Eric Lustbader - First Daughter

"Fifteen," Jack answers automatically, though his mouth is dry.

"And all you can read is this junk?" He shoves the comic in his son's face. "Okay then, brainiac, read to me."

Jack's hands tremble so badly, the comic slips through his fingers.

"Open it, John."

Dutifully, Jack flips the pages of the comic. He wants to read, he wants to show his father that he can, but his emotions are in turmoil. He's filled with fear and anxiety, which automatically extinguish what progress he's made in decoding English. He stares down at the comic panels. The speech balloons might as well be written in Mandarin. The letters float off like spiky sea creatures with a will of their own. He sees them, but he cannot make heads or tails of what they might be. It's garbage in, garbage out.

"God almighty, it's a fucking comic. A six-year-old could read it, but not you, huh?" His father rips the comic from him, flips it into a corner.

"Hey, watch it," Jack says, leaping up.

His father sticks out his right hand, shoves him back onto the bed.

"That's issue number four."

"How the hell would you know?" His father stomps over to the corner, rips up the comic. Batman and his bat-cape are parted.

His father carefully removes his prized gold-and-diamond cuff links from his shirt, knocks a pile of comics off Jack's dresser with a backhand swipe, lays them down on the open space. Then the beating starts. The belt uncoils from his father's fist like an oily viper. It whips up, then down, striping Jack's rib cage. And as the lashing commences in earnest, his father punctuates each singing strike with a litany of words.

"You don't talk right." Crack! "You act like a goddamn zombie when I ask you to do something." Crack! "You fidget and procrastinate because you're too stupid to understand me." Crack! "Christ, fifteen years old and you can't read." Crack! "I was already hauling garbage when I was fifteen." Crack!

He is breathing hard, his chest rising and falling rapidly. "Where the fuck did you come from?" Crack! "Not from me, that's for damn sure!" Crack! "A hole in the ground, that's it." Crack!

His rage is immense, as large as the Lincoln Memorial, as large as the sky. He is a man who looks upon his son and is diminished. As if something in his seed is defective. He can't bear the thought. Having a son like Jack fills him with rage; the rage fuels his violence.

"Your mother must've fucked some sideshow freak-" Crack! "-while I was out trying to make ends meet, John." Crack! "John. They call the losers who go to whores johns." Crack! "You're a pinhead." Crack! "A half-wit!" Crack! "You give morons a good name." Crack! "Stupid would be a big step up for you." Crack! Crack! Crack!

Jack's body absorbs the excruciating pain with its usual indifference. In fact, it grows hard and tough under the abuse. It's the words that penetrate to his inner gyroscope, fragile, delicately balanced in the best of times. The litany of hate knocks the pins out from under the gyroscope, the heavy machinery flattens Jack's tattered self-esteem, burying it in the muddy flats at the depths of his being. Belief is as ephemeral as a cloud, shape-shifted by invisible forces. How easily other people's beliefs masquerade as our own. The enemy outside invades, and we, young and impressionable, are vulnerable; the enemy is so insidious that we're changed without even being aware of it. Our cloud shape is altered as we are propelled onward through life.

AFTERWARDS, JACK lies on the blood-smeared sheets. His room is invaded by the howls at the edge of the city. The traffic light at the intersection of Eastern and New Hampshire blinks from red to green and back again. Once again, it has predicted his fate. But now the light is ignored. Jack's mind is busy continuing the punishment his father has meted out. He straddles a widening fault line. This fault line is his; he has manufactured it out of his dim brain, he has spun it from all the things he can't do, all the things he tried to do and failed. His father is right. His fault, his fault line, growing bigger and wider every day.

INSTEAD OF lying in a pool of sweat, waiting for the constellation of dreaded sounds, Jack takes to wandering the flyblown streets. Night shreds like smoke, manhandled by streetlights, neon signs blinking and buzzing like wasps, aggressive arc lights setting filling stations afire in blinding auroras. Shiny faces move in and out of his vision, crossing streets at a cocaine-induced angle, shuffling past him in a bog of alcohol fumes. Hands in pockets, shoulders hunched against wind or rain, he leans against a lamppost on Eastern Avenue, watches the world spin by without him.

It seems as if he has lost himself in the haze of the city. In shop-windows, he looks blurred, as if he is out of focus with the rest of the world. He realizes just how badly out of focus when he is taken behind the local discount electronics store by members of the local gang and beaten senseless for no particular reason save that he's white.

"Yo disrespected us, coming onto our turf." The gang leader spits into Jack's face as Jack sprawls in the filth of the back alley. He is tall-at least a head taller than Jack-and rangy. His eyes are buggy. "We find you here again, we pin yo pale mutherfuckin' ass to the rear end of a garbage truck." He kicks Jack insolently in the groin. "You listenin' t'me, whitey?"

Jack tries to nod, instead groans with the pain.

He must have passed out after that because when he opens his crusted eyes, dawn has crept into the alley. The gang leader and his cabal are nowhere to be seen, but Jack isn't alone.

A man of middle years with an angular face the color of freshly brewed coffee is crouched on his hams, regarding Jack with sympathetic eyes.

"Can you move, son?" He has a voice like liquid velvet, as if he is a singer of love songs.

Fully awake now, racked with pain, Jack pulls himself up against the slimy brick wall at the rear of the electronics shop. He sits with his legs drawn up, wrists resting loosely on his knees. Sucking in deep breaths, he tries to deal with the pain, but it covers so many parts of his body, he feels dizzy and sick in the pit of his stomach. All of a sudden, he rolls over and vomits.

The man with the velvet voice watches this without surprise. When he's certain Jack is finished, he rises, holds out his hand. "You need to get cleaned up. I'll walk you home."

"Don't have a home," Jack says dully.

"Well, I doubt that, son. Honest, I do." The man with the velvet voice pushes his lips out. "Mebbe it's a home you don't feature going back to at this point in time. Is that it?"

Jack nods.

"But you'll want to, I guarantee that." He bends a little, taking Jack's hand in his. "In the meantime, why don't you come with me. We'll mend what needs to be mended, then call your folks. They must be frantic with worry about you."

"They probably don't know I'm gone," Jack says, which probably isn't true, but it's what he feels.

"Still and all, I do believe they have a right to know you're okay."

Jack isn't sure about that at all. Nevertheless, he looks up into the man's face.

"My name's Myron. Myron Taske." Taske smiles with big white teeth. "Will you tell me yours?"

"Jack."

When Myron Taske realizes that's all Jack is going to say, he nods. "Will you let me help you, Jack?"

"Why would you want to help me?" Jack says.

Myron's smile deepens as it grows wider. "Because, son, that's what God wants me to do."

MYRON TASKE is minister of the Renaissance Mission Church farther down Kansas Avenue NE. The clapboard building that houses the church had once been a two-family attached house, but first one family defaulted on their mortgage, then the other. The building was put into receivership by the bank.