Walter Mosley - Bad Boy Brawly Brown

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Bad Boy Brawly Brown: краткое содержание, описание и аннотация

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For the first time in six years, Easy Rawlins is back working a case on the streets of Los Angeles, looking for justice and sometimes managing to create his own.
Easy Rawlins’s old friend John shows up at his door one morning, looking for the kind of help only Easy can provide. John’s stepson, Brawly Brown, has left home and John has reason to think this well-meaning boy is caught up in a situation that’s more dangerous than he knows. It doesn’t take Easy long to find Brawly and to learn that John is right — but getting Brawly to see things that way is another matter.
Brawly has joined a political group that he believes is out to make things better for the residents of Compton. With years of seeing how things really work, Easy recognizes that young Brawly is just a pawn in a battle between forces as old and hard as the city’s streets.
Through it all, Easy’s old friend Mouse is there to help him — even though the last time Easy saw Mouse he was lying still and cold, and Easy is certain he’s dead. Still, the memory and reputation of Mouse accompany Easy everywhere, earning him second looks from beautiful women and respect from hardened men. And in a world where logic is only a small element in life-or-death calculations, it is something Mouse once said to him that could help Easy save Brawly’s life — without costing him his own.
The worldliness, relentlessness, and passion of Easy Rawlins have been sorely missed from the world of fiction. This thriller is proof that Walter Mosley is one of the masters of crime fiction, and as original a voice as any writing in America today.

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“Why was Brawly with them in the first place?”

“He thought that they were raising money for the First Men,” she said. “That they were going to use it to build their school.”

“Where’s Brawly?” I asked again.

“I don’t know. They in hidin’, like I told you. They was in a house down Watts but they got scared because that bitch Tina was supposed to show up but she never did. They thought that you must’a grabbed her or somethin’.”

“Then they called off the robbery?”

“They never told her about what they were doin’,” Isolda said. “They asked me to rent ’em a house, but I said no. I didn’t want to be tied to no robbery. So they got her to do it, but she didn’t know why.”

“If you know where they ain’t, then why don’t you know where they are?” I asked.

“I don’t,” she whined. “They broke up and went into hidin’. All they told me was that they was gonna take refuge, that was somethin’ Strong used to talk about. They only gonna come out when it’s time to do the job.”

For some time I had wanted to slap Isolda Moore across her face. The desire became stronger as the minutes went by. Finally I stood up. The suddenness of my motion scared her enough that she pushed back and fell over in her chair.

I didn’t help her to her feet.

“You better run, woman,” I said. “Because I’m not gonna let that robbery take place. And when they catch your boy Mercury, you better believe he’s gonna turn over on you.”

Down on the street and in my car I didn’t know what to do. I had solved a crime that nobody asked me to solve. It wasn’t my job to catch murderers or foil robberies. All I had to do was keep Brawly out of trouble. But that was impossible because he was in trouble before I was called in.

I drove in circles, wondering what I should do. I was afraid to go to John because he might have put his own life on the line trying to save the boy. Lakeland was planning to catch them in the commission of the crime, I was sure of that. He would clean out the problem by setting them up.

Tina wouldn’t have talked to me; neither would Xavier.

Clarissa was at Sam’s house but she refused to come to the phone.

I finally decided to go over to John’s lots. Him and Chapman were working on the support for the front porch of a faux-adobe house. It struck me as senseless to be working while so much wrong was going on. How could those men still lift their hammers, knowing that their best friends and loved ones had gone so far astray?

“Easy,” Chapman said, seeing me first.

“Ken, John.”

“What you want, Easy?” John’s tone was exasperated, as if he were Job in one more conflict with the Deity.

“What’s wrong with you?” I said.

“Alva’s in the hospital.”

“What’s happened?”

“Nerves. They got her under sedation, she so worried about Brawly and upset over Aldridge.”

“I’m sorry, John. I just tried to do what you asked me to do.” That got me a hard look. John’s fists clenched, his shoulders hunched. Chapman took a step backward. But John wasn’t going to hit me. He knew I was right.

“I came by to ask you men some questions,” I said.

“What?” Chapman asked.

“I’m lookin’ for Brawly. I think he might’a run to ground somewhere for the day and part of the night. You got any idea where he could be?”

“If I knew, I’d be there,” John said.

Chapman looked at the ground.

“Yeah?” I asked.

“I don’t know nuthin’ ’bout Brawly, Ease,” he said. “I’d tell you if I did.”

I had no idea if Chapman was lying to me or not. For all I knew, he and Mercury were in the heist together. They’d been partners for years, since they were children.

I had no idea what their childhood was like, so an image from my own early years crossed my mind. My mother was dead and my father was gone. My older half sister and half brother had been taken away to live with cousins on their mother’s side in El Paso. I had been passed on to a man named Skyles. He had been married to one of my mother’s sisters and owned a farm. He took me on to be his slave.

Skyles worked me from sunup to sundown and then fed me only the scraps from his nightly supper. After three weeks I decided to run away. I made up my mind on a Tuesday, but the train I had to jump didn’t go by till Thursday night. I stole a full sack of Skyles’s food and hid in an abandoned barn across the road from his house.

Those two nights I watched him through the loose boards yellin’ and smashin’ his own things — he was that mad that I stole from him and ran.

“Walk with me, John,” I said to my friend.

We went out to my car in the street.

“Lemme have the keys to your apartment,” I said.

“Why?”

“Don’t ask me, man. Just trust me.”

He hesitated for a moment and then produced a steel ring that held dozens of keys. He removed a brass Sergeant and handed it over.

I took the key to my car and drove it over to John’s.

I found the number in John’s little phone book in the top drawer of their bureau. I dialed it. He answered on the second ring.

“Hello?” The voice was breathy but brooding. I could almost see the taciturn young man’s face in the words.

“Rita there?” I asked in a voice that, I hoped, sounded nothing like mine.

“Wrong number,” he said, and then slammed down the phone.

I hadn’t been to Odell’s house in over a year. His wife, Maudria, had passed sixteen months earlier. I had gone to the funeral and then to their house to eat salami sandwiches and sit with Odell.

He was near seventy but didn’t look much older than he had twenty years before. He was just softer and a little shorter — his ears were larger, too.

“Easy,” he said through the brittle screen door. “How you doin’?”

“Fine.”

He studied me for a moment and then said, “Come on in.”

The house had become a mausoleum. The heavy brown drapes were drawn. The furniture was neat and for the most part unused. There was the smell of mothballs and scotch whiskey in the air.

He escorted me to a pitted maple table next to the sink in the kitchen. The unwashed windows allowed only a small amount of sunlight in, but it was enough. He poured me a glass of lemonade made from frozen concentrate and took out a bottle of scotch for himself.

“How you doin’?” I asked my oldest living friend.

“Oh, okay,” he said. “Not too much. Like Maudria used to say, no news is good news.”

“You goin’ out?” I asked. “Seein’ anybody?”

“No. Ain’t nobody to see. You know when you get to be my age everybody’s dyin’. Dyin’ or dead. If I walk out that door wearing jeans and with bus money in my pocket, it means I’m goin’ to the hospital to visit a friend. If I’m in a suit, it means a funeral.”

We talked like that for a while. Odell kept quoting his dead wife or talking about funerals and disease. I was sad to see my old friend so broken-down. I wondered about Brawly while we talked. If I saved the boy, would he end up like my friend? Sad and broken-down at the end of his life?

“Well, you didn’t come by to hear me complain,” Odell said. “What can I do for you, Easy?”

“I need a pair of your thin cotton huntin’ gloves and that rabbit gun,” I said.

“What for?”

“Somethin’ Mouse told me,” I said. “In a dream.”

He nodded as if my answer were perfectly reasonable.

I explained about John and Alva and the wayward Brawly Brown.

“Brawly’s big as a grizzly bear,” I was saying, “and at least as strong. There’s no way I can stop him or force him. I don’t believe that John and I together could hold him down. So I need you to do one more thing for me.”

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