Reginald Hill - Death

'Excellent,' he said. 'My dear Franny, I couldn't be more pleased. Amaryllis, my love, come and renew old acquaintance.'

She hadn't hung around after my paper, but here she was in a sheer silk gown cut low enough to make a man forget the spur of fame. She greeted me like an old friend, kissing me on the lips and chatting away about other inmates of the Syke as though we were talking of old acquaintance from the tennis club.

It really was an excellent night. Everything about it – the setting, the food, the wine, the atmosphere, the conversation – confirmed the wisdom of my decision. I was seated between Amaryllis and Dwight Duerden, there being too few female delegates to allow the usual gender hopping (academia is equal opportunity land, but not that equal!) and the pressure, too frequent to be coincidental, from Amaryllis's thigh, made me wonder if this happy night might not be brought in every sense to a fitting climax.

Perhaps fortunately, the opportunity didn't arise. After the dinner Albacore invited some few of us (the most distinguished plus myself) back to the Dean's Lodging, all men save for Amaryllis, and she soon retired as the cigars came out and the atmosphere thickened with aromatic fumes. It was deliriously old fashioned, and I loved it.

Albacore was by now treating me like a younger brother, and when Dwight requested a tour of the Lodging, he put his arm round my shoulder and the two of us led the way.

The D's Lodging was a sort of early eighteenth-century annexe to the original college building and must have stuck out like a new nose on an old star's face for a time. But Cambridge of all places has the magic gift of taking unto itself all things new and wearing their newness off them with loving care till in the end they too are part of the timeless whole. It was a fine old building with that feel I so much love of a lived-in church, infinitely more splendid than the Q's suite of rooms (what must the Master's Habitation, a small mansion situated on a grassy knoll in the college grounds overlooking the river, be like?) and full of what should have been a stylistic hodge-podge of furniture, statuary and paintings had they not also succumbed to the unifying aura of that magical world.

I lusted for it all, and I think Justin sensed my yearning, and felt how much closer it bound me to his desires, and grappled me to him ever more lightly as the tour proceeded.

The study was for me the sanctus sanctorum, lit with a dim religious light, its book-lined walls emanating that glorious odour of old leather and paper which I think of as the incense of scholarship. At its centre stood a fine old desk, ornately carved and with a tooled leather top large enough for a pair of pygmies to play tennis on.

Dwight, miffed perhaps to find himself behind me in the Dean's pecking order, said, 'How the hell do you work in this gloom? And where do you hide your computer?'

'My what?' cried Alabacore indignantly. 'Compute me no computers! When my publisher suggested that in the interest of speed it would be useful if he could have my Beddoes book on disk, I replied, "Certainly, if you can provide me with a large enough disc of Carrara marble and a monumental mason capable of transcribing my words!" Press keys and produce letters on a screen and what have you got? Nothing! An electronic tremor which an interruption of the electrical supply can destroy. Show me one great work which has been produced by word-processing. When I write with my pen, I am writing on my heart and what is inscribed there will take the rubber of God to erase.'

I sensed that Dwight, who probably had a computerized khazi, was drunk enough to tell his host he was talking crap, so, not wanting this atmosphere I was so much enjoying to be soured by dissent, I essayed a light-hearted diversion.

'God uses rubbers, does he?' I said. 'Must have burst when he was into Mary.'

Such blasphemous vulgarity is evidently much enjoyed at High Tables. Like kids saying bum, says Charley Penn, they're excited by their own outrageousness. Certainly it worked here, everyone responding with their own kind of amusement, the well-born Brits with that head-nodding chortle which passes for laughter in their class, the plebs with loud guffaws, and Dwight and a couple of fellow Americans with a kind of whooping bray.

After that Dwight asked in a conciliatory tone how then did Justin work, and Albacore, apologizing now for being a silly old Luddite, showed him his complex but clearly highly efficient card-index system and opened drawers to reveal reams of foolscap (no vulgar A4 for our Justinian!) closely covered with his elegant scrawl.

'And this is your new book?' said Dwight. 'The only copy? Jesus, how do you sleep sound at night?'

'A lot easier than you do, I suspect,' responded Albacore. 'My handwritten pages hold no attraction for a burglar. A computer on the other hand is something worth stealing, as are disks. Also no one can hack into manuscript and see what I'm up to, or copy chunks in a couple of seconds to pre-empt my ideas. Your electronic words, dear Dwight, are by comparison the common currency of the air. Someone coughs a continent away and you can catch a killing virus.'

I headed off what might have been a provoking defence of the computer by asking Albacore to what extent he felt his book might bring Beddoes in out of the cold at the perimeter of British romantic literature and into its warm centre.

'I don't even try’ he retorted. 'It's my thesis that to understand him we must treat him not as a minor English but as a significant European writer. He was – most appositely at this present period in our history – a very good European. Byron's the only other who comes close to him. They both loved Europe, not merely because they found it warmer and cheaper than back home, but for its history and culture and peoples.'

He expanded on this for a little while, almost addressing me directly. It was as if now that he'd won our little contest he wanted to put the memory of the arm-twisting and near-bribery behind us and demonstrate that he was a serious Beddoes scholar.

The others listened happily too, sitting on the deep leather armchairs and sofa which the spacious room afforded, drinking from their brandy balloons and puffing on their genuine Havanas till the aromatic smoke almost hid the decorated ceiling. I sometimes think that it will not be the least of the twentieth century's philistinisms that it has destroyed the art of enjoying tobacco. Like the poet said, a fuck is only a fuck, but a good cigar is a smoke.

Long before he bored his audience (the great talkers are also masters of timing) Albacore stopped talking about Beddoes and invited us all to admire the copy of the Vita S. Godrid which he mentioned to me earlier and which he'd brought from the secure room of the college library for our delectation. Merely to handle something of such beauty and antiquity was enough for most of us, but Dwight with that lack of embarrassment about money which is the mark of a civilized American, cut to the chase and said, 'How much would it fetch on the open market?'

Albacore smiled and said, 'Why, this is a pearl worth more than all your tribe, Dwight. Think what you have here. A contemporary copy of the contemporary life written by a man who actually visited Godric in his hut at Finchale, Reginald of Durham, a man himself of such piety and erudition that these qualities are said by tradition to be accorded to all subsequent clerks who bear that name and title. In other words you are touching the book that touched the hand of a man who touched the hand of the saint himself. Who could put a price on something like this?'

'Well,' said Dwight, unputdown, 'I know a dealer called Trick Fachmann in St Poll who'd take a shot at it.'

Even Albacore laughed, and now the conversation became general, running like quicksilver from tongue to tongue, good thing following good thing, wisdom and wit doled out in a prodigality of plenty, and I felt tears prick my eyes at the sense of privilege and pleasure in being part of this company in this place at this time.