Conor Fitzgerald - Fatal Touch

“No. Absolutely not. A voluntary statement cannot be used as evidence for or against anyone, period. Whatever you tell us now is of no judicial use, but it can certainly help us. You’ll want a lawyer if the magistrate calls you in for questioning, but not now. Also, as long as we keep talking English and remain one-to-one, we are speaking off the record, more or less.”

“More or less?” Nightingale’s eyes suddenly narrowed and seemed to sharpen as his bewildered and exhausted aspect vanished for a second. But then he ran his hands through his hair again and declared, “Actually, I don’t care. I just want to help.”

He stood up and began to shuffle around the small room, rubbing his hand up his temple to his receding hairline.

Nightingale was wearing sturdy handmade shoes. Blume had often thought that if he had wealth, he would invest in really good handmade shoes. Strong shoes should give a man direction. A person with shoes like that had no right to shuffle about lengthening his A’s and turning his R’s into W’s.

“Stop wandering uselessly about and come up to my office,” said Blume, and led the way out of the antechamber. With a mixture of obedience and watchfulness, Nightingale followed him down the hallway toward the two elevators next to the stairs.

The elevator arrived, and Nightingale insisted on ushering Blume in ahead of him.

“Please, just get in, Mr. Nightingale,” said Blume.

Damned Brits. His father had not liked them, and Blume, who had never properly considered the matter, seemed to have received prejudice like a fully wrapped gift which he was only now getting around to opening.

As they passed through the operations room, a few heads bobbed up to see who was accompanying Blume. Blume waved Nightingale into his office, closed the door, and went behind his desk. He sat down and leaned back, and nodded at the space midway between the two chairs on the other side of his desk. One was a cheap red molded plastic chair, the other a comfortable low-slung black armchair. Nightingale chose the second with hardly a moment’s hesitation, then crossed his legs at the ankles, and waited for Blume to speak.

“So,” began Blume. “We were just about to go looking for you. Can you tell me where you’ve been today?”

“You say Harry has been killed.”

“Did I say that?”

“Then Manuela did. Someone must have told me. I can hardly remember. Clearly I am in a state of deep shock. I feel calm now, and lucid, but I daresay it will hit me later on.” He tilted his head and repeated his crooked smile. “Inspector…”

“Commissioner,” corrected Blume. “Where were you this morning, Mr. Nightingale?”

“Florence, but, um, I’m afraid… look, I’m sorry about this. It’s the nature of my job. Always read the small print, caveat emptor, all that sort of thing, but I’m not sure I quite believe what you just told me downstairs.”

“I can’t remember,” said Blume. “Besides definitely not mentioning that Treacy was killed, what did I say downstairs?”

“You know, about what I say not being used as evidence. I’m awfully sorry if I doubt your word. It comes with my job.”

“To trust is good; not to trust is better,” said Blume.

“A smashing Italian expression,” said Nightingale. “One of my favorites.”

“You’ll just have to believe me,” said Blume.

“I’d love to do that, but I’m afraid the thing is… I would take your word as a gentleman, of course, but as an Italian public official…”

“As an Italian public official, what?”

“Well, you know how it works here.”

“No,” said Blume. “Tell me.”

Nightingale uncrossed his legs and straightened in his seat. “All I am saying is that as a public official, you have certain duties and responsibilities that would prevail over any assurances you give me, as is only natural and right.”

“This is an interview, not an interrogation. There is no magistrate present, nor any officer taking notes,” said Blume.

“I’m afraid I was born diffident.”

“I see.” Blume got up, and walked over to the narrow bookcase behind his desk. He pulled out a fat purple-and-blue volume, opened it, then presented the volume face down to Nightingale. “ Code of Criminal Procedure, 17th edition, which is the latest. Here, read Article 350, paragraph 7.”

Nightingale looked surprised for a moment, but soon pulled out a collapsible pair of reading glasses from the breast pocket of his jacket. He balanced them on the end of his nose, and turned the book over. Blume watched him mouth some of the words, close his eyes, and reread.

“You are quite right, Commissioner. Mind if I read the entire article?”

“By all means,” said Blume.

Nightingale bent down over the book and read again. Then, holding the page with his thumb, he turned back several hundred pages.

“Sorry about this, but you know how it is: this law is pursuant to that one, which refers back to another and so on and so forth. It’s all a terrible bore.” He continued reading.

Finally Nightingale closed the book, put it on Blume’s desk, and said, “Very well. I was in Florence last night and this morning. I think I just said that. I had an appointment with an art dealer there.” He put his hand inside his jacket and pulled out a ticket stub. “This is my train ticket. As you can see, it is time stamped at 8:03 p.m. for the outbound journey last night and at 9:35 for the return trip this morning. I reached Termini at half-past eleven, my home at midday, and Manuela phoned me there shortly afterwards. When I got to the gallery, the Carabinieri had already been through the place, but she advised me to come to you people instead.”

“Who were you in Florence with?”

“The art dealer’s name is Ricasoli. Same as the wine maker. Same family. He was interested in acquiring a Giovanni Benedetto Castiglione that had come into our possession.”

“You kept the ticket stub?” said Blume, reaching out and taking it. “Do you always do that?”

“Only when I remember. Travel expenses can be deducted from the gallery’s imponibile. If you can be bothered to fill out the tax forms afterwards, of course.”

“The gallery belongs to you?”

“The business activity and movables. Not the building, sadly. We founded the Galleria Orpiment in 1974, you know. That’s a long time ago. I don’t know what I am going to do without Harry. I’ll have to close. We were thinking of closing it down anyhow.”

“Why?”

“Because we’re getting old, Commissioner. Some nights I get up just to lean on a sink and count my heartbeats and wait for them to stop. You’ll find yourself doing that, too, someday. Or maybe you will be different.”

“I want to be straight with you, Mr. Nightingale,” said Blume. “For the moment, the squadra mobile is on standby while we wait for an autopsy report and definite instructions from the investigating magistrate. In the meantime, a rather important dinosaur from the Carabinieri has come onto the scene. Colonel Orazio Farinelli, former director of the Art Forgery and Heritage Division and, I hear, a former operative with the domestic secret service, back in the days when SISDE went off the rails. He speaks with such familiarity of you and Treacy that I think you must know him.”

Nightingale seemed to sink into his chair. He brought his hand up to his brow and seemed to study his fine shoes. By the time he spoke, it was obvious his reply could go only in one direction.

“Yes, I do know Farinelli. I wish I didn’t, but I do. We go a long way back. He was a lieutenant when I first encountered him. We’re really off the record?”

“Up to a point,” said Blume.

“Can I ask you something?”