Ed Mcbain: Cop Hater

The tech crew dusted the latent fingerprints with one of the commercial black powders. The excess powder was allowed to fall on a sheet of paper. The prints were lightly brushed with an ostrich feather. They were then photographed.

There were two good thumbprints, one for each hand where the suspect had pressed down on the top surfaces of the stirrups. There were good second-joint prints for each hand where the suspect had gripped the undersides of the stirrups.

The prints were sent to the Bureau of Identification. A thorough search was made of the files. The search proved fruitless, and the prints were sent to the Federal Bureau of Investigation while the detectives sat back to wait.

In the meantime, a police artist went to see Dr. Russell. Listening to Dr. Russell's description, he began drawing a picture of the suspect. He made changes as Dr. Russell suggested them—"No, the nose is a little too long; yes, that's better. Try to give a little curl to his lip there, yes, yes,

that's it"—and he finally came up with a drawing which tallied with Dr. Russell's recollection of the man he had examined. The picture was sent to each metropolitan daily and to each television station hi the area, together with a verbal description of the wanted man.

All this while, the detectives waited for the F.B.I. report. They were still waiting the next day.

Willis looked at the drawing on the first page of one of the morning tabloids.

The headline screamed: HAVE YOU SEEN THIS MAN?

"He's not bad-looking," Willis said.

"Pretty-Boy Krajak," Carella said.

"No, I'm serious."

"He may be handsome, but he's a son of a bitch," Carella said. "I hope his arm falls off."

"It very well might," Willis said drily.

"Where the hell's that F.B.I, report?" Carella asked edgily. He had been answering calls all morning, calls from citizens who reported having seen the killer. Each call had to be checked out, of course, but thus far the man had been seen all over the city at simultaneous times. "I thought those G-men were supposed to be fast."

"They are," Willis said.

"I m going to check with the Lieutenant."

"Go ahead," Willis said.

Carella went to the Lieutenant's door. He knocked and Byrnes called, "Come." Carella went into the office. Byrnes was on the phone. He signaled for Carella to stand by. He nodded then and said, "But Harriet, I can't see anything wrong with that."

He listened patiently.

"Yes, but..."

Carella walked to the window and stared out at the park.

"No, I can't see any reason for . . ."

Marriage, Carella thought. And then he thought of Teddy. It'll be different with us.

"Harriet, let him go," Byrnes said. "He's a good boy, and he won't get into any trouble. Look, take my word for it For God's sake, it's only an amusement park."

Byrnes sighed patiently.

"All right, then." He listened. "I'm not sure yet, honey. We're waiting for an F.B.I, report. If I'll be home, I'll call you. No, nothing special. It's too damn hot to eat, anyway. Yes, dear, "bye."

He hung up. Carella came from the window.

"Women," Byrnes said, not disagreeably. "My son wants to go out to Jollyland tonight with some of the boys. She doesn't think he should. Can't see why he wants to go there in the middle of the week. She says she's read newspaper stories about boys getting into fights with other boys at these places. For Pete's sake, it's just an amusement park. The kid is seventeen."

Carella nodded.

"If you're going to watch them every minute, they'll feel like prisoners. Okay, what are the odds on a fight starting at a place like that? Larry knows enough to avoid trouble. He's a good kid. You met him, didn't you, Steve?"

"Yes," Carella said. "He seemed very level-headed."

"Sure, that's what I told Harriet. Ah, what the hell! These women never cut the umbilical cord. We get raised by one woman, and then when we're ripe, we get turned over to another woman."

Carella smiled. "It's a conspiracy," he said.

"Sometimes I think so," Byrnes said. "But what would we do without them, huh?" He shook his head sadly, a man trapped in the labial folds of a society structure.

"Anything from the Feds yet?" Carella asked.

"No, not yet. Jesus, I m praying for a break."

"Mmmm."

"We deserve a break, don't we?" Byrnes asked. "We've worked this one right into the ground. We deserve a break."

There was a knock on the door.

"Come," Byrnes said.

Willis entered the room with an envelope. "This just arrived, sir," he said.

"F.B.I.?"

"Yes."

Byrnes took the envelope. Hastily, he tore open the flap and pulled out the folded letter.

"Hell!" he erupted. "Hell and damnation!"

"Bad?"

"They've got nothing on him!" Byrnes shouted. "God-damnit! Goddamnit to hell!"

"Not even Service prints?"

"Nothing. The son of a bitch was probably 4-F!"

"We know everything about this guy," Willis said vehemently, beginning to pace the office. "We know what he looks like, we know his height, his weight, his bloodtype, when he got his last haircut, the size of his rectal aperture!" He slammed his fist into the opposite hand. "The only thing we don't know is who the hell he is! Who is he, damnit, who is he?"

Neither Carella or Byrnes answered.

That night, a boy named Miguel Aretta was taken to Juvenile House. The police had picked him up as one of the boys who'd been missing from the roundup of The Grovers. It did not take the police long to discover that Miguel was the boy who'd zip-gunned Bert Kling.

Miguel had been carrying a zip-gun on the night that Kling got it. When a Senior Grover named Rafael "Rip" Desanga had reported to the boys that a smart guy had been around asking questions, Miguel went with them to teach the smart guy a lesson.

As it turned out, the smart guy—or the person they assumed to be the smart guy—had pulled a gun outside the bar. Miguel had taken his own piece from his pocket and burned him.

Bert Kling, of course, had not been the smart guy. He turned out to be, of all things, a cop. So Miguel Aretta was now in Juvenile House, and the people there were trying to understand what made him tick so that they could present his case fairly when it came up in Children's Court.

Miguel Aretta was fifteen years old. It could be assumed that he just didn't know any better.

The real smart guy—a reporter named Cliff Savage—was thirty-seven years old, and he should have known better.

He didn't.

Chapter TWENTY

savage was waiting for Carella when he left the precinct at 4:00 P.M. the next day.

He was wearing a brown Dupioni silk suit, a gold tie, and a brown straw with a pale yellow band. "Hello," he said, shoving himself off the side of the building.

"What can I do for you?" Carella asked.

"You're a detective, aren't you?"

"If you've got a complaint," Carella said, "take it to the desk sergeant. I'm on my way home."

"My name's Savage."

"Oh," Carella said. He regarded the reporter sourly.

"You in the fraternity, too?" Savage asked.

"Which one?"

'The Fraternity against Savage. Eeta Piecea Cliff."

"I'm Phi Beta Kappa myself," Carella said.

"Really?"

"No." He began walking toward his car. Savage fell in step with him.

"Are you sore at me, too, is what I meant," Savage said.

"You stuck your nose in the wrong place," Carella 'answered. "Because you did, a cop is in the hospital and a kid is in Juvenile House, awaiting trial. What do you want me to do, give you a medal?"

"If a kid shoots somebody, he deserves whatever he gets."

"Maybe he wouldn't've shot anybody if you'd kept your nose out of it."

"I'm a reporter. My job is getting facts."

"The lieutenant told me he'd already discussed the possibility of teen-agers being responsible for the deaths. He said he told you he considered the possibility extremely remote. But you went ahead and put your fat thumb in the pie, anyway. You realize Kling could have been killed?"