Lydia Cooper - My Second Death

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My Second Death: краткое содержание, описание и аннотация

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In Lydia Cooper’s wry and absorbing debut novel, we are introduced to Mickey Brandis, a brilliant twenty-eight-year-old doctoral candidate in medieval literature who is part Lisbeth Salander and part Dexter. She lives in her parents’ garage and swears too often, but she never complains about the rain or cold, she rarely eats dead animals, and she hasn’t killed a man since she was ten. Her life is dull and predictable but legal, and she intends to keep it that way.
But the careful existence Mickey has created in adulthood is upended when she is mysteriously led to a condemned house where she discovers an exquisitely mutilated corpse. The same surreal afternoon, she is asked by a timid, wall-eyed art student to solve a murder that occurred twenty years earlier. While she gets deeper and deeper into the investigation, she begins to lose hold on her tenuous connection to reality—to her maddening students and graduate thesis advisor; to her stoic parents, who are no longer speaking; to her confused, chameleon-like adolescent brother; and to her older brother, Dave, a zany poet who is growing increasingly erratic and keenly interested in Mickey’s investigation.
Driven by an unforgettable voice, and filled with razor-sharp wit and vivid characters,
is a smart, suspenseful novel and a provocative examination of family, loyalty, the human psyche, and the secrets we keep to save ourselves. From “I rarely eat dead animals, and I haven’t killed a man since I was ten,” confesses University of Akron doctoral candidate Michaela “Mickey” Brandis. She’s not supernatural; she’s just antisocial. Really, really antisocial. Knowing she doesn’t have the capacity to feel or respond like other people, Mickey lives in a self-imposed exile, leaving her parents’ garage apartment only to teach and work on her thesis. Then a cryptic message in her campus mailbox directs her to an abandoned building where she finds a mutilated corpse. Later, she’s asked by one of her brother’s artist friends to solve his mother’s 20-year-old murder. Is Mickey looking for one killer or two? For a person who vomits after physical contact with others, Mickey is severely stressed by the interactions required in investigative work. Literature professor Cooper’s debut novel is a fast-paced psychological thriller with an unforgettable heroine. This damaged yet fiercely independent protagonist will appeal to fans of Stieg Larsson and Gillian Flynn.
—Karen Keefe

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He licks his lower lip. Looks over at our father. “Is that okay?”

Dad nods once. He takes off his glasses, polishes a lens.

I stand up. Aidan looks up at me. “You want me to, you know, fill them in?”

“Yes.”

“Okay.”

Stephen follows me out.

The cafeteria is in another wing. It smells like old lunchmeat and stale coffee. We buy chicken sandwiches and sit down in a booth. Someone has printed in blue ink “Jason forever” on the laminate tabletop. I wonder if Jason wrote it, or if Jason was dying somewhere in the building as someone else wielded a Bic pen in defiance of the inevitable.

Stephen peels the foil wrapper off his sandwich. He lifts the top bun and pulls out slices of pickle, leaves them on the foil wrap.

He takes a breath and looks up at me. “So what happened?”

“He cut his wrists.”

“He was on something, right?”

I take the wrapper off my sandwich. It smells like chalk. I wonder how old the chicken is.

“What kind?” Stephen asks.

I look at him. “What you’re thinking. I found a needle in the bathroom. Don’t tell Mom and Dad. Or, at least, don’t tell them I’m telling you.”

Stephen raises a shoulder, frowns at his sandwich.

I wonder when Stephen will find out about the puncture wound that severed the artery in his older brother’s thigh. Or the rest of it, the whole filthy six o’clock news special. Aidan is stringing together some version for Mom and Dad. My mouth tastes bitter, like lye and rot. I can feel my pulse in my neck, in my forehead. Everything frantic under my skin.

I pick up the sandwich and take a bite. Chew. Swallow. My mouth is dry. I reach for my waxed paper cup of water. I wish I’d ordered juice. The water tastes like soap.

“Is he going to make it?”

“I don’t know.”

The silence goes on for a long time.

Stephen scrapes his fingernail along the laminate table edge. “So I’m going to apply to the University of Dallas. In Texas.”

I cough and reach for the water again. Swirl it around in my mouth and spit it back into the cup. “You mean, like, for college?”

“Yeah.”

I don’t know what to think about his conversational gambit. “Well, you won’t get free tuition if you go there, you know.”

“Yeah.”

I take another bite of sandwich.

“You should go to UT-Austin.”

He looks up at me. “Why?”

“Because it’s two hundred miles further away from here.”

He smiles a little. He picks up his sandwich and looks at it and puts it down again. “Yeah?” he says. “Maybe I’ll apply there too.”

“What are you going to major in?”

“Biochem.”

“Premed?”

“I want to be a dentist.”

I laugh.

He looks up. His pale face flushes. “What?”

“Nothing. Just, who wants to be a dentist?”

He lifts a shoulder. “Teeth are interesting.”

I shake my head. “You are weirder than you look. You know that?”

He bites his lower lip. Then he takes a breath. He says, “You have crooked incisors too.”

“What?”

“Our teeth. We inherited crooked incisors. All of us. You have them, and Dave. I don’t have them right now because of my braces. But they’ll shift again unless I get more orthodontic work.”

“Huh. I never noticed.”

He says something so softly I can’t hear him.

“What?”

“I said, I’m more like you guys than you think.”

My heartbeat stutters. An icy trickle down my spine. I put the sandwich down.

I don’t know what to say.

He looks up at me. His eyes fill with tears.

I know what I need to do. I just don’t want to.

I wipe my hands on my thighs. Reach out and put my fingers on the sleeve of his jacket. The coarse cotton-blend fabric still cool from outside air. I press my palm against his arm, lay my hand flat against the slender bones under his jacket sleeve.

He looks down at my hand. He slides his fingers over mine. The feel of his skin like cold worms. I swallow a gag.

He grips my fingers in his.

The cafeteria is choked with sour food smells. I wonder how long I can hold still. But that’s a stupid thing to wonder. I’ll hold still as long as I have to.

He lets me go and I snatch my hand back. He wipes his palm under his nose then reaches for a napkin and blows his nose into it.

“I’m not really hungry,” he says. “If you want to head back.”

When we get back to the waiting room our parents and Aidan are still sitting in the same seats, not looking at each other. A few other people sit in isolated clots, heads bent, immobile.

My father looks like a stone effigy. The profiled head is so craggy, so chiseled that I expect a pigeon to come crap on it. Fluorescent lights shine oily and yellow on his glasses lenses.

Mom sees us and reaches out a hand for Stephen. He sits down next to her. She pulls a tissue out of her pocket and puts it against her eyes and sniffs. Offers him a tissue. He shakes his head and bites his lower lip.

My skin feels clammy. I go over to the window and lean against the cool glass.

“How long do we wait here if there’s no news?”

“How long do we wait?” My father’s voice is controlled, patient. “Do you have somewhere else you need to be, Michaela? Something else to be doing now?”

Aidan clears his throat and slides his spine down in the plastic seat.

I turn around, press my shoulder blades against the window. My father removes his glasses and pinches the bridge of his nose. He presses and releases and settles the glasses on his face again, tucking the earpieces behind his ears.

“I understand why you wanted Mr. Devorecek to talk to us,” he says, “but you are far stupider than you appear if you think that we are not going to talk about this. If you think for one second that you can expect this not to — not to be discussed .”

I blink, startled. Look at Aidan. He is slouched in the seat, fists burrowed under opposite armpits.

“I guess that makes me stupid, then. What the fuck are you talking about?”

A young child kneeling on a chair across the room is digging a plastic G.I. Joe action figure’s head into his nose and then licking the snot off the plastic helmet. When I say “fuck,” his eyes widen and dart up to my face. I glare at him. He just gapes back, saliva glistening on his lower lip.

Aidan gets up. “All right. I think I’m going to the vending machine. Anything for you, Mrs. Brandis?”

“No, thank you.” Her nose is clogged and it sounds like she has said, Doe thag you .

“How about you, Stephen?”

“I just went to the caf with Mickey.”

“Go get something else.” Our father pulls out his wallet and folds a five dollar bill into Stephen’s hand.

Stephen looks at the bill and then up at me.

“Go,” our father says. “Aidan, please take him to the vending machines.”

“Okay.” Aidan nods at Stephen. Stephen gets up slowly and follows Aidan out. He looks over his shoulder at me, his brows peaked like slanted eaves.

Dad inhales and grips his hands around the armrests of his plastic chair. His knuckles stand up pale and crested, pressing through the fabric of his skin. “Start talking. I suggest you start with your lies.”

Mom puts the tissue against her nose and lifts her head and breathes in, holds her breath, and lets it out. As if to swamp incipient tears with the infected air of the waiting room.

I look at the worn toes of my sneakers.

“Michaela.”

I look up at him. For some reason my throat hurts. “You want the truth? Okay. Yes. He sometimes cut me. He burnt my fingers when I was six. Almost drowned me in that construction site. Yes to a million things we never told you about. But it was a game, it was just a game. See how bad it got before I yelled. Only I never yelled. I don’t know why. I guess it’s the crazy, some fun little trivia about antisocial personality disorder they don’t tell you. The inverted pain tolerance. Caresses kill, burns don’t register. He figured it out, that’s all.”

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