Mark Gatiss - The Vesuvius Club

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Meet Lucifer Box: Equal parts James Bond and Sherlock Holmes, with a twist of Monty Python and a dash of Austin Powers, Lucifer has a charming countenance and rapier wit that make him the guest all hostesses must have. And most do.
But few of his conquests know that Lucifer is also His Majesty's most daring secret agent, at home in both London's Imperial grandeur and in its underworld of despicable vice. So when Britain's most prominent scientists begin turning up dead, there is only one man his country can turn to for help.
Following a dinnertime assassination, Lucifer is dispatched to uncover the whereabouts of missing agent Jocelyn Poop. Along the way he will give art lessons, be attacked by a poisonous centipede, bed a few choice specimens, and travel to Italy on business and pleasure. Aided by his henchwoman Delilah; the beautiful, mysterious, and Dutch Miss Bella Pok; his boss, a dwarf who takes meetings in a lavatory; grizzled vulcanologist Emmanuel Quibble; and the impertinent, delicious, right-hand-boy Charlie Jackpot, Lucifer Box deduces and seduces his way from his elegant townhouse at Number 9 Downing Street (somebody has to live there) to the ruined city of Pompeii, to infiltrate a highly dangerous secret society that may hold the fate of the world in its clawlike grip-the Vesuvius Club.

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I probed with my fingers for some little time then, sucking my teeth thoughtfully, stepped away from the corpse and folded my arms.

«Delilah, I should be most awfully grateful if you could fetch me some plaster of Paris.»

«Plaster of Paris, sir?»

«Yes. Though where you’ll lay your hands on some all the way out here…»

She smiled her dreadful smile and gave a little bow. She was back within twenty minutes. As I said the Domestics were without peer.

While the others prepared the mixture, covering themselves in floury clouds in the process, I laid out the contents of Poop’s pockets that had been thoughtfully documented by the Neapolitan coppers. It was a sad little bundle. A daguerreotype of some ugly tart — probably his fiancée, two tickets to Rigoletto dated the night of his disappearance and a quantity of soggy paperwork, all depressingly mundane. I searched in vain for any reference to VC. What had his note said? «K to V.C.?» Sounded like a chess move. People do play these agonizingly long-winded games over continents and decades. «K» corresponding to «King» … but to «V.C.»? Could be an accumulation of medals. Knight of the Garter to Victoria Cross? No, no. Nonsense. Perhaps those opera tickets? Verdi’s Cabal? Was there some link to the renowned tunesmith and his Rigoletto ? Had Poop been done to death by a vengeful hunchback dwarf?

I decided to leave it there for the time being (a good idea as you can probably tell) and turned to the bowl of wet plaster prepared for me by the Domestics. I took off my coat, rolled up my sleeves and then carried the mixture over to the slab. With Delilah and one of her pals holding Poop’s shattered head steady, I carefully poured the plaster into the great gaping wound. After setting down the bowl I smoked a cheroot and waited for the stuff to dry.

It is not a pleasant thing to make a mould from a fellow’s dead bonce but between us we managed to prise the set plaster from the sticky ooze of Poop’s skull. I turned the impression upwards and dragged the lantern towards it.

«Ah!» I ejaculated. «Do you see it? Do you see it?»

Delilah ambled closer and screwed up her eyes at the plaster impression made by the object that someone had so unsportingly smashed into Jocelyn Poop’s brain.

«Well, Hi’ll retire to Bedlam!» breathed Delilah. «Hit’s a face

6. The Woman in the Veil

A FACE it was. Clearly discernible were waves of hair above a noble brow and hollow eyes; the bridge of an aquiline nose and a suggestion of lip completing the picture. It was either the most forceful head-butt in history or the impression of some kind of bust or statue. I took a rough guess that Poop had been attacked with a relic of the grandeur that was Rome, though precise dating was beyond me. I despatched the plaster cast with the Domestics, confident of a speedy identification by one of Joshua Reynolds’s other agents and also passed on a note to the little man himself recommending that a watch be kept on the strange undertaking firm of Mr Tom Bowler.

As for me, it was time for that rooting around I had promised myself.

Back at Downing Street, to change togs, I found I was in receipt of a charming note from Bella Pok. I look forward immensely to our next assignation , it ran. I feel there is much we shall do together.

Rather!

I changed into a dark costume and pumps, bundling my other clothes into a heavy bag, then waited for Delilah to arrive in a brougham.

There is a limit, you see, to what can be gleaned through what the yellow press like to call «the proper channels». As you can imagine, it is only the im proper channels that turn up matters of real interest. Having been unable to instigate a thorough search, I prepared, as promised, to have another look inside the home of Professor Frederick Sash.

I am a practised housebreaker and had done my best to look over the layout of the missing scientist’s residence during my interview with his wife. I had myself dropped off a few streets away from the Sash residence and then lay skulking in a clump of hydrangeas until the lights in the place were extinguished.

It was another sweltering night, heavy with patches of unhealthy-looking mist so that the shrubberies glowed oddly like spider-webs. I slipped on a half-mask and, with a heavy jemmy in one hand and a dark-lantern in the other, padded across the lawn, keeping low until I reached the shelter of the house. Once there, I flattened myself against the brickwork and paused for breath.

The easiest point of entry to the villa, it seemed to me, was through a small, diamond-paned window in the porchway. I crept around the wall until I reached this, then began an examination of the window. I had the jemmy all ready to prise open the woodwork but then discovered that it was already ajar, no doubt left so due to the heat. I gently pushed the window open to its fullest extent and slid my terribly lithe and nimble frame through it.

The porch led straight through into the great hallway, its ceiling made up almost entirely of skylights.

I made my way stealthily past majolica pots stuffed with exotic plants and rows of walnut cabinets, crammed willy-nilly with quantities of blue china.

I examined each cabinet in turn but felt sure that it was Sash’s study that I needed to explore. I made for the broad staircase, my rubber-soled pumps making not a sound as I ran swiftly upwards. A series of rooms led off a walkway that looked down directly on to the hall below.

I was making for the first door with great urgency when I heard the unmistakable creak of a floorboard.

I froze. After a moment, I edged slowly and silently back to the panelled wall, secreting myself in the shadow of yet another cabinet. I peered across the space, struggling to make out anything in the darkness. Yes there, yes! There was a shape, undoubtedly human, moving stealthily up the stairs I had come up.

It was difficult to be certain from the way it moved whether or not the stranger was an inhabitant or intent on something nefarious. Either way I was in danger. I slipped my hand into my Norfolk and pulled out my revolver, then raised the dark-lantern and prepared to slip back its metal door.

A loud cough stopped me. The figure stepped into a patch of starlight, revealing itself to be Mrs Sash, her long hair tumbled down over her neck, a glass of milk carried in one hand.

She cleared her throat again and, oblivious to my presence, moved silently along the corridor to what I presumed was her bedroom. Once the door had closed behind her, I breathed a sigh of relief and moved on.

Four doors led off the walkway. One I could now eliminate. With the utmost care, I opened the dark-lantern a crack and then, silently, the first door. Within I could make out lumpen black shapes, in all probability the sleeping forms of Sash’s overfed children. One faced the ceiling and was snoring, the other had her hands tucked beneath her face like a child in a nursery picture.

I stepped back on to the landing and gently closed the door.

The next room revealed itself to be merely a linen cupboard; I made swiftly for the third. It was locked.

I bent down to the lock and rammed the jemmy into it. With a fearfully loud crack, the old door sprang open. I glanced swiftly about but no one seemed to have stirred.

Once inside, I moved to the wall and discovered it covered by thick curtains. I checked to ensure I would remain unobserved and then opened the lantern to its fullest extent. The room smelled of old leather. Books lined the walls.

This looked rather promisingly like Sash’s study.

I swung the lantern around the room. The light picked out a bureau and a tall cabinet filled with curiosities. Moving on, I crossed swiftly to the bureau and pushed up the rolled top. Three or four envelopes lay there, in all probability the late post mentioned by Mrs Sash. The professor would never open them now. I opened each of the drawers in turn. Nothing of interest caught my attention — they seemed merely to contain reams of dry scientific discourse. I plunged my hand into the back of the drawers and felt about in case there were any recessed panels or buttons. Real life rarely fails to disappoint and I found no such thing.

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