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Kealan Burke: Kin

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Kealan Burke Kin

Kin: краткое содержание, описание и аннотация

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A new novel by the Bram Stoker Award-winning author of THE TURTLE BOY. On a scorching hot summer day in Elkwood, Alabama, Claire Lambert staggers naked, wounded, and half-blind away from the scene of an atrocity. She is the sole survivor of a nightmare that claimed her friends, and even as she prays for rescue, the killers—a family of cannibalistic lunatics—are closing in. A soldier suffering from post-traumatic stress disorder returns from Iraq to the news that his brother is among the murdered in Elkwood. In snowbound Detroit, a waitress trapped in an abusive relationship gets an unexpected visit that will lead to bloodshed and send her back on the road to a past she has spent years trying to outrun. And Claire, the only survivor of the Elkwood Massacre, haunted by her dead friends, dreams of vengeance… a dream which will be realized as grief and rage turn good people into cold-blooded murderers and force alliances among strangers. It’s time to return to Elkwood. In the spirit of such iconic horror classics as and , begins at the end and studies the possible aftermath for the survivors of such traumas upon their return to the real world—the guilt, the grief, the thirst for revenge—and sets them on an unthinkable journey… back into the heart of darkness. Review “From the first chapter I found myself comparing to the absolute best work of . You might be thinking that I’ve listed an awful lot of great authors here and mentioned more than a few classics in this review and that there’s no way this book could live up to that hype. You’d be wrong. is not only the best novel I’ve read all year, it is one of the most horrifying ones I’ve ever read. I hope you give it a shot.” — “It’s odd that an Irish transplant to the Northern US has written . I’ll look forward to Burke’s next work just as much as I hated to see this one end. I would highly recommend to lovers of old fashioned horror fiction with a twist. If you’re going to read just one noir cannibal revenge novel this year, should fit the bill.” —

Kealan Burke: другие книги автора


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Of course, it had really been his father who had plucked the wounded woman from the road, but Pete would be in no hurry to dissuade any misguided gratitude she might choose to throw his way in the first few days of her convalescence. And it wasn’t like the old man hadn’t needed his help.

“What do you think happ’ned to her?” he asked his father again.

“Animals.”

Resisting the urge to glance back over his shoulder again, Pete focused on the road being sucked beneath the old Chevrolet’s grille. “Never seen an animal do that to someone,” he muttered. “D’you see her eye?”

“She’s gonna be all right,” his father told him, but he had the same look on his face he got on those days when the wind was high and the clouds above their farm were black and mean and boiling and ready to send whirling devils down to tear their place asunder. “You just sit quiet now. We’ll bring her to the Doc’s. He’ll fix her up.”

“Think he’ll be able to save her?”

Instead of responding, the old man reached out a withered hand and jabbed at the radio. Low twangy music and his father’s long low sigh infiltrated the silence. A moment later, the sickly sweet aroma of burning tobacco filled the cab as his father touched a flame to the tip of a crumpled hand-rolled cigarette. It was a smell that comforted Pete, a familiar scent that always seemed to drift through his skull and stroke some sense into the wild dog of his thoughts. He smiled slightly and went back to looking out the window.

He didn’t care if the wounded girl wasn’t pretty under all that blood and other stuff. He wasn’t much to look at either and didn’t think it fair to judge others by standards he didn’t meet himself. And he’d had a bad heart since birth, which he figured maybe explained why he was always so quick to hope that whatever wounded bird he encountered would view him as her savior and love him accordingly. Repairing his flawed heart was not a job he would ever be able to do on his own, which, in a town like Elkwood—comprised mostly of hard-faced, hardworking men—meant his chances of dying young were better than average.

He wasn’t afraid to die.

He was afraid to die alone.

At one time, Valerie Vaughn down at the grocery store had been the object of his fixation. She’d always been kind to him, and for a time, he might have loved her, until he summoned up the courage to confess as much and she’d folded in on herself like a deckchair with a bad leg, told him that was “nice” then went to great lengths to avoid ever having to talk to him again.

There were others, of course, all highly unlikely to ever give him the time of day, or stay around Elkwood long enough to see him as anything other than a not-so-bright farm boy with aspirations that didn’t stretch farther than the town’s borders.

Valerie had left, bound for Birmingham.

After that he’d quickly grown tired and discouraged by the amount of polite refusals or horrified rejections, the gleeful mockery and cruel teasing, and instead had taken his father’s advice and focused on work at the farm.

And now they’d found an outsider—hurt, lost, and in desperate need of help. Help he could give her if she let him.

A nervous flutter in his stomach reminded him that all he was doing was setting himself up for more disappointment, more heartbreak, more blows to his fragile heart. She’s a stranger. She’s prob’ly got a guy in some big city somewheres. She’s prob’ly hitched. You’re bein’ a damn fool.

As always, however, hope gave him the strength to ignore those warnings, and whatever reason or sense might have inveigled its way into them.

He smiled.

This one would stay.

He could feel it.

-3-

Luke knew there were three kinds of silence. There was the ordinary kind—when there was no one around to make a sound, like when he wandered down to the junkyard a half-mile from his home, where they flattened and crumpled up the cars they decided they had no use for, after flattening and crumpling up their owners. That was where he went for peace and quiet, to gather his thoughts, sometimes to pray.

Then there was the kind of silence you heard when it only looked like you were alone, when someone was watching you, hidden and holding their breath. That silence was different, heavier because it was unnatural, forced. And it never lasted long. Luke had long ago learned that no matter how clever, or scared they were, people were not good at staying quiet, even if it meant the difference between life and death. He had no idea how many of their victims might have gotten away, even for a little while, if they’d just held their breath a moment longer, or choked back a whimper or a sob, or watched where they were going.

The third kind of silence was when you were surrounded by people, all of them staring without seeming to breathe, none of them moving or saying a word because what they had to say was written in their eyes, and that message was not good. This was the worst kind of silence, the most dangerous kind.

This was the one Luke found himself faced with when he finally made it home.

A light rain had started as he’d crested the hill and started down the slope toward the house, as if God himself had chosen a side, and it wasn’t Luke’s. From his elevated position, he’d been able to see that the rain had not discouraged his brothers. Joshua, Isaac and Aaron were standing in a ragged semicircle in front of the house, facing him. Matt was a dark bundle lying in the mud before them, and there was no doubt that he was dead. He was on his back, shirt soaked with blood, eyes glassy and open, staring unblinkingly up at the rain coming down. Luke stopped a few feet away from him. “When?” he asked, as though it mattered. He was speaking merely to break the silence, which had already begun to coil like morning mist around him.

“Soon’s you was gone,” Aaron told him eventually, a hard edge to his voice. No grief at all, but plenty of swallowed pain. “Where’s the girl at?”

Luke shook his head, unable to meet his brother’s eyes. He did not want to see in them the disgust, the fear, and the relief that Aaron was not likely to suffer the same degree of punishment for letting the girl escape as he would. He almost expected his brothers to ask how she’d evaded him and where he thought she might have gone, but of course they didn’t. It didn’t matter now. Very soon they would have to uproot themselves and find someplace else to settle down, a task that, despite Momma-In-Bed’s insistence that they not tie themselves to anything or indulge in luxuries they couldn’t move at a moment’s notice, would not be easy. It would mean a lot of hard work done quickly, all the time looking over their shoulders and listening for the sound of sirens. It would mean a new kind of silence for their family: an absolute absence of sound that might at any moment be broken by the enemy, by the Men of the World, as Papa called them, threatening the only world they knew.

“Momma-In-Bed wants to see you,” Aaron said. “Tole me to tell you soon’s you got back. ‘Straight away,’ she said. ‘Don’t even stop to make water. I want ’im in my room, soon as you see his face,’ she said.”

Luke finally looked up, and his younger brother’s long narrow ashen face, made longer by the close cut of his dark hair, was grim. He couldn’t tell if Aaron was getting any satisfaction from being the bearer of such a message, nor did he thank him for it, for they were not given to gratitude. Acknowledging it only risked opening themselves up to empathy for their victims, who were so often uncannily good at trying to evoke it from them.

“I’ll go see her then,” Luke answered, and took one last look at Matt, lying there looking perfectly at ease with his death, the picture of calm marred only by the small rusty-red puddles forming in the mud around his body, the deep dark puncture wound in his chest, and the scarlet rivulets meandering their way toward where Luke stood watching. “You boys go start the fire.”

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