Nicola Griffith - Stay

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Stay: краткое содержание, описание и аннотация

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Aud (it rhymes with “shroud”) Torvingen is six feet tall with blond hair and blue eyes. She can restore a log cabin with antique tools or put a man in a coma with her bare hands. As imagined by Nicola Griffith in this ferocious masterpiece of literary noir, Aud is a hero who combines the tortured complexity with moral authority.
In the aftermath of her lover’s murder, the last thing a grieving Aud wants is another case. Against her better judgment she agrees to track down an old friend’s runaway fiancée—and finds herself up against both a sociopath so artful that the law can’t touch him, and the terrible specters of loss and guilt. As stylish as this year’s Prada and as arresting as a razor at the throat,
places Nicola Griffith in the first rank of new-wave crime writers.

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She closed the door behind me.

On the way down the stairs, climbing into the truck, putting the engine in gear, I kept feeling that cricket kiss on my cheek.

Back in the park, I managed to get out of the truck and into the trailer. The dizziness was passing; probably more long-delayed shock than concussion. I stripped, and probed at my ribs cautiously. There was no way to be sure without an X ray but I didn’t think anything was broken. I strapped myself up as well as I could, took more ibuprofen and some Vicodin—not much left—and forced down an apple, half a can of tuna, and two glasses of water. I propped myself on the couch with a bag of ice on either side of my knee. It hurt too much to lie down.

I dozed for a while.

When I woke, I felt shaky, but I could think. I forced myself to my feet, found a flashlight. My phone was in the truck. Might as well take a look at the hitch while I was out there.

The lever that unclamped the tongue had snapped off. Not dangerous, just a nuisance: I’d have to drag the trailer behind me for the rest of my stay in Arkansas because getting the hitch off would destroy it.

Back inside, I called Bette’s emergency number. It was an hour later in Atlanta, and she usually retired before nine, but she answered on the third ring and didn’t ask questions, just let me outline what I needed. I spelled out the exact terms: money, school attendance, home access to information, penalty for breaking the agreement. “Please e-mail me a draft as soon as you can.”

“Shouldn’t take long. Basically we’re talking about customizing a general child custody agreement. Do you want any visitation rights—her coming to you, you going to her? Vacations, weekends?”

I touched my cheek.

“Aud? Hello?”

When I had gone back to Norway as a child, speaking English with more fluency than Norwegian, my great-aunt Hjordis gave me books and helped me with the words I didn’t understand. When my mother was busy and my father out of town, she had wrapped me in a warm coat, taken me by the mittened hand, and walked with me through the city, pointing out the different buildings, telling me their history, funny stories about people who had lived there that weren’t written on the plaques or in books. She had helped me belong.

“Are you still there? Hello? Goddamn these cellular—”

“Sorry, Bette. Yes. Visitation rights. I don’t know yet. Can you keep the door open?”

“I could write a general clause about unsupervised access, to be mutually determined at some unspecified later date, permission not to be unreasonably withheld, etc. etc. Would that suit?”

“Yes.”

“I’ll get right on it.” She hung up.

Bette loved the unusual, the unexpected. She loved her work. I could see her pulling on her robe, walking barefoot down the carpeted hallway to her home office, sitting down, rubbing her hands. I’d have the draft within the hour.

There were other things to do, but I felt restless and unsettled, as though my skin didn’t fit. I managed half a bottle of beer and no food at all. Towards midnight I left the trailer and stood in the dark under the trees.

The afternoon sky above the Carpenters’ house was an ominous yellow gray and the air smelled metallic. If the temperature fell a few more degrees it would snow. Maybe not today, maybe not tomorrow, but soon. I transferred the briefcase to my left hand and knocked. Adeline answered the door in a daffodil yellow apron, wiping flour from her hands. Julia and I had eaten homemade food once. It was at Aunt Hjordis’s house in Oslo. “A fine morning,” she said. Her faded blue eyes looked ten years younger. “Jud will be just a while.” She glanced at the briefcase.

“How long a while?”

“Oh, not long. An hour? He’s just… well, you know how he is. He’s just running through things in his mind, getting it all to hand, so to speak.” She looked past me. “I see you’ve brought that trailer again.”

“The hitch is broken.”

“Yes, well. Still, it’s a piece of good fortune. Button has been talking about nothing else since yesterday. Jud took them up to Conway for swimming first thing but the boy just won’t be distracted. He’d dearly love to see inside. I’ll send them out to you, shall I?” She smiled brightly, back to the Kind Christian Lady mode of getting her own way.

Aud rhymes with cowed.

“Luz!” Adeline called as she headed back into the house, “Button! Miz Thomas is here, and she says you can play in her trailer!”

• • •

I had barely dropped the briefcase on one of the recliners before Button was picking up the grapefruit knife I’d left in the drainer that morning. I took it away from him and asked Luz to sit for a moment while I made sure there was nothing else sharp lying within reach. She seemed fascinated by the luxury of the leather recliners; as I put away a bottle opener, I saw her furtively stroking the leather of her shoes and then the chairs, as if wondering how both could be the skin of an animal. She eyed the briefcase. My knee was less swollen today, but the pain was worse, as was the pain in my ribs. Stretching up to the higher cupboards hurt.

Eventually everything harmful was out of reach. Button found a paper clip and became absorbed in its shape, so I left him to it. I moved the briefcase from the chair opposite Luz and sat. My heart was beating faster than it should have been, and my mouth was dry. Perhaps it was a blood sugar problem.

“Is your knee better?” she said.

“Yes, thank you. The, ah, the kiss worked. For my knee.”

She nodded solemnly. “Aba always puts a Band-Aid on mine.”

“Good,” I said. Gentian violet. That’s what Hjordis had used on my cuts and scrapes.

I looked at Luz, she looked at me. She had seen me bludgeon two adults half to death with a gun. I had no idea how to begin, or even what I wanted to begin.

“How are you?” I said.

She shrugged. Her eyes were clear, no sign of a sleepless night, but it would come: the nightmares, the sweating, the fear that nothing around you is safe. Payment always came due.

“If you have bad dreams, you can talk to me. If you want.”

She shrugged again. I looked around the trailer. Maybe my mother hadn’t known what to do with a little girl, either.

“Would you like to see my computer?”

She didn’t say no, so I got out the laptop. The case was soft black leather. While I booted up and acted busy with screen and keyboard, she pulled the case onto her lap and stroked it with the back of her hand.

I swiveled the whole thing around on my knee so she could see the SimCity screen. “This is a game where you can build your own city.”

She gave me an uncertain look.

“Here,” I said. “Let’s put it back in the case, keep it safe while we play.” She handed over the case unwillingly, but once the laptop was snugged in place with the screen still up, I put it back on her lap, and now she paid attention. I couldn’t kneel, so I squatted next to her to type. Her hair smelled faintly of chlorine. “See, I can make factories, and parks, and farms.”

“Can you make churches?”

“Yes,” I lied, and put in a hotel.

“It doesn’t look like a church.”

“No,” I agreed. “It’s not a very good program.”

“Program,” she repeated under her breath.

“We could see if we can draw a better church.” She looked around, as if expecting crayons and paper to appear from thin air. “No, look, here.” I pulled up Photoshop. “This, here, works like a paintbrush, and this a bit like a spray can.” I sketched an outline of a cathedral. It looked like a derelict shed. She smiled politely. I erased it. “Or we could borrow someone else’s picture. From the web.” For once the connection worked first time. I went to the Library of Congress image database. And then I knew exactly what I wanted.

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