Douglas Preston - White Fire

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Past and present collide in Preston and Child's most thrilling novel ever… WHITE FIRE
Special Agent Pendergast arrives at an exclusive Colorado ski resort to rescue his protégée, Corrie Swanson, from serious trouble with the law. His sudden appearance coincides with the first attack of a murderous arsonist who-with brutal precision-begins burning down multimillion-dollar mansions with the families locked inside. After springing Corrie from jail, Pendergast learns she made a discovery while examining the bones of several miners who were killed 150 years earlier by a rogue grizzly bear. Her finding is so astonishing that it, even more than the arsonist, threatens the resort's very existence.
Drawn deeper into the investigation, Pendergast uncovers a mysterious connection between the dead miners and a fabled, long-lost Sherlock Holmes story-one that might just offer the key to the modern day killings as well.
Now, with the ski resort snowed in and under savage attack-and Corrie's life suddenly in grave danger-Pendergast must solve the enigma of the past before the town of the present goes up in flames.

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Get a grip , she whispered to herself. Focus.

Following her mental script, Corrie pulled off her gloves again, laid her backpack on the ground, and unzipped it. She quickly inserted a loupe to her eye, tugged the gloves back on, pulled out the broken femur she’d noticed before, and peered at it under the light. The bone showed several long, parallel scrapes in the cortical surface. She examined them carefully for any sign of healing, bone remodeling or periosteal uplifting, but there was none. The longitudinal marks were clean, fresh, and showed no sign of an osseous reaction. That meant the scraping had occurred perimortem: at the time of death.

No bear could have made a mark like this. It had been done with a crude tool, perhaps the blade of a dull knife, and — clearly — it had been done to strip the flesh from the bones.

But could she be sure? Her field experience was so limited. Removing her gloves again, she fumbled out her iPad and called up one of her school e-textbooks, Trauma Analysis . She looked through the illustrations of antemortem, perimortem, and postmortem injuries, including some with scrapes similar to these, and compared the illustrations with the bone in her hand. They confirmed her initial impression. She tried to warm her frozen fingers by breathing on them, but that didn’t work and so she pulled her gloves back on and beat her hands together as quietly as she could. That brought back a little sensation.

Now she had to photograph the damaged bone. Once again the gloves had to come off. She hauled out the portable light, battery pack, and small tripod from her backpack. Next came her digital camera, with the massive macro lens attachment that had cost her a fortune. She screwed the camera into the mount and set it up. Placing the bone on the floor, she arranged things as best she could in the dark, then flicked on the light.

This was the second danger point — the light would be visible from outside. But it was absolutely indispensable. She had arranged things so that it would be on for the shortest possible amount of time, without a red flag of turning it off and on — and so that right afterward she could pack up and leave.

God, it was bright, casting a glow over everything. She quickly positioned the camera and focused. She took a dozen photos as quickly as she could, moving the bone a little bit each time and adjusting the light for a raking effect. As she did this, she noticed, under the strong glare, something else on the bone: apparent tooth marks. She stopped just a moment to examine them with the loupe. They were indeed tooth marks, but not those of a grizzly: they were far too feeble, too close together, and with too flat a crown. She photographed them from several angles.

She hurriedly put the bone back in the coffin, and moved on to the next anomalous mark she’d noticed on her first visit — the broken skull. The cranium showed massive trauma, the skull and face literally crushed. The biggest and, it seemed, first blow had occurred to the right of the parietal bone, shattering the skull in a star pattern and separating it along the sutures. These, too, were clearly perimortem injuries, for the simple reason that survival was impossible after such a violent blow. The green-bone nature of the fractures indicated they had occurred when the bone was still fresh.

The anomaly here was a mark at the point of the blow. She examined the point of fracture. A bear could certainly shatter a skull with the strike of a paw, or crush it with its jaws and teeth. But this mark did not look like either teeth or claws. It was irregular, with multiple indents.

Under the loupe, her suspicions were confirmed. It had been made by a rough, heavy object — almost certainly a rock.

Working even more quickly now, she took a series of photographs of the skull fragments with her macro. This was proof enough. Or was it? She vacillated a moment, then on impulse took out a couple of ziplock bags and slipped the fragment of femur and one of the damaged skull fragments into them. That was proof.

Done . She snapped off the light. Now she had incontrovertible evidence that Emmett Bowdree had not been killed and eaten by a bear. Instead, he had been killed and eaten by a human. In fact, judging from the extensive nature of the injuries, there might have been two or three, maybe more, who participated in the killing. They had first disabled him with a blow to the head, crushed his skull, smashed his bones, and literally ripped him apart with their bare hands. Then they had stripped the meat from the bones with a crude knife or piece of metal. Finally, they had eaten him raw — attested by the tooth marks and the absence of bone scorching and other evidence of cooking.

Horrible. Unbelievable. She had discovered a hundred-and-fifty-year-old murder. Which begged the next question: Were the other ten miners killed in the same way, by humans?

She glanced at her watch: eleven minutes. She felt a sudden shiver of fear: time to get the hell out. Quickly she began packing up her stuff, preparing to exit the shed.

Suddenly she thought she heard a noise. She flicked off the LED and listened. Silence. Then she heard it again: the faintest crunching sound of snow outside the door.

Jesus, someone was coming. Paralyzed with fear, her heart pounding, she continued to listen. A definite crunch, crunch, crunch . And then — across the warehouse, in a window high up in the eaves — she saw a beam of light flash quickly across the glass. More silence. And then the muffled sound of talk and the hiss of a two-way radio.

There were people outside. With a radio.

Heights security? Cops?

She zipped up her backpack with infinite care. The coffin lid was still off. Should she slide it back on? She began to move it back into place, but it made such a loud scraping noise that she stopped. She had to get it back on, though, so in one hasty movement she shoved it back in place.

Outside she could hear more activity: crunching, whispers. There were several people outside and they were trying, not very successfully, to be quiet.

She slid the knapsack over her shoulder and moved away from the coffins. Was there an exit door in the rear? She couldn’t tell now — it was too dark — but she didn’t recall seeing one. What she needed to do was find a secure hiding place and wait this out.

Tiptoeing across the floor, she headed for the rear of the warehouse, where the giant pieces of an old ski lift had been stored — pylons, chairs, and wheels. Even as she moved across the floor she heard the door open, and she ran the last few yards. Now hushed voices could be heard in the shed. More radio noise.

Reaching the stacks of old equipment, she burrowed her way in, getting down on her hands and knees and crawling as far back as she could, twisting and turning among the giant pieces of metal.

A sudden snapping noise, and then the fluorescent tubes came popping and clinking on, bathing the warehouse in brilliant light. Corrie crawled faster, throwing herself behind a huge coil of steel cable and balling herself up, hugging her backpack to her chest, making herself as small as possible. She waited, hardly daring to breathe. Maybe they thought the padlock had been accidentally left open. Maybe they hadn’t noticed her car. Maybe they wouldn’t find her…

Footsteps crossed the cement floor. And then Corrie heard a burst of whispering. Now she could distinguish individual voices and catch snatches of phrases. With a thrill of absolute horror she heard her own name spoken — in the Texas drawl of Kermode: querulous, inciting.

She buried her head in her gloved hands, reeling from the nightmare. She could feel her heart almost bursting with anxiety and dismay. Why had she done this? Why?

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