Walter Mosley - Bad Boy Brawly Brown

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Bad Boy Brawly Brown: краткое содержание, описание и аннотация

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For the first time in six years, Easy Rawlins is back working a case on the streets of Los Angeles, looking for justice and sometimes managing to create his own.
Easy Rawlins’s old friend John shows up at his door one morning, looking for the kind of help only Easy can provide. John’s stepson, Brawly Brown, has left home and John has reason to think this well-meaning boy is caught up in a situation that’s more dangerous than he knows. It doesn’t take Easy long to find Brawly and to learn that John is right — but getting Brawly to see things that way is another matter.
Brawly has joined a political group that he believes is out to make things better for the residents of Compton. With years of seeing how things really work, Easy recognizes that young Brawly is just a pawn in a battle between forces as old and hard as the city’s streets.
Through it all, Easy’s old friend Mouse is there to help him — even though the last time Easy saw Mouse he was lying still and cold, and Easy is certain he’s dead. Still, the memory and reputation of Mouse accompany Easy everywhere, earning him second looks from beautiful women and respect from hardened men. And in a world where logic is only a small element in life-or-death calculations, it is something Mouse once said to him that could help Easy save Brawly’s life — without costing him his own.
The worldliness, relentlessness, and passion of Easy Rawlins have been sorely missed from the world of fiction. This thriller is proof that Walter Mosley is one of the masters of crime fiction, and as original a voice as any writing in America today.

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Because the rooms were empty, their voices would make a slight echo, lending to the fervor of their convictions. There was no phone or television but there was probably a radio. Would they be listening to music? I doubted it. The dial was probably turned to a news-oriented station. They were worried about being found out and also wondering where Tina was. Did they know that she was going to bring me to them the same way that Strong brought me to the construction site in Compton? Was she involved with the killing of Strong? No. There was love for him in her voice. She loved both the older and younger leaders.

“What you doin’ here, man?” a voice said from behind.

I wasn’t worried. If it was one of the revolutionaries, I would have already been either dead or unconscious.

The man who spoke was short and wore matching ochre pants and shirt. He had a protruding belly and small hands with stubby fingers. Only his voice held any kind of threat.

“Hey,” I said, sticking out my hand. “I’m Troy. This your house?”

“Yes, it is,” the little man replied. He took my hand out of reflex but let it go before I could complete the perfunctory shake.

“You must be wonderin’ what I’m doin’ out here,” I said.

“Yes,” the little man said.

“It’s ’cause’a my girl — Royetta.”

“I don’t know any Royetta.”

“She’s my girl,” I said again. “At least that’s what she tells me. But I heard from Lucas that she been seein’ a man on this block. Yeah, every day, Lucas said, she drive down to this block to see some man. He didn’t have the address, so I decided to come down and use these here nice trees of yours so that she didn’t see me or my car when she come down to meet her sidetrack.”

It felt good to be lying again. It was as if I disappeared behind a cloud of black ink like the squid or cuttlefish.

The man I spoke to was muddy brown with many folds in his face. His head widened as it went toward his neck; with the folds, his head and face resembled a brown candle slowly melting down toward his shoulders.

“I don’t want no trouble,” the man told me. “This here is my property.”

The alley was a public throughway and not his property, but I didn’t say that.

“I don’t want no trouble, either,” I said. “But you see, Royetta got a sister named Cindy, and me and Cindy been messin’ around ourselves. Now if I can prove to Royetta that I know about her man, then when I leave her and take up with Cindy she cain’t get all that mad.”

“Can’t you just get your friend that...that—”

“Lucas,” I said. “Lucas.”

Out of the corner of my eye I saw a gold-colored Ford Galaxy drive past. I turned to my right to see where the car was headed.

“Can’t Lucas just say that he saw her with this man and that’ll be it?” the little man was saying.

But I was watching as Mercury Hall climbed out of his car and walked up to the revolutionaries’ house.

“No,” I said, returning to my fiction. “Lucas don’t wanna get in between us where he’s got to be there in the skin. No. I got to see for myself.”

“Well,” the little man said. “I don’t want you here.”

“I tell you what,” I said. “What’s your name?”

“Foreman.”

“I’ll tell you what, Foreman” — I reached into my pocket and came out with a twenty-dollar bill — “I’ll give this here double saw-buck for the right to stand around in this public alley and look for my girlfriend to pass.”

If he had turned me down, I would have driven down to the other end of the block, but Henry Strong’s money was good. Foreman grabbed the twenty-dollar bill and shoved it in his pocket.

“How much longer you gonna be out here?” he asked.

“Two hours, tops,” I said.

We talked a moment or two more and he retreated with his reward.

I was there for more than three hours when the tribe finally showed their faces again. Mercury took BobbiAnne in his Ford while Conrad climbed in the Cadillac with Brawly and the man I did not recognize. They drove right past me and off toward Central.

With them gone, I should have called John. I should have called the cops. I should have gone home and started Jesus’s lessons and made it to bed early so the next morning I could get to work on time.

Instead, I walked straight to the hideout. I walked down the driveway and into the backyard. The back side of the home had a large porch that was walled in and had its own door. This door was unlocked. The porch contained a washing machine and dryer, modern luxuries down in the ghetto. There was a radio playing loud, too loud, so the sound of me forcing the lock might not have been heard if there had been anybody home to hear it.

The back entrance of the home was a slender hallway that was also the kitchen, small stove on one side, sink on the other.

I’d been right about the circumstances of the revolutionaries. The big living room was empty, except for white food cartons and paper plates used for ashtrays. There was a piece of blue-lined note-book paper tacked to the wall. Drawn in pencil was a square that stood for a building with a truck approaching and a car parked across the street from the door. Here and there X’s were in position to overpower the guards.

It was a frightening document mainly because it looked like the notations of a grade-schooler playing cops and robbers on paper.

There were army duffel bags in the entranceway closet. There were toothbrushes and towels in the bathroom. And a stack of smut magazines hidden under the sink.

One of the canvas bags belonged to Brawly. He had a pair of black and white tennis shoes and a pocketknife along with two shirts, a copy of Hesse’s Steppenwolf, and a small spiral-bound notebook. Just flipping through those pages told me more about Brawly than anyone else seemed to know.

It wasn’t, strictly speaking, a diary, but every once in a while there was a journal-like entry with a date at the top of the page. The first such entry, which appeared on the third page of the two-hundred-sheet notebook, was dated January 19, 1958 — more than six years earlier.

He wrote about BobbiAnne and how he could see her only at school because he had to return to Sunrise House, the halfway home, by four p.m. He also wrote, I miss Aunt Isolda but I know it’s better if I don’t see her. She only gets mad when I tell her how I feel...

The first thirty pages were in very dark blue ink from the same thick ballpoint pen. The next forty pages or so were in black. After that, he went back to blue pen. I was amazed that the young man could hold on to that one small notebook, each page covered with his tiny scrawl.

Along with his sporadic journal entries he had made small drawings of buildings, notes on school assignments, lists of resolutions on how to be a better man (a few of those were on how to be friends with Isolda), and sometimes there were simple reminders of where to go, what to buy, and what to say.

Less than six months earlier he had penned an entry separated halfway down the page. The top half was a list of requirements for service in the paratroopers. He had an ideal weight, number of pushups he should be able to do, and the reading level expected of new recruits. The bottom half seemed to be a comparison between superheroes. On the left side he’d listed Superman, Plastic Man, and Batman. On the right he had Thor, Mister Fantastic, and Spider-Man.

Three months later he was writing about the black revolution in America. Henry Strong had been giving him private instruction, telling him that his strength and intelligence had put a heavy weight of responsibility on his shoulders.

“It’s up to us young men,” Brawly wrote. “To lead the rest to freedom. We must be strong and willing to die for what’s right.”

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