Donna Leon - The Jewels of Paradise

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Donna Leon has won heaps of critical praise and legions of fans for her best-selling mystery series featuring Commissario Guido Brunetti. With The Jewels of Paradise, Leon takes readers beyond the world of the Venetian Questura in her first standalone novel.
Caterina Pellegrini is a native Venetian, and like so many of them, she's had to leave home to pursue her career. With a doctorate in baroque opera from Vienna, she lands in Birmingham, England. Birmingham, however, is no Venice. When Caterina gets word of a position back home, she jumps at the opportunity.
The job is an unusual one. After nearly three centuries, two locked trunks, believed to contain the papers of a baroque composer have been discovered. Deeply-connected in religious and political circles, the composer died childless; now two Venetians, descendants of his cousins, each claim inheritance. Caterina's job is to examine any enclosed papers to discover the "testamentary disposition' of the composer. But when her research takes her in unexpected directions she begins to wonder just what secrets these trunks may hold. From a masterful writer,
is a superb novel, a gripping tale of intrigue, music, history and greed.

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“You gentlemen have agreed, I think very wisely, that Dottoressa Pellegrini is to have complete freedom to expand her research.”

Signor Scapinelli opened his mouth to speak, but Dottor Moretti ignored him and continued. “She is to send me written reports of what she reads and is to pay special attention to anything that might be regarded as your ancestor’s testamentary dispositions,” Dottor Moretti said. “Which reports I will forward to both of you with great dispatch.”

There he went again, using those wonderful phrases, she thought. If only Italians could be taught to think of “testamentary dispositions” instead of “making a will,” they’d all have one drawn up by the end of the week.

“Yes. That’s right. That’s what’s in the paper you gave us.” Signor Stievani broke in to say. Then the clincher, “And she signed it.”

“We want copies,” his cousin concluded.

“And on what, if I might ask, is the Dottoressa supposed to write these reports?” Dottor Moretti asked, as if neither man had spoken.

Scapinelli turned to her and said, “We’re not buying you one.”

Rather than answer, Caterina turned to Dottor Moretti, leaving it to him to fight her corner for her.

“Most places of employment provide their employees with a computer.”

“She’s hired as una libera professionista ,” Stievani broke in to say. “She should have her own.” He spoke of her, Caterina thought, as though she were a blacksmith who should show up with his own bag of pliers, hammers, and horseshoes. They’d provide the fire—perhaps—but the tools were up to her.

In a voice that had become softer, Dottor Moretti said, “I think I can take care of that.” Four faces turned to him. “A few months ago, our office upgraded the computers we give our younger associates. The laptops they were using are still in a closet in my secretary’s office. I can have someone who knows how to do it take out whatever refers to our office. I think access to the Internet is built into these things.” He waited for comment, and when none was forthcoming, added, speaking directly to Caterina, “It’s only a few years old, but it should certainly be adequate for what you have to do here.”

“That’s very kind of you, Dottore,” Roseanna said, apparently delighted that a man could so casually confess to imperfect familiarity with computers. “On behalf of the Foundation I thank you for this largesse.” Ah, yes, Caterina thought, ‘largesse,’ charmed to hear Roseanna rise to the level of Dottor Moretti’s speech. She was also impressed with the way her graciousness was likely to prevent any embarrassing questions as to why the Foundation had no computer.

“What were you going to do with them?” Signor Scapinelli broke in to ask.

Dottor Moretti was momentarily confused by the question but then answered, “We usually give them to the children of our employees.”

“You give them away?” Scapinelli asked with a mixture of astonishment and disapproval.

“That way, we can deduct them from our taxes,” Dottor Moretti said, an answer that seemed to calm Signor Scapinelli’s troubled spirit, at least to the degree that a usurer’s spirit can ever be calm at the revelation of an unmade profit.

“You mentioned a few things that needed to be settled,” Caterina reminded him.

“Ah, yes. Thank you, Dottoressa,” Dottor Moretti said. “We’d like to establish some parameters for the handling of the actual papers.”

“Parameters,” she repeated, for the first time unimpressed by his use of language.

“Yes. We have to settle how we will go about the actual opening of the chests and decide who will be there when you remove the contents and begin to work.”

“Let me say one thing,” Caterina declared. “I don’t care who’s there when the chests are opened, but I can’t have anyone present while I’m working.”

Can’t ?” Dottor Moretti inquired.

“Can’t because having someone there, looking over my shoulder —even sitting at the other side of the room—would slow me down terribly. It would double the time it will take me to do the research.”

“Simply having someone in the room with you?” Dottor Moretti asked.

Before she could answer, Signor Stievani said, sounding angry or impatient, “All right, all right. If we’re there when they’re opened, and we’re sure there’s only papers in there, then there’s nothing to worry about.” Caterina wondered if a life spent on boats led a man to believe that papers could have no value.

“We don’t want her spending the rest of her life doing this, you know,” Signor Stievani went on, this time addressing Dottor Moretti directly, who ignored the sarcasm and heard the statement.

“Quite right,” he agreed. “Once the trunks have been opened, we’re agreed that Dottoressa Pellegrini can stay alone in the room.”

“Then I work upstairs?”

“Yes, that’s the room where the work will be done,” Dottor Moretti said. “It’s got the storeroom, and there’s a wireless connection.”

“Why is that?” Caterina asked Roseanna, remembering that the stolen computer had been on this floor.

Looking not unembarrassed, Roseanna said, “Well, it doesn’t exactly belong to the Foundation.”

Exactly ?” Caterina asked. “Then whose is it?”

Her embarrassment grew stronger. “I don’t know.”

“Don’t tell me it’s someone else’s Wi-Fi you’re piggybacking on?” Caterina demanded.

“Yes.”

“Do you think that’s safe?” She did not bother to ask what would happen if the line were to disappear or be secured by its legal owner.

The smile was not present in Roseanna’s shrug. “I have no idea. But it’s the only line we have. Dottor Asnaldi used it and there was no trouble at all.”

Trouble came from Signor Scapinelli, who broke in to say, “We’re not paying for any of those things. You give her a computer, you figure out how she can use it.” Then, with undisguised contempt, “This place doesn’t even have a telephone.”

“And the computer doesn’t leave that room, either,” Signor Stievani broke in to add.

Caterina turned toward the sound of their voices and, after allowing her anger a few seconds to dissipate, said quite pleasantly, “I’m perfectly content to use that connection. And the computer can stay here all the time. After all, what sort of secrets can be in papers that are hundreds of years old?”

Eight

SOON AFTER THIS DECISION WAS MADE, CATERINA NOTICED that both cousins grew restless. First Stievani looked at his watch, and then Scapinelli did. It took her but a moment to understand. They were afraid that if this went on much longer they might be expected to go to lunch with these people or, worse, be expected to take them to lunch. Dottor Moretti must have read the signs at the same time, for he looked at his watch and said, speaking in general to everyone at the table, “I hope we’ve made all of the major decisions that concern us.”

He looked around and saw four nodding heads. Addressing them all, he said, “Then perhaps we can remove ourselves to the upper floor and see to opening the chests.” There was no reason for Caterina to be surprised by this, but she was. Though everything she had done since coming back to Venice had been aimed at this goal, she was still unprepared to hear it announced. The chests would be opened, she would see the papers—the putative papers—she would hold them in her hands, and she would be surprised, of course she would be surprised, to learn that they were the papers of Agostino Steffani, composer and bishop, musician and diplomat.

They got to their feet. At the door, the two cousins were careful to see that Dottor Moretti stood between them. Stievani went first, the lawyer next, and then Signor Scapinelli. Women and children last.

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