young girl who will lead her on a remarkable quest that will change Micky herself and everything she knows — or thinks she knows — forever. Despite the brace she must wear on her deformed left leg, and her withered left hand, nine-year-old Leilani Klonk radiates a buoyant and indomitable spirit that inspires Micky. Beneath Leilani’s effervescence, however, Micky comes to sense a quiet desperation that the girl dares not express. Leilani’s mother is little more than a child herself. And the girl’s stepfather, Preston Maddoc, is educated but threatening. He has moved the family from place to place as he fanatically investigates UFO sightings, striving to make contact, claiming to have had a vision that by Leilani’s tenth birthday aliens will either heal her or take her away to a better life on their world. Slowly, ever more troubling details emerge in Leilani’s conversations with Micky. Most chilling is Micky’s discovery that Leilani had an older brother, also disabled, who vanished after Maddoc took him into the woods one night and is now “gone to the stars.” Leilani’s tenth birthday is approaching. Micky is convinced the girl will be dead by that day. While the child-protection bureaucracy gives Micky the runaround, the Maddoc family slips away into the night. Micky sets out across America to track and find them, alone and afraid but for the first time living for something bigger than herself. She finds herself pitted against an adversary, Preston Maddoc, as fearsome as he is cunning. The passion and disregard for danger with which Micky pursues her quest bring to her side a burned-out detective who joins her on a journey of incredible peril and startling discoveries, a journey through terrible darkness to unexpected light.

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This was a private establishment with a dedicated, friendly staff. Noah appreciated their professionalism, but their smiles and greetings seemed false, not because he doubted their sincerity, but because he himself found it hard to raise a genuine smile in this place, and because he arrived under such a weight of guilt that his heart was too compressed to contain the more expansive emotions.

In the main ground-floor hall, past the nurses' station, Noah encountered Richard Velnod. Richard preferred to be called Rickster, the affectionate nickname that his dad had given him.

Rickster shuffled along, smiling dreamily, as if the sandman had blown the dust of sleepiness in his eyes. With his thick neck, heavy rounded shoulders, and short arms and legs, he brought to mind characters of fantasy and fairy lore, though always a benign version: a kindly troll or perhaps a good-hearted kobold on his way to watch over — rather than torment — coal miners in deep dangerous tunnels.

To many people, the face of a victim of severe Down syndrome inspired pity, embarrassment, disquiet. Instead, each time Noah saw this boy — twenty-six but to some degree a boy forever — he was pierced by an awareness of the bond of imperfection that all the sons and daughters of this world share without exception, and by gratitude that the worst of his own imperfections were within his ability to make right if he could find the willpower to deal with them.

"Does the little orange lady like the dark out?" Rickster asked.

"What little orange lady would that be?" Noah asked.

Rickster's hands were cupped together as though they concealed a treasure that he was bearing as a gift to throne or altar.

When Noah leaned close to have a look, Rickster's hands parted hesitantly; a wary oyster, jealous of its precious pearl, might have opened its shell to feed in this guarded fashion. In the palm of the lower hand crawled a ladybug, orange carapace like a polished bead.

"She sort of flies a little." Rickster quickly closed his hands. "I'll put her loose." He glanced at the new-fallen night beyond a nearby window. "Maybe she's scared. Out in the dark, I mean."

"I know ladybugs," Noah said. "They all love the night."

"You sure? The sky goes away in the dark, and everything gets so big. I don't want her scared."

In Rickster's soft features, as well as in his earnest eyes, were a profound natural kindness that he hadn't needed to learn by example and an innocence that could not be corrupted, which required that his concern for the insect be addressed seriously.

"Birds are something ladybugs worry about, you know."

" 'Cause birds eat bugs."

"Exactly right. But a lot of birds go to roost at night and stay there till morning. Your little orange lady is safer in the dark."

Rickster’s sloped brow, his flat nose, and the heavy lines of his face seemed best suited for morose expressions, yet his smile was broad and winning. "I put a lot of things loose, you know?"

"I know."

Flies, ants. Moths weary from battling window glass or fat from feasting on wool. Wriggling spiders. Tiny pill bugs curled as tightly as threatened armadillos. All these and more had been rescued by this child-man, taken out of Cielo Vista, and set free.

Once, when an outlaw mouse scurried from room to room and along hallways, eluding a comic posse of janitors and nurses, Rickster knelt and extended a hand to it. As though sensing the spirit of St. Francis reborn, the frightened fugitive scampered directly to him, onto his palm, up his arm, finally to a stop on his slumped shoulder. To the delight and applause of the staff and residents, he walked outside and released the trembling creature on the rear lawn, where it dashed out of sight into a bed of red and coral-pink impatiens.

As it was no doubt a domestic mouse, favoring hearth over field, the beastie had most likely hidden among the flowers only until its terror passed. By nightfall it would have found a way back into the heated and cat-free sanctuary of the care home.

From these rescues, Noah inferred that Rickster considered residence in Cielo Vista, in spite of its caring staff and comforts, to be an unnatural condition for any form of life.

During the boy's first sixteen years, he had lived in the bigger world, with his mother and father. They had been killed by a drunk driver on the Pacific Coast Highway: Only ten minutes from home, they suddenly found themselves even closer than ten minutes to paradise.

Rickster's uncle, executor of the estate, was also guardian of the boy. An embarrassment to his relatives, Rickster was dispatched to Cielo Vista. He arrived shy, scared, without protest. A week later, he became the benefactor to bugs, emancipator of mice.

"I put loose a lady like this once before, twice maybe, but those were daylight."

Suspecting that Rickster might be a little afraid of the night, Noah said, "Do you want me to take her outside and turn her free?"

"No thanks. I want to see her go. I'll put her on the roses. She'll like them."

With hands cupped protectively and held near his heart, he shuffled toward the lobby and the front entrance.

Noah's feet felt as heavily iron-shod as Rickster's appeared to be, but he tried not to shuffle the rest of the way to Laura's room.

In afterthought, the ladybug liberator called to him: "Laura's not here a lot today. Gone off in one of those places she goes."

Noah stopped, dismayed. "Which one?"

Without looking back, the boy said, "The one that's sad."

At the end of the hall, her room was small but not cramped, and nothing about it cried hospital or whispered sanitarium. The faux-Persian rug, though inexpensive, lent grace and warmth to the space: jewel-sharp, jewel-dark colors, like a pirate's treasure of sapphires spilled among emeralds, scattered with rubies. The furnishings were not typical institutional Formica-and-case-steel items, but maple stained and finished to the color and glimmer of Cabernet.

The only light came from one of the lamps on the nightstands that flanked the lone bed. Laura didn't share quarters, because she didn't possess the capacity to socialize to the extent that the care home required of a roommate.

Barefoot, wearing white cotton pants and a pink blouse, she lay on the bed, atop the rumpled chenille spread, head upon a pillow, her back to the door and to the lamp, her face in shadow. She didn't stir when he entered or acknowledge his presence when he rounded the bed and stood gazing down at her.

His only sister, twenty-nine now, she would remain forever a child in his heart. When she was twelve, he'd lost her. Until then, she'd been a radiance, the one brightness in a family that otherwise lived in shadow and fed on darkness.

Beautiful at twelve, still half beautiful, she lay on her left side, presenting only her right profile, which was unmarked by the violence that had changed her life. The unrevealed half of her face, pressed into the pillow, was the phantom-of-the-opera hemisphere, its battered bone structure held together by cords of scar tissue.

Although the finest restorative surgeon couldn't have rebuilt her beauty, the worst of the horror might have been smoothed out oilier crushed features and a plain profile constructed from the ruins. Insurance companies, however, decline to pay for expensive plastic-surgery when the patient also suffers serious brain damage that allows little self-awareness and no hope of a normal life.

As Rickster had warned, Laura was in one of her private places. Oblivious of everything around her, she stared raptly into some other world of memory or fantasy, as though watching a drama unfold for an audience of one.

Other days, she might lie here smiling, eyes shining with amusement, occasionally issuing a soft murmur of delight. But now she had gone to the sad place, the second-worst of the unknown lands in which her roaming spirit seemed to travel. Dampness darkened the pillowcase under her head, her cheek was wet, pendent salty jewels quivered on her lashes, and fresh tears shimmered in her brown eyes.

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