Henry Chang - Chinatown Beat

LUXURY CONDOMINIUMS VIEW OF RIVER, AND CHINATOWN.

It was early morning, a dead gray light. She brewed up a cup of Ti-Kuan Yin, Iron Goddess, spilled some ginseng into it, went over and sat in the red futon by the window. She closed her robe and stared ahead into the far distance, beyond the rooftops and the bridges, into the smog-colored sky.

Her fingers moved back and forth over a small jade charm clutched within her closed right hand, working it like a rosary. She contemplated freedom and death and the tao, the way of her life.

Jade Tao De Ching

The white jade octagon, a bot kwa, an I Ching talisman, was the size of a fat nickel. It nestled neatly in the soft of her palm, dangling from the flat gold Chanel bracelet on her wrist. She caressed it with the tip of her ring finger.

The jade was a translucent mutton-bone white, with a cool vitreous luster that in hard sunlight revealed tiny veins and serpentine, twisting fibers of a smoky-yellow hue. Not Shan, nor Chou, nor Ming dynasty. Quality jade, but not rare. Worthless compared to some of the pieces of jade Uncle Four had given her. But it had come from her mother, her only memento, and had touched three generations of the women of her family. It was her mother's soul.

On its flat sides, in bas-relief, were symbols of the Eight Trigrams. Yin and Yang together representing the Eight Elements of the Universe: Heaven, Earth, Wind, Fire, Water, Thunder, Mountain, Lake.

She dragged a red fingernail across one side. Water over thunder. Not propitious to advance, wait and seek help. In the center of the charm she felt the two embryonic snakes chasing each other's tail, forming the forever-changing symbol of the Yin Yang, harmony of the cosmic breath.

She was able to read each symbol, Braille-like, in a single passing of her finger. Then she'd stack the Trigrams in her mind, forming Hexagrams, prophecies, from the I Ching or Book of Changes. Her fingernail slid down. Heaven over Earth. Time of big loss, small gain. Untrustworthy people. Evil comes forth. She flipped the charm, felt for the reverse symbols on the back side.

She felt weary.

Thunder over Earth. Oppression, chaos drains the spirit. Auspicious to appoint helpers. Preparation for action.

Her gaze came back into the apartment, into the faint light. She thumbed the remote toward the cable television, refreshed the Iron Goddess tea with the rest of the vial of ginseng, and saw the words Black Cat take shape from the snow on the screen. Maggie Kahn starring as the Female Assassin. The legend of Fa Mulan came to mind. If the woman warrior could ride into battle against a warlord army, surely she, Mona, could find the resolve to secure freedom from and vengeance against one corrupt old man. She sipped the brew and thought about recruiting help.

She knew the type, a young man with a hustler's good looks, always on the move. Waiting for the right dai gajeer, big sister, to come along. She'd seen them plenty in TsimSha Cheui, working the disco circuit in the soo-ga momie pipeline. Uneducated youths working hard at pretending they were international playboys.

Despite the fact that she depended on them, Mona hated men, all men. They were mongrels, stray dogs, attack dogs, bloodhounds. Men wanted one thing only: her most precious part, her sex. They wanted to possess her for a short time, then discard her for someone younger. And there was always someone younger. Except for Johnny, the driver, who had asked for nothing and expected nothing, all the other men in her life had purchased her time, bought her body, played with her mind.

Nothing for nothing, that was the lesson she'd learned a lifetime ago, halfway around the world in Hong Kong, when at fourteen years of age, the Triads had forced her to sell her body to repay her father's gambling debts. When her mother found out, she cursed her husband, then immediately suffered a heart attack. Mona never forgot that extra week in the seedy brothel, on her back, to pay for the funeral.

Her mother's curse came true. In the end, they killed her father anyway, those evil men with snake tattoos and black hearts.

By the time Uncle Four came to Hong Kong, almost three years ago, Mona had been promoted to China City, the big nightclub on Kowloon where hundreds of siu jeer, young ladies, sold themselves while seeking overseas American Chinese with the promise of green cards. She and Uncle Four discovered they had roots in the same province in China, and that had served as convenient-enough excuse for her to follow him to New York City, overstay her visa, and disappear underground.

At first, all had gone well with this older man, at sixty, some thirty years her senior. Although he was married, Uncle Four provided her with the clean co-op apartment, food, fun money for clothes and personal expenses. In return she accompanied him only at night-twice, three times a week-a decoration on his arm that he liked to show off in the gambling houses and karaoke nightclubs.

All types of men ogled her wherever they went, raping her with their eyes as she passed, hungry-looking men who stared and didn't look away when she flashed her eyes at them. None of this went unnoticed by Uncle Four, but he gave big face to the club owners and didn't bring trouble to their places.

As time went by he accused Mona of looking back at some of the younger men, suspected her of harboring other desires, causing him big loss of face. This was unacceptable. He was, after all, an elder man of respect. Gradually he became abusive and violent, threatening her with deportation, even death, if she ever tried to leave him. As leader of the Hip Chings, who sponsored the Black Dragons, his people were everywhere and she feared she would never escape.

Ping denq, she cried secretly. It was destiny, her Fate.

Out on the edge of the neighborhood, the river wind blew chill into the somber Chinatown day, and swirled dust devils around the beastman who stood on the street corner, watching the working-class families entering the Housing Projects.

He saw the child, grade-school bag in her small hand, with the old woman, grandmother, he figured, withered, bent, useless. When they entered the project elevator, he followed them into the urine stench, watched as the grafittied door slid shut behind them. After the child tapped the seven button, he pressed number sixteen, lucky today. The old woman glanced at him only briefly, saw a clean-cut Chinese and was reassured. The little girl's long black hair hung down her back, her eyes reached just above the buckle of his belt.

They came to the seventh floor. The door slid back and the old woman pushed out past the swinging door to the hallway. In one motion, he grabbed the little girl, shoved the grandmother onto the linoleum, slammed the door.

The girl froze, her jaw slack with fear.

The elevator reached Eight, one of his hands cupped over her mouth, the other feeling for the switchblade in his pocket. At Fifteen, he took her into the stairwell, her eyes big, wet now, too afraid to cry. She was half-dragged, half-carried, up the stairs, her whimpering unheard over the echoing thunder of his footsteps, the feeble screams of grandma far below now.

On the roof landing he showed the knife but spoke calmly in a dialect of Chinese she barely understood.

Um sai pa, he said, eyes freezing her, don't be afraid. She nodded her answer at the point of the blade. Good, he murmured in English, tugging down her underpants. Seven, maybe eight years old, his eyes swallowed her. He put his fingers on her, like ice. Good, this country America, as he unbuckled his belt…

Bones

Jack nosed the Fury into Evergreen Hills cemetery, parked it behind a line of mausoleums, and went to the plot in the Chinese section.