James Burke - Last Car to Elysian Fields

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For Dave Robicheaux, there is no easy passage home. New Orleans, and the memories of his life in the Big Easy, will always haunt him. So to return there — as he does in “Last Car to Elysian Fields” — means visiting old ghosts, exposing old wounds, opening himself up to new, yet familiar, dangers. When Robicheaux, now a police officer based in the somewhat quieter Louisiana town of New Iberia, learns that an old friend, Father Jimmie Dolan, a Catholic priest always at the center of controversy, has been the victim of a particularly brutal assault, he knows he has to return to New Orleans to investigate, if only unofficially. What he doesn’t realize is that in doing so he is inviting into his life — and into the lives of those around him — an ancestral evil that could destroy them all.
The investigation begins innocently enough. Assisted by good friend and P.I. Clete Purcel, Robicheaux confronts the man they believe to be responsible for Dolan’s beating, a drug dealer and porno star named Gunner Ardoin. The confrontation, however, turns into a standoff as Clete ends up in jail and Robicheaux receives an ominous warning to keep out of New Orleans’ affairs.
Meanwhile, back in New Iberia, more trouble is brewing: Three local teenage girls are killed in a drunk-driving accident, the driver being the seventeen-year-old daughter of a prominent physician. Robicheaux traces the source of the liquor to one of New Iberia’s “daiquiri windows,” places that sell mixed drinks from drive-by windows. When the owner of the drive-through operation is brutally murdered, Robicheaux immediately suspects the grief-crazed father of the dead teen driver. But his assumption is challenged when the murder weapon turns up belonging to someone else.
The trouble continues when Father Jimmie asks Robicheaux to help investigate the presence of a toxic landfill near St. James Parish in New Orleans, which in turn leads to a search for the truth behind the disappearance many years before of a legendary blues musician and composer. Tying together all these seemingly disparate threads of crime is a maniacal killer named Max Coll, a brutal, brilliant, and deeply haunted hit man sent to New Orleans to finish the job on Father Dolan. Once Coll shows up, it becomes clear that Dave Robicheaux will be forced to ignore the warning to stay out of New Orleans, and he soon finds himself drawn deeper into a viper’s nest of sordid secrets and escalating violence that sets him up for a confrontation that echoes down the lonely corridors of his own unresolved past.
A masterful exploration of the troubled side of human nature and the darkest corners of the heart, and filled with the kinds of unforgettable characters that are the hallmarks of his novels, “Last Car to Elysian Fields” is James Lee Burke in top form in the kind of lush, atmospheric thriller that his fans have come to expect from the master of crime fiction.

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“Get out,” I said.

“I can really pick them,” she said. She stepped out into the storm and slammed the truck door as hard as she could.

Lesson? Chasing a nighttime mirage on a rain-swept highway has no happy ending for either the quick or the dead.

The one-car fatality at West Cote Blanche Bay seemed to lack any plausible explanation. The witness, an elderly Cajun hired to pick litter out of the ditches along the roadside, had seen an expensive, large car parked next to a compact in a grove of pine trees. Children had been lighting fireworks all evening, shooting Roman candles and rockets over the bay. Then he had heard firecrackers in the trees, just before the compact had driven away. When he looked again at the grove of pines, the large car started up and drove out onto a pier, snapping the supports on the guardrail into sticks, finally plunging off the end of the pier into the water.

Helen Soileau had arrived at the bay only a few minutes before me. She walked with me up a shell ramp and introduced me to the witness. As with most elderly Cajun men, his handshake was as light as air. “How many firecrackers did you hear?” I asked him.

“Two, maybe tree,” he replied.

He was a tiny man, dressed in neat khakis, with cataracts and a supple face that resembled brown tallow. He seemed nervous and kept glancing over his shoulder at the bay and at the splintered guardrail on the pier and at the wrecker that so far had not been able to pull the sunken car off a submerged pipeline, all of it lit in the glare of searchlights mounted on a firetruck.

“Is anything wrong?” I asked.

“I seen a big man behind the wheel. Seen him go crashing right off the end of the pier there. I cain’t swim, me. I keep t’inking maybe there was air inside the car. Maybe if I’d brung hep sooner—”

“You have no reason to feel bad about anything, sir. Who was in the compact?”

“Just somebody driving a li’l car. It was an old one. I ain’t sure what kind.”

“Was a man or woman driving?”

His shook his head, his face blank.

“What color was the car?” I asked.

“I just ain’t paid it much mind, no.”

“You see a license tag?” I asked.

“No, suh.”

“The firecrackers you heard, those were in the pine trees? You’re sure about that?” I said.

“No, suh, I ain’t sure about none of it no more.”

I patted him on the shoulder and walked down to the water’s edge. The bay was black, dimpled with rain rings, and the tide was pushing small waves that glistened with gasoline up on the sand. Two scuba divers, both of them sheriff’s deputies, had already been down on the wrecked car. They were sitting on the running board of the firetruck in their wet suits, sharing a thermos of coffee.

“What’s it look like down there?” I asked.

“The vehicle landed on its side. Driver’s face is down in the silt. The ignition is on and the gearshift in “Drive,” one of them said. His name was Darbonne. He was unshaved and had curly black hair, his throat prickled with cold.

“Any chance air was trapped in there?” I asked.

“The front windows were down. The driver’s arm is tangled up in the seat belt, like he couldn’t find the release button. All that water probably hit him like a hammer,” Darbonne said.

“The witness blames himself for not getting back with help sooner. Tell him about the air situation, will you?” I said.

Darbonne nodded and yawned. “When they drive off bridges or piers, they’re drunks, nutcases, or suicides,” he said. “If a guy in a Caddy ices himself, he should have the courtesy to do it without inconveniencing people who make twenty-five grand a year.”

“Say again?”

“The whale who just offed himself. I wish he’d gone to a heated, indoor pool to do it,” the driver said, then looked at my expression. “ What , I just spit on the floor in church?”

A few minutes later the divers went down again to reset the hook on the Cadillac’s frame so the car could be flipped over on its top and slid off the pipeline it partially rested on. Helen and I stood by the water’s edge and watched. The moon had broken through a slit in the clouds, and far out on the horizon there were whitecaps that looked like tiny bird’s wings.

“Castille LeJeune’s lawyer called again. He’s talking about a harassment suit against the department,” she said.

“He’d like my job?”

“What did you find out down at Pecan Island?” she said, ignoring my question.

“Castille LeJeune had Junior Crudup killed. He was beaten to death by a prison guard, a guy named Jackson Posey,” I replied.

She looked at the black surface of the bay and at the slickness of the wrecker cable as it extracted the submerged car from the water. Her face did not change expression. She wiped away a raindrop that had caught in her eyelash. “Where’s Crudup’s body?” she asked.

“Probably still buried on the LeJeune’s property,” I said.

“Get a search warrant,” she said.

The wrecker man winched the Cadillac upside-down out of the shallows and slid it up on the bank, the front windows gushing with water and oil-blackened silt. The body of a huge man hung against the safety strap, his shoulders and neck pressed against the roof, his face twisted toward the open window so he appeared to be staring at a bizarre event taking place outside his automobile.

I squatted down to eye-level with him and shone a flashlight on his face and inside the rest of the car. There was a small entry hole in his neck, his cheek, and the side of his head. The wounds had bled out and had washed clean in the water and had started to pucker around the edges.

“Ever think anybody could sucker-drop Fat Sammy Figorelli?” Helen said behind me.

“No,” I said. I reached inside the car and closed Sammy’s eyes. The inverted weight of his massive buttocks and thighs had curved his spine so that his back and neck were compressed like a gargoyle’s.

“Don’t waste your sympathies, Streak. He was a pimp and a pusher and the world’s a better place every time one of these shit bags gets stuffed into a hole,” Helen said.

“I guess you’re right,” I said. But I could not help remembering the stories of a French Quarter fat kid who had spent years being the butt of people’s jokes.

Helen stood up from the spot where she had crouched behind me. “Wrap it up here. At oh-eight-hundred tomorrow go to work on the warrant. It’s time Castille LeJeune learned this is the United States,” she said.

“You got it, Top,” I said, referring to her old rank in the U.S. Army.

“Call me that again and I’ll tear off your head and spit in it,” she replied.

I think even Fat Sammy would have enjoyed that one.

We had the warrant by late Tuesday afternoon. Without announcement and with a balmy breeze at our backs and a sky the color of a ripe peach, two cruisers from the Iberia Sheriff’s Department, three from St. Mary Parish, a front-end loader, and a bulldozer chain-boomed on a flatbed tractor-trailer rig all came down Castille Le Jeune’s front drive, raking through the lone tunnel of oaks, right into the middle of an outdoor dinner party LeJeune was holding on his terrace.

Helen and I and a plainclothes from the St. Mary sheriff’s office served the warrant on him in front of his guests, who included, among at least a dozen others, Theo and Merchie Flannigan. LeJeune tried to feign an amused dismay and the good cheer of the professional bon vivant, but Theo imposed no such restraints on herself.

She wore a low-cut white evening dress and a necklace of red stones around her throat. Her skin was flushed with either the challenge of the moment or the glass of bourbon and crushed ice with a sprig of mint she had been drinking. She placed her small fists on her hips, as a drill instructor might, and turned her face up into mine. “You’re an idiot,” she said.

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