Джозеф Файндер - Extraordinary Powers

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The news is shattering: Harrison Sinclair has been killed in a car accident. While his daughter, Molly, and her husband, Ben Ellison, mourn the tragedy of a powerful man cut down in his prime, the realization slowly dawns that Sinclair’s death was no accident.
Harrison Sinclair was the director of the CIA.
Harrison Sinclair may have been a traitor — or the Agency’s last honest man.
Even his son-in-law, Ben, has heard rumors of sinister forces within the Agency that could have ordered Sinclair s assassination: Ben was an agent himself until a rendezvous gone lethally wrong made him seek the safer waters of a staid paten law practice in an old-line Boston firm.
But suddenly, with the free-falling acceleration of a nightmare, Ben is thrust into a web of intrigue and violence beyond his control, compelled by an artful, inescapable maneuver back into the employ of the CIA, and lured into a top-secret espionage project in telepathic ability funded by American intelligence. As the project’s first success, Ben uses his “extraordinary powers” in the perilous search for Vladimir Orlov, the exiled former chairman of the KGB — the only man who might unlock the secret of Harrison Sinclair’s death and the whereabouts of a multibillion-dollar fortune in gold spirited out of Russia in the last days of the Soviet Union.
The hunt for the truth will rush Ben headlong from Roman piazzas to a crumbling castle in Tuscany, from an impenetrable steel-clad vault beneath Zurich’s glittering Bahnhofstrasse to an opulent spa in Germany’s Black Forest, and through the dangerous tunnels of the Paris Metro.
It is a chase that will bring Ben Ellison face to face with his past and culminate in a crowded Washington hearing room where, behind high security barriers, a Senate investigating committee is about to call its secret witness... as an assassin prepares to strike. Here, finally, with only seconds to act, Ben Ellison must call upon his extraordinary powers to stop a killer — or die trying.
Extraordinary Powers is a mesmerizing tale of suspense that interweaves high-stakes financial intrigue with a terrifying conspiracy conceived with icy precision deep within the heart of American intelligence. It is a galvanizing and masterful entertainment enriched by an insider’s knowledge of the world of international espionage, politics, and spy tradecraft — truly an espionage novel for the nineties.

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But was I being paranoid?

These were normal passersby, certainly.

For just an instant, a split second really, I caught a glimpse of one of the pedestrians. Tall, gaunt, wearing a black or navy blue raincoat, a dark knit watch cap.

He appeared to glance at me. Our eyes locked for a millisecond.

His face was extraordinarily pale, as if it had been bleached entirely of color. His lips were thin and as pale as the rest of his face. Under his eyes were deep yellowish circles that extended to his cheekbones. His hair, or what I could see of it beneath his cap, was a pale strawlike blond, swept back.

And just as quickly, he glanced away, casually.

Almost an albino , Molly had said. The man who had “accosted” her at the hospital, who had wanted to know about any accounts, any money Harrison Sinclair might have bequeathed to her.

The whole thing seemed wrong. The call, Molly sitting in the cab: it smelled wrong, and my years of Agency training had taught me to smell things a certain way, to see patterns, and—

— and something caught my eye, a tiny flash of something, a glint of something — metal? — in the light of the lamp across the narrow street.

I heard it then, a faint shoosh of cloth against cloth, or cloth against leather, a familiar sound distinct against all the ambient street noises, a holster , could it be?

I flung myself to the pavement, just as a deep male voice shouted: “Get down!”

Suddenly the silence was shattered by a frightful cacophony.

The next moment was a terror, a hellish confusion of explosions and screams — the phut-phut of silencer-equipped semiautomatic pistols, the metallic shrieks of bullets creasing the hoods of the cars in front of me. From somewhere came a squeal of brakes, and then an explosion of glass. A window had been blown out somewhere — a stray shot?

I got up into a crouch, trying to determine where the gunfire was coming from. I moved with lightning speed, my brain whizzing through a million calculations.

Where was it coming from?

Couldn’t tell. Across the street? Off to the left? Yes, to the left, from the direction — the direction of the cab!

A dark figure was running toward me, another shout, which I couldn’t understand, and then, as I flung myself to the pavement again, another explosion of gunfire. This time the shots were perilously close. I felt a piece of something sting my cheek, my forehead, felt the pain of the sidewalk scraping against my jaw. Something pricked my thigh. And then the windshield of the car I was crouching behind exploded into a milky webbing.

I was trapped; my unknown assailants had moved in closer, and I was unarmed. Frantically, I dove under the car, and then came another round of silenced shots, an agonized yelp, and the squeal of tires...

and silence.

Absolute silence.

The shooting had momentarily ceased. From under the car’s chassis I could just make out a circle of light directly across the street. In it sprawled a man’s body, dark-clad, his face turned away, the back of his head a horrifying mess of blood and tissue.

Was it the pale man I had glimpsed a few seconds earlier?

No, I saw at once. The dead man’s build was stockier, shorter.

In the silence my ears still rang from the shots and the explosions. For a moment I lay there, afraid to move, terrified that the slightest motion would indicate my position.

And then I heard my name.

“Ben!” A voice, somehow familiar.

The voice was closer now. It came from the window of an approaching vehicle.

“Ben, are you all right?”

Momentarily I was unable to reply.

“Oh, Christ,” I heard the voice say. “Oh, God, I hope he wasn’t hit.”

“Here,” I managed to say. “I’m right here.”

21

A few minutes later I was sitting in the back of a bulletproof white van, dazed.

Seated in the front compartment, behind the uniformed driver and separated from me by a panel of thick glass, was Charles Rossi. The interior of the van was elegantly appointed: a small inset television screen, a coffeemaker, even a fax machine.

“I’m glad you’re all right,” came Rossi’s amplified voice, metallically emanating from a two-way intercom. The glass that divided us appeared to be soundproof. “We need to talk.”

“What the hell was that all about?”

“Mr. Ellison,” he said wearily. “Your life is in danger. This isn’t some sort of game.”

Oddly, I felt no anger. Was I numb from what I’d just gone through? From the shock of Molly’s disappearance? What I felt, instead, was a distant, remote sense of indignation, an awareness that all was not right... Yet, strangely, no anger.

“Where’s Molly?” I said dully.

Over the intercom Rossi sighed. “She’s quite safe. We want you to know that.”

“You have her,” I said.

“Yes,” Rossi replied as if from afar. “We have her.”

“What have you done with her?”

“You’ll see her soon,” Rossi said. “I promise you that. You’ll understand we did what we did for her safety. I promise you.”

His voice was soothing, reasonable, and plausible. “She’s safe,” Rossi continued. “You’ll see her soon enough. We’re protecting her. You’ll be able to speak with her in a few hours, and you’ll see.”

“Then who tried to kill me?”

“We don’t know.”

“You don’t know too much, do you?”

“Whether it was one of our own, or others, we can’t say yet.”

One of our own. Meaning CIA? Or others within the government? So how much did they know about me?

I reached over to the door handle and pulled up to open it, but it was locked from the inside.

“Don’t try,” Rossi said. “Please. You’re far too valuable to us. I don’t want you to get hurt.”

The van was moving now. I didn’t know where, didn’t quite understand. But I knew one thing now.

I said, “I was hit.”

“Hmm? You appear to be fine, Ben.”

“No. I was hit.”

I reached down, felt the soreness on my upper thigh. I unbuckled my belt, slid down my pants. Found the needle mark, a tiny black dot surrounded by a red circular inflammation. I hadn’t seen a dart; it wasn’t a hypodermic needle. “How’d you do it?” I asked.

“Do what?”

We were moving down Storrow Drive, into a traffic lane that pointed toward the expressways.

Ketamine, I thought.

Rossi’s voice came, metallically: “Hmm?”

I must have spoken aloud, but made an effort to keep my thoughts to myself.

Had they given me a benzodiazepine compound? No. It felt like ketamine hydrochloride. “Special K,” as it was called on the streets, an animal tranquilizer.

The Agency occasionally had the need to administer ketamine to unwilling subjects. It produces something called “dissociative anesthesia,” which basically means it makes you feel dissociated from your environment — you can experience pain, for instance, but not feel it; it separates the meaning from the sensation.

Or, at precisely the right dosage, you can remain alert but become amazingly agreeable, acquiescent, even though the self-preservation part of your brain warns you not to acquiesce.

If you want to make someone do something he otherwise wouldn’t, it is the perfect drug.

I looked at the road, watched as we moved closer to the airport. Wondered idly what they were about to do to me.

Thought it couldn’t be so bad, after all.

Nothing too bad.

Part of me, a distant, weak, small-voiced part, wanted to get the van door open, leap out, run.

But everything is basically all right, the stronger, closer, louder-voiced part reassured.

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