Ian Rankin: Black and Blue

A booklet was advertised for sale — ‘How Scotland Should be Governed’ — and there were letters to the editor concerning Home Rule. A Sales and Marketing Manager was wanted, salary of £2,500 p.a. A new house in Strathalmond cost £7,995. Frogmen were searching for clues in Glasgow, while Jim Clark was winning the Australian Grand Prix. Meantime, members of the Steve Miller Band were being arrested in London on drug charges, and car parking in Edinburgh had reached saturation point...

1968.

Rebus had copies of the actual newspapers — purchased from a dealer for considerably more than their sixpenny cover price. They continued into ’69. August. The weekend that Bible John claimed his second victim, the shit was hitting the fan in Ulster and 300,000 pop fans were turning up (and on) at Woodstock. A nice irony. The second victim was found by her own sister in an abandoned tenement... Rebus tried not to think of Allan Mitchison, concentrated on old news instead, smiled over an August 20 headline: ‘Downing Street Declaration’. Trawler strikes in Aberdeen... an American film company seeking sixteen sets of bagpipes... dealings in Robert Maxwell’s Pergamon suspended. Another headline: ‘Big drop in Glasgow crimes of violence’. Tell that to the victims. By November, it was reported that the murder rate in Scotland was twice that of England and Wales — a record fifty-two indictments in the year. A debate on capital punishment was taking place. There were anti-war demos in Edinburgh, while Bob Hope entertained the troops in Vietnam. The Stones did two shows in Los Angeles — at £71,000 the most lucrative one-night stand in pop.

It was November 22 before an artist’s impression of Bible John appeared in the press. By then he was Bible John: the media had come up with the name. Three weeks between the third murder and the artist’s impression: the trail grown good and cold. There’d been an artist’s drawing after the second victim too, but only after a delay of almost a month. Big, big delays. Rebus wondered about them...

He couldn’t quite explain why Bible John was getting to him. Perhaps he was using one old case as a way of warding off another — the Spaven case. But he thought it went deeper than that. Bible John meant the end of the sixties for Scotland; he’d soured the end of one decade and the beginning of another. For a lot of people, he’d all but killed whatever dribble of peace and love had reached this far north. Rebus didn’t want the twentieth century to end the same way. He wanted Johnny Bible caught. But somewhere along the road, his interest in the present case had taken a turning. He’d started to concentrate on Bible John, to the point where he was dusting off old theories and spending a small fortune on period newspapers. In 1968 and ’69, Rebus had been in the army. They’d trained him how to disable and kill, then sent him on tours — including, eventually, Northern Ireland. He felt he’d missed an important part of the times.

But at least he was still alive.

He took glass and bottle through to the living room and sank into his chair. He didn’t know how many bodies he’d seen; he just knew it didn’t get any easier. He’d heard gossip about Bain’s first post mortem, how the pathologist had been Naismith up in Dundee, a cruel bastard at the best of times. He’d probably known it was Bain’s first, and had really done a job on the corpse, like a scrap merchant stripping a car, lifting out organs, sawing the skull open, hands cradling a glistening brain — you didn’t do that so lightly these days, fear of hepatitis C. When Naismith had started unpeeling the genitals, Bain had dropped deadweight to the floor. But credit where due, he’d stuck around, hadn’t bolted or hughied. Maybe Rebus and Bain could work together, once friction had smoothed their edges. Maybe.

He looked out of the bay window, down on to the street. He was still parked on a double yellow. There was a light on in one of the flats across the way. There was always a light on somewhere. He sipped his drink, not wanting to rush it, and listened to the Stones: Black and Blue . Black influences, blues influences; not great Stones, but maybe their mellowest album.

Allan Mitchison was in a fridge in the Cowgate. He’d died strapped to a chair. Rebus didn’t know why. Pet Shop Boys: ‘It’s a Sin’. Segue to the Glimmer Twins: ‘Fool to Cry’. Mitchison’s flat hadn’t been so different from Rebus’s own in some respects: under-used, more a base than a home. He downed the rest of his drink, poured another, downed that too, and pulled the duvet off the floor and up to his chin.

Another day down.

He awoke a few hours later, blinked, got up and went to the bathroom. A shower and shave, change of clothes. He’d been dreaming of Johnny Bible, getting it all mixed up with Bible John. Cops on the scene wearing tight suits and thin black ties, white bri-nylon shirts, pork-pie hats. 1968, Bible John’s first victim. To Rebus it meant Van Morrison, Astral Weeks . 1969, victims two and three; the Stones, Let It Bleed . The hunt went on into 1970, John Rebus wanting to go to the Isle of Wight Festival, not managing it. But of course Bible John had disappeared by then... He hoped Johnny Bible would just sod off and die.

There was nothing in the kitchen to eat, nothing but newspapers. The nearest corner shop had closed down; it wasn’t much more of a walk to the next grocer’s along. No, he’d stop somewhere on route. He looked out of the window and saw a light-blue estate double parked outside, blocking three resident cars. Equipment in the back of the estate, two men and a woman standing on the pavement, supping coffee from take-away beakers.

‘Shit,’ Rebus said, knotting his tie.

Jacketed, he walked outside and into questions. One of the men was hoisting a video camera up to his shoulder. The other man was speaking.

‘Inspector, could we have a word? Redgauntlet Television, The Justice Programme .’ Rebus knew him: Eamonn Breen. The woman was Kayleigh Burgess, the show’s producer. Breen was writer/presenter, loved himself, RPIA: Royal Pain in Arse.

‘The Spaven case, Inspector. A few minutes of your time, that’s all we need really, help everybody get to the bottom —’

‘I’m already there.’ Rebus saw the camera wasn’t ready yet. He turned quickly, his nose almost touching the reporter’s. He thought of Mental Minto breathing the word ‘harassment’, not knowing what harassment was, not the way Rebus had grown to know.

‘You’ll think you’re in childbirth,’ he said.

Breen blinked. ‘Sorry?’

‘When the surgeons are taking that camera out of your arse.’ Rebus tore a parking ticket from his windscreen, unlocked the car, and got in. The video camera was finally up and running, but all it got was a shot of a battered Saab 900 reversing at speed from the scene.

Rebus had a morning meeting with his boss, Chief Inspector Jim MacAskill. The boss’s office looked as chaotic as any other part of the station: packing cases still waiting to be filled and labelled, half-empty shelves, ancient green filing cabinets with their drawers open, displaying acre upon acre of paperwork, all of which would have to be shipped out in some semblance of order.

‘The world’s hardest jigsaw puzzle,’ MacAskill said. ‘If everything gets to the other end unscathed, it’ll be a miracle on a par with Raith Rovers winning the UEFA Cup.’

The boss was a Fifer like Rebus, born and raised in Methil, back when the shipyard had been making boats rather than rigs for the oil industry. He was tall and well-built and younger than Rebus. His handshake was not masonic, and he’d not yet married, which had caused the usual gossip that maybe the boss was a like-your-loafers. It didn’t worry Rebus — he never wore loafers himself — but he hoped that if his boss was gay there was no guilt involved. It was when you wanted a secret kept that you fell prey to blackmailers and shame merchants, destructive forces both interior and exterior. Jesus, and didn’t Rebus know about that.