Caroline Graham - Written in Blood

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Written in Blood: краткое содержание, описание и аннотация

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It's clear to most members of Midsomer Worthy's Writers' Circle that asking bestselling author Max Jennings to talk to them is a little ambitious. Less clear are the reasons for secretary Gerald Hadleigh's fierce objections to seeing the man - a face from his past - again. Astonishingly, Jennings accepts the invitation but, before the night is out, Gerald is dead.
Summoned to investigate, Chief Inspector Barnaby finds that Gerald's life is as much of a mystery to his neighbours as his violent death. The key is surely their illustrious guest speaker - but where is he now?

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The last thing Laura wanted was to be reminded of the gruesome tragicomedy she had witnessed at Gresham House. Afterwards, when the police had taken her to the station, they had insisted on giving her strong sweet tea which she hadn’t wanted but which they kept saying was good for shock. Laura had tried to explain that everything had happened so quickly she had not had time to be shocked.

After smashing some glass and climbing through the gap she had run upstairs to the room from where she judged the screams to be coming. The second she dashed in Honoria had released Amy, crossed quickly to the open window, sat down on the sill and fallen backwards. One moment her legs were sticking stiffly upside down in the air and the next she had gone. She did not cry out, either when she fell or when she hit the ground. It was all over in an instant.

Laura still hadn’t grasped all the ins and outs of what had been going on and wasn’t sure she wanted to. All she really understood was that her decision to call on Amy instead of ringing up to propose that they meet elsewhere, as Chief Inspector Barnaby had suggested, was, in retrospect, a very good thing. She never had got a look at the picture in Amy’s locket, supposedly the point of the whole exercise, but had been assured that this no longer signified. Now all she wanted was to put the whole messy business out of her mind, which she had succeeded in doing pretty well.

She was especially surprised at the rapid transformation of her feelings for Gerald Hadleigh. (She always used his surname now when referring to him in her thoughts.) Quite soon after being told about his strange double life and homosexuality the obsessional passion that had once so dominated her life had completely and mysteriously vanished. She seemed, like Titania, to have been released from some mysterious spell.

Laura wondered if this quick and easy recovery meant she was rather a shallow person and the thought was not entirely unpleasing. Certainly in many respects, the shallow seemed to have a far easier time of it.

The distinctive roar of a Jensen cut through these pleasant musings. Laura picked up her bag. On the way out she paused before her quattrocento princeling and frowned at his melancholy countenance. Always close to her heart today, for the first time, she felt irritation and wondered if she had not perhaps been too indulgent in inventing so many assorted tragedies to explain his mood. He was probably just having an adolescent sulk. Laura patted his hand and said, ‘Cheer up. It might never happen.’

The doorbell rang. He was here. She reached for the little gilt chain which hung down by the side of the painting. Pulled it. And put out the light.

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