Simon Beckett - Stone Bruises

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Stone Bruises: краткое содержание, описание и аннотация

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‘Somebody!’ I half-sob and then, more quietly, ‘Please.’ The words seem absorbed by the afternoon heat, lost amongst the trees. In their aftermath, the silence descends again. I know then that I’m not going anywhere… Sean is on the run. We don’t know why and we don’t know from whom. Under a relentless French sun, he’s abandoned his bloodstained car and taken to the parched fields and country lanes. And now he’s badly injured.
Almost unconscious from pain and loss of blood, he’s rescued and nursed by two young women on an isolated farm. Their volatile father, Arnaud, is violently protective of his privacy and makes his dislike of the young Englishman clear. Sean’s uncertain whether he’s a patient or a prisoner but there’s something beguiling about the farm. Tranquil and remote, it’s a perfect place to hide.
Except some questions can’t be ignored. Why has Arnaud gone to such extreme lengths to cut off his family from the outside world? Why is he so hated in the neighbouring village? And why won’t anyone talk about his daughter’s estranged lover?
As Sean tries to lose himself in the heat and dust of a French summer, he comes to realise that the farm has secrets of its own. It might be a perfect hiding place but that means nobody knows he’s there…
…which would make it the perfect place to die.

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‘This is nothing, is it? And does Philippe know one of his mechanics is bumming off work doing this sort of “nothing” in the town square?’

‘Keep out of it, Jean-Claude.’

‘Why? So you stupid shits can beat someone up in the middle of town?’

‘It’s none of your business.’

‘None of my business? Whose business is it if it isn’t mine? Yours?’

‘He’s working for Arnaud. He’s got no right to be here.’

‘And you have?’ The man’s stubbled face is growing darker. ‘OK, if you’re going to beat anyone up you can start with me.’

‘Jean-Claude—’

‘What are you waiting for?’ He spreads his hands, looking capable of snapping all three younger men in half. ‘Come on, hero, I’m waiting.’

Didier looks down at his feet.

‘No? Lost your taste for it?’ The man shakes his head, disgusted. ‘Go on, fuck off, all of you.’

They don’t move.

‘I said go!’

Reluctantly, they begin to drift away. Didier pauses long enough to point at me.

‘Don’t think this is over.’

The man watches them stalk off. ‘You all right?’

I nod, but I have to lean against the fountain to hide my shaking. My cheek hurts from Didier’s punch and my stomach feels bruised, but there’s nothing serious.

I raise a hand in acknowledgement as the old boules player goes back to the game, then retrieve my walking stick and straighten to face the man who’s just saved me. I don’t blame my attackers for backing down. He’s about my height, but there’s the solidness of a rock about him, and the thick hands are so calloused they look incapable of bleeding.

‘Thanks,’ I say.

‘Forget it. I should be the one apologizing.’ He shakes his head in disgust. ‘Didier’s my cousin. When he screws up it always comes back on the family.’

‘I appreciate it, anyway.’ I lift the dripping bag of croissants from the fountain. Water streams from the sodden pastries as I drop them in a bin. ‘What’s his problem with Arnaud?’

The big man glances at my overalls. I get the impression he’s been trying hard not to. ‘You’re working on the house?’

‘I just came in for building supplies.’

I notice he’s avoided answering my question. For the first time it occurs to me that, if I’m right about him being Michel’s father, then I might have taken his job. But his next statement rules that out.

‘I manage the builders’ yard. I must have missed you.’ Again, his eyes go to the overalls I’m wearing. ‘How did you wind up at Arnaud’s?’

‘I was hitching and injured my foot in their woods. Mathilde patched me up.’

‘I thought you said you trod on a nail?’

It’s my turn to be evasive. I don’t want to lie to him, but I don’t want to stir up trouble either.

‘Why is everyone so worked up about Arnaud? What’s he done?’ I ask instead.

Jean-Claude’s face closes down. ‘Nothing that concerns you.’

‘That isn’t what Didier thought.’

‘Didier’s a prick. But if you want my advice, stay clear of town. Or better still, find somewhere else to work.’

‘Why? Come on, you can’t just leave it at that,’ I say, as he starts to go.

For a second or two I can see he’s torn. He rubs at his chin, turning over some point in his mind. Then he shakes his head, more to himself than to me.

‘Tell Mathilde that Jean-Claude was asking after his nephew.’

Leaving me by the fountain, he walks out of the square.

11

IN THE HEAT of the sun the drying mortar gives off a smell as evocative as freshly baked bread. I mix the sand and cement together in the metal tub, then carry a bucketful up to the top of the scaffold. I transfer a small pile onto a wooden board, about a foot square, that I found in the storeroom, then trowel it into the grooves I’ve hacked out between the stones.

Pointing the wall is slow work yet oddly restful. There’s something pleasurable about the soft hiss the trowel makes as I run the flat of its blade along the wet mortar to smooth it. Foot by foot, the wall is being remade. I replace the loose stones as I come to them, easing each heavy block into place and then mortaring around it until it’s indistinguishable from the rest. In the days since I visited the town, the upper level of the house has begun to look solid and whole rather than a ruin on the verge of collapse. Each evening when I stop work I get a small charge when I look at what I’ve accomplished. It’s a long time since I’ve done anything constructive.

It’s longer since I’ve done anything I’ve felt proud of.

I finish the last of the mortar and take the bucket down to the storeroom to refill. The afternoon sun is blinding overhead, whiting out the blue of the sky with its mindless heat. When it’s like this it’s impossible to imagine the same landscape in winter, made brown and brittle or hidden under a skim of frost. But I know it’ll come, all the same.

What little mortar is left in the galvanized tub has set. I scrape it out onto the pile outside the storeroom and decide I’ve earned a rest before I mix another batch. I sit in the shade and light up a cigarette. From down here it’s apparent just how much there is still to do. The knowledge is somehow comforting. I take another drag on the cigarette, contemplating it.

‘I’m not paying you to sit on your arse.’

Arnaud has appeared around the corner of the house. I take an unhurried drag of the cigarette.

‘You’ve not paid me for anything yet.’

‘What do you call three meals a day and a roof over your head? You’ll get the rest when you’ve earned it.’ He squints up at the house. The completed section seems even smaller than it did a moment ago. ‘Not done much, have you?’

‘I want to do it properly.’

‘It’s a wall, not the Venus de Milo.’

It’s on the tip of my tongue to say he’s welcome to get someone from town to do it instead, but I stop myself. Although we haven’t spoken about what happened in town with Didier and his friends, I’m sure Arnaud will have heard about it from Mathilde or Gretchen. Mathilde had asked about the bruise on my face from where Didier punched me. Predictably, she didn’t pass any comment, although she’d looked shaken when I gave her Jean-Claude’s message. Equally predictably, Gretchen was delighted to hear that I’d been in a fight, especially when she discovered who it was with.

‘What did Didier say? Did he mention me?’

‘Not really.’ She’d be less pleased if she knew what he’d been boasting. ‘Who is he, an old boyfriend?’

‘Oh no. Just someone I see sometimes.’ She’d shrugged, archly. ‘I haven’t seen him for a while, though. He’s probably jealous. That’s why he picked a fight with you.’

I doubted that, but I was starting to guess why the gate was unlocked when I first came to the farm. It couldn’t be easy for Gretchen to meet any local boys with Arnaud watching over her.

‘I got the impression it was more to do with your father. What’s he done to upset everyone?’ I asked.

‘Papa hasn’t done anything. It’s them,’ she’d said, and retreated into one of her sulks.

Since then there’s been no further mention of the incident; if not for the new bruise on my face it might never have happened. But I’ve come to understand that the farm has a way of absorbing events, closing over them like the stones I toss into the lake.

A few ripples to mark their passing, then they’re gone.

Arnaud regards the wall for a moment longer then jerks his head at me. ‘That can wait. Come on.’

‘Where?’

But he’s already walking away. I’m tempted to stay where I am, then I give in and go after him. He crosses the courtyard to the stable block and goes behind the tractor occupying one of the archways. By the time I’ve squeezed past it myself he’s already lifting something down from the back wall.

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