Jeffery Deaver - Solitude Creek

‘Michael? Kathryn?’

With a last look at the man who’d caused so much pain to so many, O’Neil and Dance stepped back into the living room to meet the head of the CSU examination team, dressed in overalls and a hood.

‘Hey, Carlos,’ Dance said.

The lean Latino CSU officer, Carlos Batillo, nodded a greeting. He walked to the card table that Grant had been using for his desk. The man’s computer and a portable router sat on it. It was open to his blog, the entry that Dance had read to O’Neil on the drive there.

‘Find anything else on it?’ O’Neil asked.

‘Bare bones. News stories about the stampedes. Some articles on eminent domain.’

Dance nodded at a Nokia mobile. ‘We know he hired somebody to handle the attacks. He’s the one we want now — the “soldier of fortune” he referred to. Our unsub. Any text or call-log data that could be helpful? Or is it pass coded?’

‘No code.’ Batillo picked it up with a gloved hand. ‘It’s a California exchange, prepaid.’

When he told her the number Dance nodded. ‘The unsub called it from his burner, the one he dropped in Orange County. Can I see the log?’

She and O’Neil moved closer together and looked down, as the CSU officer scrolled.

‘Hold it,’ Dance said. ‘Okay, that’s the number of the phone the unsub dropped. And the others are the ones he bought at the same time, in Chicago.’

Batillo gave a brief laugh. Perhaps that she’d memorized the numbers. He continued, ‘No voice mail. Fair number of texts back and forth.’ He scrolled through them. ‘Here’s one. Grant says he has, quote, “the last of your” money. “I know you wanted more and I wish I could have paid you more.”’ The officer read on. ‘“I know the risks you took. I’m For Ever in your debt.” “For Ever” capitalized. He does that a lot. Then, going back... Grant tells him the targets were perfect: the roadhouse, the Bay View Center, the Monterey Bay Hospital, “probably better the church didn’t work out”.’

‘He was going to attack a church?’ Dance asked, shaking her head.

Batillo read one more. ‘“Thanks for the ammo.”’

Soldier of fortune...

The officer slipped the phone into a bag with a chain-of-custody card attached. He signed it and put the sealed bag into a large plastic container resembling a laundry basket.

She glanced down at a treatise on the law of eminent domain.

‘How’d he meet the doer?’ Dance wondered aloud. ‘He said a few years ago.’

Batillo said, ‘I saw some texts about “the gun show”. “Enjoyed talking weapons with you.”’

‘And I found the ammo I think he was talking about. Brick of twelve gauge and two twenty-three. “Arlington Heights Guns and Sporting Goods” on the label.’

‘Chicago,’ Dance said.

O’Neil said wryly, ‘Tough manhunt. Six million people.’

‘We’ve got the gun-show reference. The ammo. The phones.’ She shrugged and offered a smile. ‘Needle in a haystack, I know. Right up there with “When it rains it pours.” But that doesn’t mean the needle isn’t there.’

Forty minutes later she was back in her office, scrolling through the crime-scene pictures of the Otto Grant suicide — the rest of the report wouldn’t be ready for a day or two — and considering how to narrow down the task of finding their unsub in the Windy City, or wherever he might be. Page after page... Dance found herself staring at the pictures of Prescott and the woman he’d killed, positioned under the lights to get pictures for proof of death. If only she could let her eyes be theirs for a brief moment before they had glazed over, and darkness embraced them.

To catch a fleeting glimpse of the man who’d done this.

Who are you? Are you headed back to your home in Chicago, or somewhere else?

And are you working for someone else now, a new job? Nearby? Or in a different part of the world?

Questions she would answer, whether it took a week, a month, a year.

Maggie’s eyes were wide and even Dance’s adolescent, seen-it-all son was impressed.

They were backstage at the Monterey Performing Arts Center with Neil Hartman himself. The lanky man in his early thirties, dark curly hair and a lean face, looked every inch the country-western star, though that genre was only part of his repertoire. His songs and performance style were very similar to Kayleigh Towne’s — she was Dance’s performer friend, based in Fresno.

When Dance and the kids had been ushered into the green room, the musician had smiled and introduced everyone to the band members present. ‘Kayleigh sends her best,’ he told her.

‘Where’s her show tonight?’

‘Denver. Big house, five thousand plus.’

Dance said, ‘She’s doing well.’

‘I’ll head out there after tomorrow’s show. Maybe we’ll get to Aspen.’ He was grinning shyly.

That answered one of Dance’s questions. The beautiful singer-songwriter hadn’t been dating anyone seriously for a time. There were worse romantic options than a Portland troubadour with dreamy eyes and a lifestyle that seemed more mom-and-pop than Rolling Stones.

‘Uhm...’ Maggie began.

‘Yes, young lady?’ Hartman asked, smiling.

‘Ask him, Mags.’

‘Can I have your autograph?’

He laughed. ‘Do you one better.’ He walked to a box, found a T-shirt in Maggie’s size. It featured a photo from one of his recent CDs — Hartman and his golden retriever sitting on a front porch. He signed it to her with a glittery marker.

‘Oh, wow.’

‘Mags?’

‘Thank you!’

For Wes, the gift was age-appropriate: a black T-shirt with ‘NHB’.

‘Cool. Thanks.’

‘Hey, you guys want to noodle around on a git-fiddle or keyboard?’

‘Yeah? Can we?’ Wes asked.

‘Sure.’

‘Wooee!’ Maggie sat down at the keyboard — Dance cranked the volume down — and Hartman handed Wes an old Martin. You couldn’t live in the Dance household without knowing something about musical instruments, and though Maggie was the real talent, Wes could chord and play a few flat-pick licks.

When he started ‘Stairway To Heaven’, Hartman and Dance glanced at each other and laughed. The song that will never die.

They talked about the show tonight. Hartman was growing in popularity but not at the Kayleigh Towne level yet, though his Grammy win had guaranteed a sold-out house at the performing arts center — nearly a thousand people were coming to see him.

With the children occupied in the corner, the adults spoke in low voices.

‘I heard you got him. The guy behind the attacks.’

‘Well, the one who hired him.’

‘Grant, right? He lost his farm.’

‘That’s him. But we still don’t have the hit man he hired. But we will. We’ll get him.’

‘Kayleigh said something about you being... persistent.’

Dance laughed. ‘That’s what she said, hm?’ Her kinesic skills told her that Hartman was translating. Maybe ‘obstinate’ or ‘pig-headed’ had been the young woman’s choice. She and Kayleigh were a lot alike in that regard.

‘I thought we were going to have to cancel the show.’

Dance had been fully prepared to do just that — if they hadn’t closed the case before the concert.

‘You hear about Sam Cohen?’

‘No, what?’

‘He’s going to rebuild the roadhouse. A dozen or so of us are doing some benefit concerts, donating the money to him. He’s going to tear down the old building and put up a new one. He didn’t want to at first but we were...’ he laughed ‘... persistent.’

‘Great news. I’m really happy.’

Maybe you can recover from some things, Sam. Maybe you can.