Johnny Temple - USA Noir - Best of the Akashic Noir Series

Здесь есть возможность читать онлайн «Johnny Temple - USA Noir - Best of the Akashic Noir Series» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Город: New York, Год выпуска: 2013, ISBN: 2013, Издательство: Akashic Books, Жанр: Триллер, Детектив, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

USA Noir: Best of the Akashic Noir Series: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «USA Noir: Best of the Akashic Noir Series»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

The best USA-based stories in the Akashic noir series, compiled into one volume and edited by Johnny Temple!

USA Noir: Best of the Akashic Noir Series — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «USA Noir: Best of the Akashic Noir Series», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

There was something exhilarating about it. I was in the map, there for anyone searching Princeton to see. (Until, of course, the vehicle came through again in four weeks, replacing the world like the Flood.) Sitting at my kitchen counter, leaning into the screen of a laptop I bought because, like everybody else, I liked the way it looked, I felt part of the physical world. The feeling was complicated: simultaneously empowering and emasculating. It was an approximate feeling had by someone unable to locate his actual feelings.

I asked myself: Should I go on a trip?

I asked: Should I try to write a book?

Should I apologize? To whom should I apologize? I’d already apologized to my wife in every way possible. To the girl’s parents? What was there to apologize for ? Would an apology retroactively create a crime?

There were the problems of shame and anger, of wanting to avoid and manufacture encounters like the one with the student at the streetlight. I needed to be away from judgment, and I needed to be understood. There was nothing keeping me. I’d never been enthusiastic about teaching, but I’d lost my enthusiasm for everything . I felt, in the deepest sense, uninspired, deflated. I’d lost my ability to experience urgency, as if I thought I was never going to die.

I took a left on Chestnut, and suddenly heard something beautiful. Heard , so I wasn’t in the map. This was real. The music was coming from someone’s earphones, a student’s. She was wearing sweatpants, like the athletes do after their showers after practice. It was a beautiful song, so beautiful it made me ecstatic and depressed. I didn’t know how I felt. I didn’t know how to ask what the song was. I didn’t want to interrupt her, or risk a condemnatory look. I kept a fixed distance. She entered a dorm. There was nothing to do.

Afraid of forgetting the tune, I called my phone, and left myself a message, humming the bit I could remember. And then I forgot about it, and after seven days my phone automatically erased saved messages. And then, too late, I remembered. So I took my phone to the store where I bought it and asked if there was any way to recover an erased message. The clerk suggested I send the SIM card to the manufacturer, which I did, and seven weeks later I was e-mailed a digital file with every message I’d received since buying the phone. I found nothing remarkable in this, felt no even small thrill in the confirmation that nothing is ever lost. I was angered or saddened by its inability to impress me.

This was the first message:

Hi. It’s Julie. Either you’re hearing this, and therefore deserve to be congratulated on having entered the modern world, or—and this seems equally likely—you have no idea what the blinking red light means, and my voice is hanging in some kind of digital purgatory… If you don’t call me back, I’ll assume the latter. Anyway, I just walked out of your office, and wanted to thank you for your generosity. I appreciate it more than you could know. You kept saying, “It goes without saying,” but none of it went without saying. As for dinner, that sounds really nice. At the risk of inserting awkwardness, maybe we should go somewhere off campus, just to, I don’t know, get away from people? Awkward? Crazy? You wouldn’t tell me. Maybe you would. It goes without saying that I loathe awkwardness and craziness. And the more I talk about it, the worse it gets. So I’m going to cut my losses. Call me back and we can make a plan.

That was how it began. Dinner was my suggestion, going off campus was hers. It was a pattern we learned to make use of: I asked if she wanted something to drink, she ordered wine; I wiped something nonexistent from her cheek, she held my hand against her face; I asked her to stay in the car to talk for another few minutes…

The final message was me humming the unknown song to myself.

* * *

I went to Venice in the map. Never having been to actual Venice, I have no idea how the experience measured up. Obviously there were no smells, no sounds, no brushing shoulders with Venetians, and so on. (It is only a matter of time before the map fills out with such sensations.) But I did walk across the Bridge of Sighs, and I did see Saint Mark’s Basilica. I walked through Piazza San Marco, read Joseph Brodsky’s tombstone on San Michele, window-shopped the glass factories of the Murano islands (bulbs of molten glass held in place at the ends of those long straws until the next month). I looked out at the digital water, its unmoving current holding vaporettos in place. I tried to keep walking, right out onto the water. And I did.

Only someone who hasn’t given himself over to the map would scoff at the deficiency of the experience. The deficiency is the fullness: removing a bit of life can make life feel so much more vivid—like closing your eyes to hear better. No, like closing your eyes to remember the value of sight.

I went to Rio, to Kyoto, to Capetown. I searched the flea markets of Jaffa, pressed my nose to the windows of the Champs-élysées, waded with the crows through the mountains at Fresh Kills.

I went to Eastern Europe, visiting, as I had always promised her I would, the village of my grandmother’s birth. Nothing was left, no indication of what had once been a bustling trading point. I searched the ground for any remnant, and was able to find a chunk of brick. I download images of the brick from a number of perspectives, and sent them to a friend in the engineering department. He was able to model the remnant, and fabricate it on a 3-D-rendering printer. He gave me two of them: one I kept on my desk, the other I sent to my mother to place on my grandmother’s grave.

I went to the hospital where I was born. It has since been replaced with a new hospital.

I went to my elementary school. The playground had been built on to accommodate more students. Where do the children play?

I went to the neighborhood in which my father grew up. I went to his house. My father is not a known person. There will never be a plaque outside of his childhood home letting the world know that he was born there. I had a plaque made, mailed it to my younger brother, and asked him to affix it with Velcro on the sixteenth of the following month. I returned to his house that afternoon and there it was.

Instead of dropping myself back down in Princeton, I decided to walk all the way home. It is quicker to walk in the map, as each stride can cover a full city block, but I knew it would take me most of the night. I didn’t mind. I wanted it that way. The night had to be filled. Halfway across the George Washington Bridge I looked down.

Nothing ever happens because nothing can happen, because despite the music, movies, and novels that have inspired us to believe that the extraordinary is right around the corner, we’ve been disappointed by experience. The dissonance between what we’ve been promised and what we’ve been given would make anyone confused and lonely. I was only ever trying to inch my imitation of life closer to life.

I can’t remember the last time I didn’t pause halfway across a bridge and look down. I wanted to call out, but to whom? Nobody would hear me because there’s no sound. I was there, but everyone around me was in the past. I watched my braveness climb onto the railing and leap: the suicide of my suicide.

* * *

On the fourth of the next month, I walked beside the vehicle. It was easy to keep pace with it, as the clarity of the photographs depends on the car moving quite slowly. I took a right down Harrison when the car did, and another right on Patton, and a left on Broadmead. The windows were tinted—apparently the drivers have been subject to insults and arguments—so I didn’t know if I was even noticed. The driver certainly didn’t adjust his driving in any way to suggest so. I walked beside him for more than two hours, and only stopped when the blister on my right heel became unbearable. I had wanted to outlast him, catch him on his lunch break, or filling up at the gas station. That would have been a victory, or at least a kind of intimacy. What would I have said? Do you recognize me?

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «USA Noir: Best of the Akashic Noir Series»

Представляем Вашему вниманию похожие книги на «USA Noir: Best of the Akashic Noir Series» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «USA Noir: Best of the Akashic Noir Series»

Обсуждение, отзывы о книге «USA Noir: Best of the Akashic Noir Series» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x