Simon Beckett - Stone Bruises

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Stone Bruises: краткое содержание, описание и аннотация

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‘Somebody!’ I half-sob and then, more quietly, ‘Please.’ The words seem absorbed by the afternoon heat, lost amongst the trees. In their aftermath, the silence descends again. I know then that I’m not going anywhere… Sean is on the run. We don’t know why and we don’t know from whom. Under a relentless French sun, he’s abandoned his bloodstained car and taken to the parched fields and country lanes. And now he’s badly injured.
Almost unconscious from pain and loss of blood, he’s rescued and nursed by two young women on an isolated farm. Their volatile father, Arnaud, is violently protective of his privacy and makes his dislike of the young Englishman clear. Sean’s uncertain whether he’s a patient or a prisoner but there’s something beguiling about the farm. Tranquil and remote, it’s a perfect place to hide.
Except some questions can’t be ignored. Why has Arnaud gone to such extreme lengths to cut off his family from the outside world? Why is he so hated in the neighbouring village? And why won’t anyone talk about his daughter’s estranged lover?
As Sean tries to lose himself in the heat and dust of a French summer, he comes to realise that the farm has secrets of its own. It might be a perfect hiding place but that means nobody knows he’s there…
…which would make it the perfect place to die.

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Yes, you do! What gives you the right to tell me what to do? I’m sick of you acting like—

There’s a sharp crack of flesh on flesh. A moment later the door is flung open and Gretchen bursts out. I quickly move into the stable block as Mathilde appears in the doorway.

‘Gretchen!’

She sounds anguished. Gretchen spins around to face her, revealing a reddened imprint on her cheek.

‘I hate you!’

She runs across the courtyard. Mathilde starts after her, but halts at the sound of Michel’s crying. The unhappiness is written plain on her face before she notices me. Turning away, she goes back inside to her son.

I step out of the stable block’s shelter, making sure first that Gretchen has gone. Whatever problem she has with Mathilde, I’d rather not be caught in the middle of it. The farm’s usual quiet has returned. I head back for the barn, unsure what to do. There’s no point in mixing up a batch of mortar; it must be nearly lunch time and after my early start I don’t feel like clambering up the scaffold straight away. The coffee has left me thirstier than ever, so I go to the tap for a drink. As usual, the barn is cool and smells of old wood and sour wine. I turn the tap on, cupping my hands under the cold spatter. Over the top of its splashing I hear another noise. Turning off the tap, I go out of the barn, wiping my wet hands on my overalls. There’s a ruckus coming from the woods down by the lake. It’s too far away to make much out, but from the squeals it sounds like another sow is meeting its maker.

Then I hear the scream.

It’s Gretchen.

I set off down the track, stabbing my walking stick down in a gait that’s half-run, half-skip. The commotion becomes louder as I near the sanglochon pens. Shouts, barking, squealing. When I reach the clearing I see Georges, the boar and Lulu engaged in a complex dance. The old man is trying to herd the boar back into its pen while Lulu makes mad dashes at it. Enraged, the boar is wheeling round to try to get at her, thumping against the piece of board Georges is using to push it and almost barging the old man off his feet.

Nearby, Gretchen presses her hands to her mouth, transfixed.

‘Get the dog!’ Georges is shouting at her, struggling to block the boar and kick the spaniel away at the same time. ‘Get hold of it!’

Gretchen doesn’t move. I can see the old man is tiring. His attempts to keep the two animals apart are growing laboured. He glances around as I enter the clearing, and Lulu takes that moment to dart behind his legs. He staggers, losing his grip on the board, and as the dog tries to jink away the boar surges forward. There’s a shrill cry and an audible crunch as its jaws close on the spaniel’s hind leg.

I plough straight into the boar without slowing, hoping to knock it away from the dog. It’s like running into a tree trunk. My momentum carries me over its back, the breath huffing from me as I pitch onto the ground on the other side. I scramble away, frantically kicking at the thing’s tusks as it turns on me, and then Georges thrusts the board between us.

‘Get the other one!’ he shouts.

It’s propped against the fence. I grab it and rush back, snatching up my walking stick from where it landed. Pushing my board next to Georges’s, I bring the stick down on the boar’s head.

‘Not so hard!’ Georges snaps.

The boar doesn’t feel it anyway. It butts and thrusts at our boards as the spaniel crawls and flops away, her leg trailing behind her. Then Arnaud is there as well, adding his weight to ours. The three of us push and slap at the pig, using the boards to block its vision until at last we manage to steer it back inside its pen. It throws itself against the fence but Arnaud has already slammed and fastened the gate.

His face is grim as he turns to Georges, breathing heavily. ‘How did he get out?’

‘The gate was open,’ Georges states flatly. He’s the least winded of the three of us.

‘Christ almighty, didn’t you check it?’

The old man gives Arnaud a reproving look. ‘Yes.’

‘It couldn’t have opened itself!’

‘No,’ Georges agrees.

Arnaud’s face sets. ‘Where’s Gretchen?’

She’s nowhere in sight. Mathilde is there, though, crouching by the spaniel. It’s panting in shock, one hind paw hanging by threads of bloody tissue. Arnaud looks down at it, tight-mouthed.

‘I’ll fetch my rifle.’

Mathilde begins trying to lift the dog.

‘What are you doing?’ he asks.

‘I’m taking her to the veterinarian.’

‘No, you’re not. A bullet’s the best thing for her.’

Mathilde doesn’t answer. She struggles to her feet, hugging Lulu to her chest. The dog screams as its leg flops against her.

‘Didn’t you hear what I said?’ Arnaud demands.

‘I heard.’

She takes a step forward. He’s blocking her way.

‘You’re not going anywhere! Put her down and—’

‘No!’

The refusal stops him dead. It’s the first time I’ve seen her stand up to him. Arnaud glares at her, but Mathilde stares back, white-faced to his mottled anger.

‘I’m not going to let you kill her.’

She doesn’t raise her voice this time, but there’s no doubting the purpose in it. For a moment I think Arnaud is going to hit her. Then he moves aside.

‘Please yourself. Just don’t expect me to pay for the vet.’

Mathilde goes past him, straining under the dog’s dead weight.

‘Let me,’ I say.

‘I can manage.’

But she doesn’t resist. Lulu whimpers as she’s passed over. I feel Arnaud watching me. I have a sudden intuition that he might think that I’m helping Mathilde because of what he said earlier, that I’m fulfilling my part of a tacit bargain. The thought angers me as I turn and find Gretchen standing behind us.

Her face is smeared with tears. She looks anywhere but at Lulu, although her eyes seem to be constantly drawn towards the dog’s leg.

Arnaud pushes past me and seizes her arm.

‘Did you open the gate?’ Her head is down on her chest. He grabs her shoulders and shakes her. ‘Answer me! Did you open the gate?’

‘No!’

‘Then how did the boar get out!’

‘I don’t know! Leave me alone.’

She tries to pull free but he twists her around to face the dog. ‘Look! Look what you’ve done!’

‘I didn’t do anything! Get off !’

She wrenches free and runs into the wood. Arnaud stares after her, then turns on us.

‘Go, if you’re going!’ he snaps, and stamps off towards the pens.

I do my best not to jolt the dog as I carry her back to the courtyard, letting Mathilde bring my walking stick. My foot holds up well, considering. When we get to the van she spreads out an old blanket on the passenger seat. The spaniel is shivering but still licks my hand as I set her down. Her hind leg looks as though it’s been minced. Splinters of white bone pierce the bloodied flesh, and for once I think Arnaud might be right. We’re only prolonging her suffering. But she isn’t my dog, and it isn’t my place to say.

Mathilde shuts the door and goes around to the driver’s side.

‘Do you want me to take her?’ I ask, knowing how she feels about going into town.

‘It’s all right.’

‘Shall I come with you?’

‘No, thank you. We’ll be fine.’

She’s like a stranger. I watch her drive up the track, easing over the bumps. The van reaches a bend and is lost in the trees, leaving behind a slowly settling trail of dust. When the sound of its engine fades it’s just as though nothing has happened.

London

JULES COMES BACK to the bar the following week. It’s early and the bar is quiet. Kai, Sergei’s boyfriend, has brought me a coffee and is chatting to Dee about the best way to cook a rice timbale. I’m half-listening, keeping an eye on the entrance. I’m about to take a drink of coffee when the door opens and Lenny walks in.

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