Evan Hunter - Romance

“I think we’re all entitled to know who stabs me,” Michelle said.

“I truly don’t care who stabs you,” Andrea said.

“Neither do l,” Mark said.

“Ashley’s right, it’s not germane to the scene.”

“Or even to the play.”

“Maybe the butler stabs you,” Jerry whispered from the wings.

“If a person gets stabbed, people want to know who stabbed her,” Michelle insisted. “You can’t just leave it hanging there.”

“This isn’t a play about a person getting stabbed,” Andrea said. “Or hanged.”

“Oh? What’s it about then? An understudy who can’t act?”

“Oh-ho!” Andrea said, and turned away angrily.

“Freddie, are you out there?” Michelle shouted to the theater.“Can you tell me who stabs…?”

“He’s not here, Michelle,” Kendall said wearily.

He was uncomfortably aware that Morgenstern was sitting beside him here in the sixth row and he didn’t want his producer to get the impression that he was losing control of his actors, especially when he actually was. The moment an actor started screaming for clarification from the playwright was the moment to come down hard, star or no star. Which, by the way, Michelle Cassidy wasn’t, Annie or no Annie, which was a hundred years ago, anyway.

Using his best Otto Preminger voice, seething with controlled rage, he said, “Michelle, you’re holding up rehearsal. I want to do this scene, and I want to do it right, and I want to do it now. If you have any questions, save them for notes. Meanwhile, I would like you to get stabbed now, by whoever the hell stabs you, as called for in the script at this point in the play’s time. You have a costume fitting at six-thirty, Michelle, and I would like to break for dinner at that time, so if we’re all ready, let’s begin again. Please. From where Michelle pays her check, and comes out of the restaurant, and walks into the darkness…”

From where he stood in the shadowed side doorway of the delicatessen that shared the alleyway with the theater, he saw her coming out of the stage door at the far end, tight blue sweater and open peacoat, short navy-blue mini, gold-buckled belt, blue high-heeled shoes. He backed deeper into the doorway, almost banging into one of the garbage cans stacked alongside it. She checked her watch, and then stepped out briskly in that long-legged stride of hers, high heels clicking, red hair glowing under the hanging stage door light.

He wanted to catch her while she was still in the alley, before she reached the lighted sidewalk. The delicatessen’s service doorway was just deep enough in from the street to prevent his being seen by any pedestrians, just far enough away from the stage door light, too. Clickety-click-click, long legs flashing, she came gliding closer to where he was standing. He stepped into her path.

“Miss Cassidy?” he said.

And plunged the knife into her.

STANDING AT THE SQUADROOM WATER COOLER, DETECTIVE/Second Grade Stephen Louis Carella could not help over-hearing Kling’s conversation at the desk not four feet away. He filled his paper cup and turned away, standing with his back to Kling, looking through the wire-grilled window at the street below — but he could still hear the conversation. Deliberately, he tossed the empty cup at the wastebasket, and headed back across the room toward his own desk.

Carella was close to six feet tall, with the wide shoulders, narrow hips and gliding walk of a natural athlete — which he was not. Sitting behind his desk, he sighed and looked up at the wall clock, marveling at how the time did fly when you were having a good time. They were only three hours into the shift, but for some reason he was enormously weary tonight. Whenever he was this tired, his brown eyes took on a duller hue, seeming to slant more emphatically downward than they normally did, giving his face an exaggerated Oriental cast.

Four detectives had relieved the day shift at a quarter to four that Monday afternoon. Mayer and Hawes caught a liquor store holdup even before they took off their topcoats, and were out of the squadroom almost before they’d officially arrived. At around four-fifteen, a redheaded woman came up and told Kling somebody was trying to kill her, and he took down all the information and then discussed the possibility of a trap-and-trace with Carella, who said they wouldn’t have a chance of getting one. Kling said he’d talk it over with the boss soon as he came in. Lieutenant Byrnes still wasn’t here and Kling was still on the phone with someone named Sharon, whom he kept asking to meet him for coffee when the shift was relieved at midnight. From the snatches of conversation Carella could still over-hear, Sharon wasn’t being too receptive. Kling kept trying. Told her he’d be happy to take a cab to Calm’s Point, just wanted to talk to her awhile. By the time he hung up, Carella still didn’t know if it had worked out. He only knew there were five long hard hours ahead before they’d be relieved.

They caught the theater squeal at eight minutes past seven. The Susan Granger, a small theater on North Eleventh, near Mapes Avenue. Woman stabbed in the alley there. By the time Carella and Kling arrived, the woman had already been carted off to the hospital. One of the blues at the scene told them the victim’s name was Michelle Cassidy and that she’d been taken to Morehouse General. Kling recognized the name. He told Carella she was the redhead who’d come to see him only three, three and a half hours ago, whenever the hell it was.

“Told me somebody was threatening to stab her,” he said.

The uniformed cop shrugged and said, “So now he did.“

They decided it was more important to talk to the victim than to do the neighborhood canvass just now. They got to Morehouse at about seven-thirty and talked to the ER intern who’d admitted Michelle Cassidy. He told them that two inches lower and a bit to the right and Miss Cassidy would at this very moment be playing first harp in the celestial philharmonic. Instead, she was in room two thirty-seven, her vital signs normal, her condition stable. He understood she was an actress.

“Is she someone famous?” he asked.

“She played Annie,” Kling said.

“Who’s Annie?” the doctor asked. His name was Raman-than Mehrota. It said so on the little plastic tag on his tunic. Carella guessed he was Indian. In this city, the odds on finding a doctor from Bombay in any hospital emergency room were extraordinarily good. Almost as good as finding a Pakistani cabdriver.

“They’ve got TV cameras up there,” Mehrota said. “I thought she might be someone famous.”

“She is now,” Carella said.

The TV reporter was doing their job for them. All they had to do was stand at the back of the room and listen.

“When did this happen, Miss Cassidy?”

Carella recognized the woman as one of Channel 4’s roving reporters. Good-looking woman with curly black hair and dark brown eyes, reminded him of his wife, except for the curls; Teddy’s hair was straight, but just as black.

“Everybody else had already gone to dinner,” she said, “but I had a costume fitting, so I was a little late leaving. I was just coming out of the theater when…”

“What time was this?”

“A little after seven. We’d been rehearsing all day long…”

“Rehearsing what, Miss Cassidy?”

“A new play called Romance. ”

“What happened when you left the theater?”

“A man stepped out of a doorway there in the alley. He said, `Miss Cassidy?’ And then he stabbed inc.”

The camera came in on the reporter.

“Michelle Cassidy, stabbed tonight outside the Susan Granger Theater, where she is rehearsing — ironically — a play about a man who stabs an actress. This is Monica Mann, Channel 4 News, live at Morehouse General Hospital.”