Micael Connelly - The Last Coyote

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LAPD detective Harry Bosch is down on his luck house is condemnedin in the aftermath of the earthquake, his girlfriend has left him, he has been suspended for attacking his superior officer. To occupy time he examines the old case files covering the murder of his mother. Confronting the demons of the past, he discovers a trail of cover ups and seeks understanding and justice.

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After Jonathan's arm went by harmlessly and he was vulnerable, Bosch's arm arced downward. Jonathan made a last-second lunge to his left but the billiard ball in Bosch's fist still caught him with a glancing blow to the right side of his head. It made a sound like a lightbulb popping and Jonathan's body followed the momentum of his falling arm. He fell face first on the grass, his body on top of the gun.

Almost immediately, the man tried to get up and Bosch delivered a vicious kick to his ribs. Jonathan rolled off the gun and Bosch came down on his body with his knees, swinging his fist into the back of his head and neck two more times before realizing that he still gripped the billiard ball and that he had hurt the man enough.

Breathing as if he had just come up for air, Bosch glanced around and saw the gun. He quickly grabbed it up and looked for Mittel. But he was gone.

The slight sound of running on grass caught his attention and he looked to the far northern line of the lawn. He caught a glimpse of Mittel then, just as he disappeared into the darkness at the spot where the flat, manicured grass gave way to the rugged brush of the hilltop. 'Mittel!'

Bosch jumped up and followed. At the point where he had last seen Mittel, he found a path worn into the brush. He realized it was an old coyote trail that had been widened over time by human feet. He raced down it, the

yawning drop-off to the city below no more than two feet on his right.

He saw no sign of Mittel and followed the trail along the edge of the drop-off until the house was no longer in sight behind him. Finally he stopped after coming across nothing that indicated Mittel was even near or had taken this path.

Breathing heavily, his head pounding where he was wounded, Bosch came upon a steep bluff rising off the side of the trail and saw that it was ringed with old beer bottles and other debris. The bluff was a popular lookout spot. He put the gun in his waistband and then used his hands for balance and purchase as he climbed ten feet to its top. He did a slow three-sixty-degree turn while on top of the bluff but saw nothing. He listened but the hiss of the city's traffic precluded any chance of his hearing Mittel moving in the brush. He decided to give it up, to get back to the house and call out an air unit before Mittel could get away. They'd find him with a spotlight if the chopper could get out here quickly enough.

As he gingerly slid back down the bluff, Mittel suddenly came at him from the darkness to the right. He had been hiding behind a thick growth of brush and Spanish sword plants. He dove into Bosch's midsection, knocking him down onto the trail, his weight on top of him. Bosch felt the man's hands going for the gun still in his waistband. But Bosch was younger and stronger. The surprise attack was Mittel's last card. Bosch closed his arms around him and rolled to his left. Suddenly, the weight was off and Mittel was gone.

Bosch sat up and looked about, then pulled himself over to the edge. He pulled the gun out of his waistband and then leaned over and looked down. There was only darkness when he looked direcdy down the side of the rugged hill. He could see the rectangular roofs of houses

about a hundred and fifty yards down. He knew they were built along the twisting roads that fed off Hollywood Boulevard and Fairfax Avenue. He did another complete turn and then looked down again. He didn't see Mittel anywhere.

Bosch surveyed the scene beneath him in its entirety until his eyes caught the backyard lights nicking on behind one of the houses directly below. He watched as a man came out of the house carrying what looked like a rifle. The man slowly approached a. round backyard spa platform, the rifle pointed ahead of him. The man stopped at the edge of the spa and reached to what must have been the outdoor electrical box.

The tub light came on, silhouetting the body of a man floating in a circle of blue. Even from on top of the hill Bosch could see the swirls of blood seeping from Mittel's body. Then the voice of the man with the rifle came up the hillside intact.

'Linda, don't come out! Just call the police. Tell them we got a body in our hot tub.'

Then the man looked up the hillside and Bosch moved back away from the edge. Immediately, he wondered why he'd had the instinctive reaction to hide.

He got up and slowly made his way back to Mittel's house along the path. As he walked, he looked out across the city at the lights shimmering in the night and thought it was beautiful. He thought about Conklin and Pounds and then pushed the guilt out of his mind with thoughts about Mittel, about how his death finally closed the circle begun so long ago. He thought of the image of his mother in Monte Kim's photo. Her looking timidly around the edge of Conklin's arm. He waited for the feeling of satisfaction and triumph that he knew was supposed to come with vengeance accomplished. But none of it ever came to him. He only felt hollow and tired.

When he got back to the perfect lawn behind the perfect mansion, the man called Jonathan was gone.

Assistant Chief Irvin S. Irving stood in the open doorway of the examination suite. Bosch was sitting on the side of the padded table holding an ice pack to his head. The doctor had given it to him after putting in the stitches. He noticed Irving when he adjusted the bag in his hand.

'How do you feel?'

'I'll live, I guess. That's what they tell me, at least.'

'Well, that's better than you can say for Mittel. He took the high dive.'

'Yeah. What about the other one?'

'Nothing on him. We got his name, though. You told the uniforms Mittel called him Jonathan. So that means he's probably Jonathan Vaughn. He's worked for Mittel for a long time. They're working on it, checking the hospitals. Sounds like you might've hurt him enough that he'd come in.'

'Vaughn.'

'We're trying to do a background on him. So far, not much. He's got no record.'

'How long was he with Mittel?'

'That we're not sure of. We've talked to Mittel's people at the law firm. Not what you'd call cooperative. But they say Vaughn has been around forever. He was described by most people as Mittel's personal valet.'

Bosch nodded and put the information away.

'There's also a driver. We picked him up but he isn't saying much. A little surfer punk. He couldn't talk if he wanted to anyway.' 'What do you mean?'

'His jaw is broken. Wired shut. He won't talk about that, either.'

Bosch just nodded again and looked at him. There didn't seem to be anything hidden in what he had said. 'The doctor said you have a severe concussion but the skull is not fractured. Minor laceration.'

'Could've fooled me. My head feels like the Goodyear blimp with a hole in it.' 'How many stitches?' 'I think he said eighteen.'

'He said you'll probably have headaches and keep the knot up there and the eye hemorrhages for a few days. It'll look worse than it is.'

'Well, nice to know he's telling somebody what's going on. I haven't heard anything from him. Just the nurses.' 'He'll be in in a minute. He was probably waiting for you to come out of it a little more.' 'Come out of what?'

'You were a little dazed when we got up there to you, Harry. You sure you want to talk about this now? It can wait. You're hurt and need to take it -'

'I'm okay. I want to talk. You been by the scene at Park

La Brea?'

'Yes, I was there. I was there when we got the call from Mount Olympus. I've got your briefcase in the car, by the way. You left it there, didn't you? With Conklin?'

He started to nod but stopped because it made things

swirl.

'Good,' he said. 'There's something there I want to

keep.'

'The photo?'

'You looked through it?'

'Bosch! You must be groggy. It was found at the scene of a crime.'

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