Colin Dexter - The Silent World Of Nicholas Quinn

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The newly appointed member of the Oxford Examinations Syndicate was deaf, provincial and gifted. Now he is dead. . And his murder, in his north Oxford home, proves to be the start of a formidably labyrinthine case for Chief Inspector Morse, as he tries to track down the killer through the insular and bitchy world of the Oxford Colleges. .

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'Oh yes. I watched that. I cried nearly all the way through. Did it make you cry?'

'Bit of a tearjerker, I agree, miss. But I mustn't keep you from your revising. As I say, it was your mother I really wanted to see.'

'But you said — you said you wanted to see me! '

'I got it a bit muddled, miss, I'm afraid. I sort of thought—' He gave it up and got to his feet. He hadn't done too badly at all really, and he thought the Chief Inspector would be pleased with him.

At 7 pm. the same evening Morse sat alone in his office. A single tube of white strip-lighting threw a harsh unfriendly glare across the silent room, and a single yellow lamp in the yard outside the uncurtained window did little more than emphasize the blackness of the night. Occasionally, especially at times like this, Morse wished he had a home to welcome him, with a wife to have his slippers warmed and ready. It was at times like this, too, that murder seemed a crude and terrifying thing. . Dickson had reported on his visit to Sally Height, and the silhouettes on the furthest walls of the darkened cave were now assuming a firmer delineation. Monica had lied to him. Martin had lied to him. It was odds-on that Ogleby had lied to him. Had Bartlett lied as well? Stocky, cautious little Bartlett, meticulous as a metronome. If he had murdered Nicholas Quinn. .

For half an hour he let his thoughts run wild and free, like randy rabbits in orgiastic intercourse. And then he put a stop to it. He needed a few more facts; and facts were facing him, here and now, in the dark-blue plastic bag containing the items found in Quinn's pockets, in Quinn's green anorak, and in Lewis's inventories. Morse cleared the top of his desk and set to work. Quinn's pockets had thrown up little of surprise or interest: a wallet, a grubby handkerchief, half a packet of Polos, a diary (with not a single entry), 43½p, a pink comb, one half of a cinema ticket, two black biros, a strip of tired-looking Green Shield stamps, and a statement from Lloyds Bank (Summertown branch), showing a current account balance of £114.40. That was the lot, and Morse arranged each item neatly before him and sat surveying them for minutes, before finally taking a sheet of notepaper and listing each item carefully. Ye-es. The thought had flashed across his mind a few minutes earlier. Decidedly odd. . Next he picked up the anorak and took a further selection of objects from each side pocket: another grubby handkerchief, car keys, a black key case, two ancient raffle tickets, a further 23p, and an empty white envelope addressed to Quinn, with the word 'Bollox' written on the flap in pencil. 'Well, well,' mumbled Morse to himself. His randy rabbits could have a field day with that , but he decided to give them no chance. Again he listed each item with great precision and again sat back. It was just as he had thought, but it was too late to go back to the lonely rooms in Pinewood Close that night. A bit too creepy, anyway.

Having completed a synoptic review of the evidence before him, Morse systematically tackled each item severally. The wallet first: a driving licence, RAC membership card, Lloyds Bank cheque card, an outdated NHS prescription for Otosporon, the previous month's pay-slip, a blue outpatients' appointment card for the ENT department at the Radcliffe Infirmary, one five-pound note, three one-pound notes, and a Syndicate acknowledgement card on which were written two telephone numbers. Morse picked up the phone and dialled the first, but his ears were greeted only by a continuous high-pitched monotone. He dialled the second.

'Hello? Monica Height here.'

Morse hastily put down the receiver. It was naughty of him, he knew, but he had the feeling that Monica would not be. very happy with him for the moment. Or with Constable Dickson. Yet it made him wonder exactly what the pattern of cross-relationships in the Syndicate had been.

It was the buff-coloured right-hand half of the cinema ticket which next attracted Morse's attention. Across the top were the numbers 102, beneath them the words 'Rear Lounge', and along the right edge, running down, the numbers 93550. On the back of the ticket was the design of a pentagram. Somebody must know which cinema it was, he supposed. Job for Lewis, perhaps. . And then it struck him. Fool of a fool. It wasn't 102 across the top at all. There was just the slightest gap between the o and the 2 and Morse saw the name of the cinema staring up at him: STUDIO 2. He knew the place — in Walton Street. Morse had bought a copy of the previous day's Oxford Mail (wherein the Quinn murder had been briefly reported) and he turned the pages and found that Tuesday was the critics' day for reporting to the citizens of Oxford on the quality of the entertainments currently available. Yes, there it was:

It is all too easy to see why The Nymphomaniac has been retained for a further week at Studio 2. The aficionados have been flocking to see the Swedish sexpot, Inga Nielsson, dutifully exposing her 40" bosom at the slightest provocation. Flock on.

Morse read the review with mixed feelings. Clearly, the critics hadn't yet gone metric, and this particular aficionado couldn't even spell the word. Yet big Inga seemed to Morse a most inviting prospect; and doubtless to many another like him. Especially perhaps when the boss was away one Friday afternoon. .? He flicked through the telephone directory, found the number, and asked to speak to the manager who surprisingly turned out to be the manageress.

'Oh yes, sir. All our tickets are traceable. Buff, you say? Rear circle? Oh yes. We should be able to help you. You see all the blocks of tickets are numbered and a record is kept at the start of each matinee, and then at six o'clock, and then at tea o'clock. Have you got the number?'

Morse read out the number and felt curiously excited.

'Just one minute, sir.' It turned into three or four, and Morse fiddled nervously with the directory. 'Are you there, sir? Yes; that's right. Last Friday. It's one of the first tickets issued. The doors opened at 1.15 and the programme started at 1.30. The first rear lounge number is 93543, so it must have been issued in the first five or ten minutes, I should think. There's usually half a dozen or so waiting for the doors to open.'

'You quite sure about this?'

'Quite sure, sir. You could come down and check if you wanted to.' She sounded young and pretty.

'Perhaps I will. What film have you got on?' He thought it sounded innocent enough.

'Not quite your cup of tea, I don't think, Inspector.'

'I wouldn't be too sure about that, miss.'

' Mrs. . But if you do come, ask for me and I'll see you get a free seat.'

Morse wondered sadly how many, more gift horses he'd be looking in the mouth. But it wasn't that at all really. He was just frightened of being seen. Now if she'd said. .

But she said something else, and Morse jolted upright in his chair. 'I think I ought to mention, Inspector, that someone else asked me the very same sort of thing last week and. .'

' What? ' He almost screamed down the phone, but then his voice became very quiet. 'Say that again, will you, please?'

'I said someone else had—'

'When was this, do you remember?'

'I'm not quite sure; sometime — let's see, now. I ought to remember. It's not very often—'

'Was it Friday?' Morse was excited and impatient.

'I don't know. I'm trying to remember. It was in the afternoon, I remember that, because I was doing a stint in the ticket office when the phone rang, and I answered it myself.'

'Beginning of the afternoon?'

'No, it was much later than that. Just a minute. I think it was. . Just a minute.' Morse heard some chattering in the background, and then the manageress's voice spoke in his ear once more. Inspector, I think it was in the late afternoon, sometime. About five, perhaps. I'm sorry I can't—'

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