Stephen Hunter - Sniper's Honor

Ten thousand troy ounces at current market value was about $15.9 million, call it $16 million. That was easily within the budgetary reach of most big InterTer, Inc. operations, from Hezbollah to Al Qaeda to Taliban, but it also X’d out the myriad of smaller wannabe local actors, the MILFs (Moro Islamic Liberation Front), for example. Again, the big guys were watched very carefully by so many players that a $16 million transaction would be noted and acted upon.

Gershon concluded that this was somebody new, not a longtime gamer, somebody with very deep pockets. The attributes—big money, great security, ubiquitous but banal wealth methodology, low profile—suggested something like a onetime high-pub-value hit, a giant stroke that would astound the world. That would mean: first-class operators suddenly disappearing, falling off the grid, as they were absorbed into the new operation. If you had a minimum of $16 mil in play, you probably had more, and that would mean you could get very good guys on your team. Talent, as always, was expensive.

So: Who was missing? Who had disappeared?

The institute had a database of the world’s leading operators, indexed by niche, constantly updated. Spy novelists had gotten some things right! So he demanded of the mother lode before him:

List A (operation executive and administrative experts): Missing agents 01-01-13 to present.

There weren’t many. Anwar El-Waki, a veteran commando leader blooded heavily in Afghanistan, Iraq, and back in Afghanistan, had apparently quit the game and retired to a village in the northern Pakistan tribal area from which he had disappeared. But he was an AK-74 and RPG guy, not the sort to be involved in an international operation based on subtle financial manipulations. He threw grenades, he didn’t buy atom bombs. Dr. Jasmin Wafi, University of Saudi Arabia physicist who had been educated at King’s College, Oxford, was briefly missing, though later discovered on sex holiday in Bangkok, where his penchant for small boys attracted little attention.

Gershon sifted through the other categories.

Nuclear scientists?

Chemical-biological engineers?

EMP experts?

Missile technicians?

High-tech assassins?

Explosives professionals?

That yielded nothing except a few more names of small-potatoes guys like El-Waki and Dr. Wafi, of no particular potential for the kind of operation Gershon suspected might be building.

His next move was to go by area rather than specialty and to ask the institute’s database if, on a country-by-country or region-by-region basis, there were any missing men, units, whatever.

Again not much.

But…

But…

Yes, there was a little “but…” In Grozny, capital of Chechnya, a former sergeant in the Chechen army turned up as disappeared, though his vanishing was resolved when it was learned he had been in prison. However, on his release, whoever had been watching him stayed with him long enough to learn that he had formed a security group he called Intrusion Prevention Associates; he had hired fifteen members of his clan. The training, according to satellite blowups acquired routinely from either the Americans or the French or maybe even one of the seven Israeli birds, showed primarily drills on what would be called “area security.” That is, protecting something from somebody: where you set up outposts, how you run patrols, where your observation points are, how quickly can you get your people deployed to a point of attack. The idea, Gershon supposed, was to build a reliable cadre of security professionals in hopes of luring international corporations into establishing plants, factories, laboratories, what have you, in the Chechen postwar economy, which was going to take off any day now. Question from Gershon: Where’d he get the start-up dough? The training facility, while not up to Israeli or Western standards, looked surprisingly sophisticated. Where’d he get the moolah? Who paid?

It didn’t take long by routine network penetration maneuvers against the Chechen company for him to track down and view the accounting records. A check for $250,000 had cleared through a bank in Lausanne and was from a firm called Nordyne.

Kolomiya

The Museum Annex

Acertain donation had been made, and by and large the curator was quite helpful. He was young, fluent in Russian, eager to talk to Westerners, and took them to an outbuilding behind the museum proper.

“Times change,” he said. “Tastes change. We try to keep it interesting. Now we have the best of the big battle pictures on display, but it was a cottage industry in the old Soviet empire, particularly after the war. If you could paint a tank, you had a job for life under Stalin.”

“Do you think of it as art or history?” Reilly asked.

“It’s really politics,” he said honestly. “You see what the Russians valued and how they found those who could give them that and excluded those who could not. The paintings are technically correct, but that is the only kind of truth they tell. That’s not art, is it?”

He unlocked the door and took them in. It was like a library of paintings, most of them shelved edge-out in bins in the three or four rooms of the secondary building.

“I wish I could help you. No index, alas. I was not here when the restoration came and an earlier curator made the winnowing decision, picking the best by his lights. The museum draws well enough to keep going, so I am not going to second-guess him. Someday I’ll go through and see what’s here. I do think there is some sniper imagery here, it certainly seems logical, but I cannot address you to any particular bin or room.”

“We’ll be fine,” said Swagger.

“It’s two; the museum closes at six. If you need to come back tomorrow, that’s okay. And as I say, madam, any coverage that can appear in The Washington Post will be appreciated. Publicity: the new treasure.”

“I won’t let you down,” Kathy said.

After he’d left, they agreed to start at opposite ends and work to the middle.

The time passed, and images of battle, highly stylized by the dictates of Soviet socialist realism, fled under their sorting. The Russians were big on machines, with the T-34 the most prized of them all. That meant a lot of Panzers, Panthers, and Tigers were depicted, most of them burning or spilling burning men. After a while Bob grew bored with the German beasts catching the raw end of every exchange, especially since the casualty lists said otherwise, but the tank battle was the undeniable king of postwar combat art, with the air fight the second. The Russians, like all who had suffered terror on their behalf, hated the Stuka almost as much as the King Tiger tank, so any perusal of socialist-realist war art yielded fleets of burning, smoking Stukas, their dome canopies shredded by spiderwebbed galaxies of machine-gun fire, their gulled wing joints leaking flame and smoke, their unfoldable landing gear turned to scrap, as they augured in for a last rendezvous with Planet Earth while just behind them a triumphant Yak-3 or some other Red war prince was already into its victory roll. The aviation artists seemed to have a special gift for cloud work; these storied dogfights always took place against a vivid panoply of tumbling, backlit vapor architecture that could have supported Valhalla, either knifed by lighting or rouged to a healthy sun glow.

Of land warfare, much less, perhaps because the figure work was a little shaky. Only a few of the artists called upon to serve had much luck coming up with men hunching behind cover or running through fire, and even less with the ragged sprawl of combat trousseau worn by such men in such circumstances. In this view of war, the tunics and shirts were always immaculate, pressed, precise, because nobody wants to deal with rips, folds, drapes, weathered stains, salt crust, all that hard stuff of fabric under stress as worn on a body under stress. As well, unfolded, the uniforms were a proper platform for display of rank and medal, which seemed to be a fetish on both the Russian heroes and the German villains, many of whom—in fact, nearly all of whom—were members of the SS. From the paintings, you’d think the SS had invaded Russia with just a few trucks and autos from the larger German army in the background. That was the one war the Waffen-SS had won—the war for art direction. They had the coolest uniforms, no doubt about it.