Ник Харкуэй - Angelmaker

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Angelmaker: краткое содержание, описание и аннотация

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A Wall Street Journal and Booklist Best Mystery of 2012
From the acclaimed author of The Gone-Away World, blistering gangster noir meets howling absurdist comedy as the forces of good square off against the forces of evil, and only an unassuming clockwork repairman and an octogenarian former superspy can save the world from total destruction.
Joe Spork spends his days fixing antique clocks. The son of infamous London criminal Mathew “Tommy Gun” Spork, he has turned his back on his family’s mobster history and aims to live a quiet life. That orderly existence is suddenly upended when Joe activates a particularly unusual clockwork mechanism. His client, Edie Banister, is more than the kindly old lady she appears to be—she’s a retired international secret agent. And the device? It’s a 1950s doomsday machine. Having triggered it, Joe now faces the wrath of both the British government and a diabolical South Asian dictator who is also Edie’s old arch-nemesis. On the upside, Joe’s got a girl: a bold receptionist named Polly whose smarts, savvy and sex appeal may be just what he needs. With Joe’s once-quiet world suddenly overrun by mad monks, psychopathic serial killers, scientific geniuses and threats to the future of conscious life in the universe, he realizes that the only way to survive is to muster the courage to fight, help Edie complete a mission she abandoned years ago and pick up his father’s old gun…
Literary Awards:
• The Kitschies for Red Tentacle (Novel) (2012)
• Arthur C. Clarke Award Nominee for Best Novel (2013)

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Focus, old cow .

The gun is extremely heavy in her bag. She has reloaded, out of habit; she does not honestly expect to be assailed in the street, and all that mystical jabber about expecting the unexpected is just so much toffee. Expect the unexpected, Edie was told by a sour veteran sergeant in Burma, and the expected will walk up to you and blow your expectations out through the back of your head. Expect the expected, just don’t forget the rest.

The expected, then, is for her enemy to imagine that Mr. Biglandry has squished her like a bug. The assassin won’t be missed for at least another half-hour, perhaps as much as a day, depending on how long his leash was. Edie has exactly that long to disappear. First step: a change of clothes.

She takes a taxi to a nondescript street in Camden Town, and tells the driver a story about her great-grandchildren so asinine that even she feels slightly sick. After a couple of minutes, he cannot actually look at her in the mirror, and Edie can feel her face sliding in his memory until it is generic: little old lady, average height, average dress. Lawdamercy, but the old baggage can talk.

Still twittering banalities, Edie pays the man, then fishes in her purse for an old-style penny, dated 1959. A proper tip back then, worth nothing at all today. She has a small trove for convincing people she’s dotty.

“Here you are, driver, and God bless!”

He takes it hurriedly, eyes everywhere but on her. He just wants to forget that she was ever in his cab. The feel of round, cold metal, the wrong size and the wrong weight, makes him freeze for a moment. Then he looks down.

“Oh,” he says automatically, “thanks very much.” You poor lamb . She almost feels guilty, but hasn’t the time.

She leaves him staring at the coin. He will recall the sense of aggravation she has engendered, but not much else. In an hour, he will remember her if at all as an amalgam of every fare he has ever disliked.

And then she goes shopping.

Four hours later in the snug of the Pig Poet Edie has tied her hair up in - фото 26

Four hours later, in the snug of the Pig & Poet: Edie has tied her hair up in not one but three separate knots, and she is wearing a T-shirt purchased from a barrow trader, a black skirt, and heavy leggings and boots. Camden Town has been good to her. She begged some safety pins from the respectable peeping Tom who runs a dry-cleaner’s at the end of the road, and put the whole thing together to make a formidable new identity: mad old lady punk.

The Pig & Poet isn’t much of a pub. It’s a couple of tables and a miserable jukebox which didn’t work even before Edie took one of her safety pins and shoved it across the two bottom bars of the plug and stuck it back in the wall, thereby causing a short circuit and a strong smell of melted plastic. The snug is now in partial darkness, which just about conceals how mournful it is, and how cheap.

The Irishman who used to run this place managed to get some joy into it just by being who he was, a kind of punchy, endlessly profane little man with a liking for large women. He went off to Exeter, apparently, and has nevermore been seen. Since his departure, the poetry has ebbed from the saloon bar, and the remainder is decidedly piggy. In consequence, it wasn’t hard to get the attic room on cash deposit, no questions asked.

Edie is doing her accounts. By rule of long-ago decision, she does not allow herself unconsidered killings. For all that her recent shooting spree was in the heat, no death should go unnoticed, least of all if she had a hand in it. The power of knowing how to extinguish life in so many ways—and the power which stems from having done it—must be balanced with a respect for what it means to bring someone else’s narrative to a close.

Edie, as she sips on her rum and Coke, takes a moment to wonder if she might have done things differently, and to appreciate the significance of Biglandry et fils , and the appallingness of having snuffed them out. For all that they were grotty, wicked, venal men, they were extraordinary things, both of them ravishing, complex creatures. Perhaps they were loving, too, in their own way. Soldiers for hire, certainly, and rough-hewn. That doesn’t mean they weren’t also dads or sons. Will Mrs. Biglandry curse and wail? Of course she will. Her horror at this circumstance will not be diminished by her husband’s profession—if she ever finds it out. Her son will not be less orphaned, nor her daughter less broken, if she tries to explain that Biglandry’s end was just.

If I were younger , Edie thinks. Or if I had allies. Or if I’d thought a bit longer and planned a bit better . She goes through it in her head, one more time. Killed two, spared one. Bad mathematics, but better than it might have been. Less good than it could have been, too, old cow .

So here’s to the bungled dead, expired of their own incompetence and my experience. Here’s to the long habit of survival. I’m sorry, Mrs. B and all the little Bs. I truly am. If I could bring them back—at a safe distance and possibly with a summary kick in the testes for justice’s sake—I would do it. No one is so wicked as to deserve extinction.

Long ago and far away, Edie Banister was told that a human soul infallibly knew its own value when it was reflected in the eye of an elephant. She wonders what she would see if she went to London Zoo and somehow got close enough to check. The question of value has been very much on her mind of recent months. She can feel a coldness reaching for her, a chill she knows all too well, though these days it possesses a terrible finality. Mrs. Crabbe (whom she does not like) recently suggested on this basis that Edie must be a little bit psychic. Edie privately thought that anyone who didn’t feel death approaching after nine decades on Earth was probably some sort of idiot.

Last dance. Best make it a good one .

She raises her glass in recognition of the recent dead, and, to everyone’s vast embarrassment, not least her own, collapses into tears in the corner of the Pig & Poet. And then, little by little and aided above all by the damp, halitotic nose which settles on her chest as Bastion emerges from her shopping bag to give succour, she pulls herself together again, and very soon she is the woman she was, has always been—just a little older, and reddish about the eyes.

All those years. Bloody hell .

Girls wishing to serve their country will need flat shoes and modest - фото 27

“Girls wishing to serve their country will need flat shoes and modest underwear.”

It is the word “underwear” which wakes Edie Banister from the contented slumber into which she has fallen during Miss Thomas’s morning notices. The teachers at Lady Gravely School very rarely speak of underwear, and the reference to flat shoes is astonishing, because all other kinds are most strictly forbidden. As for the implied existence of immodest underwear—Edie can barely believe her tender young ears. This much is clear: Miss Thomas did not write the notice she is reading, and the matter is considered very serious—sufficiently so that this informational contraband is all the same being given a place here, between duty roster and closing prayers.

“Underwear,” she murmurs, as everyone else says “Amen,” and duly presents herself at the appointed time in the headmistress’s study, wearing her most unimpeachable shoes.

Three other girls have been bitten by the patriotic bug; presumably either the other sixty or so are not as mind-numbingly bored as Edie, or they fear they may be asked by their government to do something unladylike, a suspicion which was raised in Edie’s mind by the mention of underwear and to which she clings like a drowning woman to a spar. Prostitutes were sent to assassinate Napoleon, she recalls, and in a racy novel of which she read two-thirds before being betrayed by a prim little cow called Clemency Brown (and consequently slapped thrice with a ruler across the palm), the heroine had given herself regretfully but unswervingly into the lustful embraces of Skullcap Roy the pirate in order to deflect his wrath from her younger brother. Not, Edie suspected, without a certain measure of anticipation. In time of war, she reasons, one must be prepared to sacrifice oneself. She imagines herself lying back and thinking of England in the arms of a brutishly delicious enemy. The horror is very nearly too much for her.

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