Nicola Griffith - Always

I put the glass down. My heart squeezed and released, squeezed and released as my adrenal gland pumped hormones into my bloodstream and arteries widened and surface capillaries shut down. The muscles in my jaw pulled my teeth together, my thighs twitched, I was too hot. And somebody had done this to me. They had dumped a cup of powder in a coffee urn and turned my life inside out, like a sock.

They wouldn’t have been able to if that bloody woman, Kuiper, had been paying attention. And why did she think I was out to hurt her precious Rusen, anyway? No doubt she was laughing, laughing right now, telling a friend all the stupid things I’d said.

And then I was hunting for her information, and found it: Film Food, Kuiper, Victoria K. prop., 4222 Myrtle Avenue, in Wallingford, just four blocks from the Jitterbug, according to MapQuest. And it made perfect sense to get out of bed and put on those carefully selected clothes, collect the draped-just-so jacket, complete with wallet and car keys, and leave.

MURPHY’S, THEpub on the corner, was shut. Restaurants, bars, and movie theaters were dark. Lights changed at an empty intersection. It was so quiet I could hear the new leaves of the maple tree under which I’d parked hiss and shiver. The moon was small and bright. Wallingford slept. Well, Kuiper wasn’t going to.

Number 4222 was a small, wooden bungalow, original pre-World War I cedar shakes painted sage green, woodwork bright white. No light on the porch. No light on most of the porches; obviously a low-crime area. Sodium streetlights pooled like pale brass on sidewalks, whose concrete had been wrenched out of true decades ago by the growth of tree roots. Here and there it gleamed more palely, where the concrete had been replaced. Still silent, no tree frogs, no crickets—just the river of interstate traffic about a mile away. The scent of spring flowers, delicate as lace, there and gone again. Utterly unlike Atlanta.

From the path, three concrete steps—dark, with moss growing on the uprights—led to eight wooden steps, painted a darker green than the cedar shingles, to a wooden porch. The door had glass insets, and a brass lock plate that hadn’t been replaced for forty years.

Both sets of steps had rails, but added recently, sometime in the last five years, though not very competently; the right-hand rail wobbled. Cheap, gimcrack thing; aluminum painted black to look like cast iron. Out of place.

There was no knocker on the door, no doorbell. I banged on the white gloss-painted panel between the glass. The house boomed. The sound rolled up and down the silent street. I banged again, thumping the door panel with the meaty part of my fist, five times, putting some weight behind it.

“I know you’re here,” I shouted cheerily. Her van was in the driveway. Bang. Bang, bang. Not a single neighbor’s light flicked on. Polite, circumspect, incurious. Very Scandinavian.

“It’s me”—bang—“a victim”—bang—“of your coffee.” Bang, bang. “I don’t”—bang—“even like”—bang—“coffee.” Bang, bang. “Kuiper.” Or whatever she called herself. “Kuiper.” Bang. “Come out.” Bang, bang.

Between one bang and the next, the hot, tight clarity of adrenaline drained away and I found myself panting. Something in my peripheral vision fluttered. My palm squeaked as it slid down the glossy woodwork. I locked my knees.

“No,” I said. "You won’t. You will not.” And I hung there, between standing and collapse, smelling the mysterious flowers again, wondering what they were.

The porch vibrated briefly, and with an effort that made the scar near my jugular tighten, I pushed against my hands and swayed back onto my heels before a deadbolt rattled and the door opened.

Bare feet on a lovely, ribbon-work inlaid oak floor. They must be cold. White toweling robe to her knees, and hair trapped under the collar where she’d pulled it on in a hurry. Phone in her left hand. Didn’t she know that the time to call the police was before opening the door? I opened my mouth, but the graphite sheen under her eyes, her drawn face, shocked me silent.

“What—” she began, but the flutter in the corner of my eye turned to flapping, and I lost the lock on my knees. “Fuck,” she said, and grabbed me under the arms before I went down. The phone dug into my armpit. For a moment my face hung near the opening in her robe, and I breathed the soft, buttered-toast scent of sleepy, naked woman. Then she shifted her grip, stepped in close enough to lean my forehead on her collarbone, and stuffed the phone in her pocket. “Fuck,” she said again, and half dragged me across the living room to a three-seater sofa. She dropped me awkwardly, but the old leather was soft. Luz would have liked it.

She rearranged her robe, then leaned across me and switched on a table lamp. She looked down. The exertion had given her a bit of color. “Tell me why I shouldn’t call the police”—she bent and peered at me more closely— “or maybe an ambulance.”

“I’ll be all right,” I said, sitting like an abandoned rag doll. I was so very tired of feeling helpless.

“What are you doing here? No, never mind. Just keep still. I’ll call you a cab.” She straightened and turned this way and that, as though looking for something.

“No need. I have a car.”

“You’re not fit to drive.”

“I drove here.”

“Right. And that worked out so well for you.” She wasn’t really paying attention, still scanning the room for whatever it was.

“I’m fine.”

“Of course you are.”

The color was fading in her cheeks, and she looked ill again. “Did you take some, too?”

“What?”

“Drugs. Did you take any?”

She looked at me this time. “No.”

“So why do you look so terrible?”

She folded her arms. It took me a minute to understand that her strange expression was hurt.

“No, that’s not… I didn’t mean it to sound…” I wanted to shrink to the size of an ant and creep into the cracks of the sofa.

“You do seem to have the gift of tongues. Speaking of which, you’ll have to explain the ‘tongue palace’ reference to me sometime.” She went back to scanning the room. Stilled. Sighed. Fished the phone from her pocket. “Now, a cab.”

“No cab. I’ll call my friend, Dornan.”

“Oh,” she said. “Him.”

I couldn’t interpret her tone and she didn’t offer any hints. “His number’s—”

“I have his number.” She crossed to an enormous chair, in the same battered-looking leather, at the other end of the living room, consulted a notebook, and dialed. While it rang she pulled her feet up under her, tucked her hair behind her ears, brushed an imaginary fleck from her robe. “Hey,” she said, “it’s Kick.”

Kick?

“Oh, don’t worry, I know. Three-thirty. Yep.”

Her name was Kick?

“That’s right,” she said, staring up and to the right at nothing, as people did on the phone. “Because I have a friend of yours prostrate in my living room. Uh-huh, the very same. Yes. Well, fairly lucid. Soon? Okay.”

She put the phone down and wiped her face with her hand. “He might not be able to get here for half an hour. Depends how long it will take him to get a cab.” She stood wearily. “I don’t imagine you want coffee.”

I shook my head. Three-thirty in the morning. What had I been thinking, banging on her door at this time?

She walked into the kitchen, carefully, as though she were not sure of her step. An injury? Might explain why she didn’t do stunts anymore. Water ran in the sink, then a kettle. A cupboard opened and shut. Half an hour. How many more stupid things could I say in half an hour?

I woke to find her draping me with a blanket. I struggled upright. She stepped back and pulled her robe tighter, and I got another waft of that soft, naked smell.