Johnny Temple - USA Noir - Best of the Akashic Noir Series

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The best USA-based stories in the Akashic noir series, compiled into one volume and edited by Johnny Temple!

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There was a laugh then and it struck me hard right through the swirling muzz in my head, but it was warm, rippling, and it broke up some of the nastiness for me, but not enough.

Coming from one of the trailers, a faded red one with a rolling top, like a curling tongue. There was something glowing inside and there was music.

I felt my ankle twist on a bottle curved deep into the earth. I could hear the music, a thud-thud, bass tickling me, promising things, and I walked closer, I just did.

I walked closer like I could, like I was allowed, even as this was no place for me. That tickling laugh kept rolling itself out, felt like long fingers uncoiling just shy of me, just shy of my body, hot and itchy under my coat, aching for the cold wind ripping off the water and instead this runny canal, a ditch swelling.

And then there it was.

Soft, high, sweet, Keri’s own laugh.

Like when we watched a funny movie or when we watched Joni make cross-eyes or when we danced in our bedrooms, singing, singing until we thought our lungs would burst.

But then turning, turning like a dial and the laugh got lower, throatier, and I could feel it prickling under my skin, then sinking through me, down my legs, along the twitching pain in my ankle, straight into the ground.

Reaching under my feet.

And in my head, I could see her face and she’s lying on a stripped mattress, hair spread out beneath, a windmill, and she’s laughing and twisting and squirming, her head tilting back, neck arching, and who knew what was happening, what was happening to draw that throaty laugh from her, pump that bursting flush into her cheeks, face, God, Keri, God, all kinds of dark hands on her, she at the center of some awful white-girl gangbang. All those hands touching her white white-girl skin. These are the things I thought, I won’t claim otherwise.

* * *

I was standing ten seconds, a minute, who knew, the cold snaking around me but not touching. I could’ve stood forever, twenty feet from that trailer, watching. But then. But then. The sound.

A hinge struck and I could hear and there it was, I could see they weren’t in the trailer but on the other side of it and there I was, back to the mangled sheet metal, sidling around, and that’s when I saw the bonfire that made the glow and I hid behind the tinsely branches of a half-fallen tree and I watched and I saw everything, or figured I did.

There were two black guys and a white guy and there was a tall black girl with a dark jacket on and I could see it had gold print struck in it and then I saw it was a letter jacket, Keri’s letter jacket from volleyball, and the girl was climbing on the picnic table and that was where Keri was and she was dancing. She was dancing to the music from the radio they’d brought and one of the black guys, Keri was saying something to him as she danced, and he was laughing and watching her and I could tell he was the one she was with, you could see it in his eyes and hers, it was vibrating between them.

She was there in the Homecoming Court, resplendent in her floral dress, smiling brightly, waving at everyone and standing ramrod straight, face perfect and still.

And the black girl joined Keri and the girl had a can of beer and so did Keri and the guys, they were shouting and they were lightly rocking the table, and the white guy was tipping a bottle of something into his mouth and singing about how some girl was his twilight zone, his Al Capone, and I could smell the pot and a lot was going on like at any party and it seemed like maybe more, but I was watching Keri and Keri’s face, it was lit from the fire and it was a crazy orange flaring up her cheeks and she was wearing her long cashmere muffler from Jacobson’s, coiled around her neck, flapping tight in the wind, and she was dancing and the fire lit her hair and I could see her face and it was like I’d never seen it before and never would again because things made sense even if they didn’t because there was something there that I felt twenty years too young to understand, no, not too young, because I couldn’t understand it because she was fathoms deep and I would be driving along Kercheval in fifteen minutes, driving to my family’s three-bedroom colonial and tucking myself in and hoping the boy would call and thinking about the next party and here was Keri and she was fathoms deep and I was…

* * *

I couldn’t have known, watching her there, watching her dancing and looking like that, feeling that way, that she would be gone by finals, by junior prom even. I never said a word about what I saw and I never told her to watch out either, even though, the way I was, I could only see it as she was going for broke and it could turn out any number of ways but most of them bad. But even if I had tried to warn her, to hold her back, it wouldn’t have mattered because I would’ve told her to watch out for the wrong things, the wrong places. I couldn’t have known, watching her there, that two weeks later she’d be driving a drunken Kirk Deegan home late after a postgame party, driving him in his Audi and coming into the Deegan garage too close to the wall and shearing off the sideview mirror. I couldn’t have known Kirk Deegan would get so mad and push her so hard against the garage wall and her head hitting that pipe and then turning and hitting the edge of the shovel hanging and what must have been a sickening crack and her falling and her dying and her dying there on the floor of his garage. Her dying on the floor of his garage and him there, too dumbstruck to call the police, an ambulance, his parents, anyone, for a half hour while she was there, hair spread on the cement floor like a windmill and then gone forever. I couldn’t have known that. But one way or another I did.

PUBLIC TRANSPORTATION

by Lee Child

Chandler, Arizona
(Originally published in Phoenix Noir)

He said he wouldn’t talk to me. I asked him why. He said because he was a cop and I was a journalist. I said he sounded like a guy with something to hide. He said no, he had nothing to hide.

“So talk to me,” I said, and I knew he would.

He scuffed around for a minute more, hands on the top of the bar, drumming his fingers, moving a little on his stool. I knew him fairly well. He was edging out of the summer of his career and entering the autumn. His best years were behind him. He was in the valley, facing a long ten years before his pension. He liked winning, but losing didn’t worry him too much. He was a realistic man. But he liked to be sure. What he hated was not really knowing whether he had won or lost.

“From the top,” I said.

He shrugged and took a sip of his beer and sighed and blew fumes toward the mirror facing us. Then he started with the 911 call. The house, out beyond Chandler, south and east of the city. A long low ranch, prosperous, walled in, the unlit pool, the darkness. The parents, arriving home from a party. The silence. The busted window, the empty bed. The trail of blood through the hallway. The daughter’s body, all ripped up. Fourteen years old, damaged in a way he still wasn’t prepared to discuss.

I said, “There were details that you withheld.”

He asked, “How do you know?”

“You guys always do that. To evaluate the confessions.”

He nodded.

I asked, “How many confessions did you get?”

“A hundred and eight.”

“All phony?”

“Of course.”

“What information did you withhold?”

“I’m not going to tell you.”

“Why not? You not sure you got the right guy?”

He didn’t answer.

“Keep going,” I said.

So he did. The scene was clearly fresh. The parents had gotten back maybe moments after the perpetrator had exited. Police response had been fast. The blood on the hallway carpet was still liquid. Dark red, not black, against the kid’s pale skin. The kid’s pale skin was a problem from the start. They all knew it. They were in a position to act fast and heavy, so they were going to, and they knew it would be claimed later that the speed was all about the kid being white, not black or brown. It wasn’t. It was a question of luck and timing. They got a fresh scene, and they got a couple of breaks. I nodded, like I accepted his view. Which I did. I was a journalist, and I liked mischief as much as the next guy, but sometimes things were straightforward.

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