Nora Roberts - Carnal Innocence

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Moving to Innocence, Mississippi, to escape the public eye following her much publicized break-up with her composer lover, celebrated concert violinist Caroline Waverly finds that Innocence is no haven from a killer at large.

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As he sent gravel spitting, he didn't notice the pick-up lumbering down the road. Austin's blackened eyes narrowed as he spotted the red flash disappearing into the brush. His lips spread in a smile as he pulled over to the side.

He turned off the ignition, pocketed the keys before reaching for the shoe black. Studying himself in the rearview mirror, he sliced black lines under his eyes, adjusted his camouflage hat. From the rack in the window he chose his weapon, opting for the Remington Woodsmaster, and checked the load. He was still smiling as he stepped out of the truck, wearing full camouflage, with keen-edged hunting knife tucked in his ammo belt.

He was going hunting. For the glory of the Lord.

Caroline didn't mind being alone. Though she'd enjoyed Susie's company, the woman's energy pitch had all but exhausted her. Nor did she believe that anyone was going to break into the house and kill her in her sleep. She was a stranger, after all, and no one knew her well enough to wish her harm. Now that the pistol was tucked away, she had no intention of touching it again.

To please herself, she picked up her violin. She'd barely had time to do more than tune it since arriving. Her hands passed over the smooth, polished wood, brushed over the strings. This wasn't practice, she thought as she rosined the bow. It wasn't performance. It was the urge she was often too pressured to remember, to make music for herself.

With her eyes closed, she laid the violin on her shoulder, her head and body shifting automatically into position, as a woman's does to welcome a lover.

She chose Chopin for the beauty, for the peace, and for the hint of a sadness she couldn't quite dispel. As always, the music filled all the voids.

She didn't think of death now, or of fear. She didn't think of Luis and betrayal, of the family she'd lost or done without. She didn't think of the music, but only felt it.

It sounded like tears. That's what Tucker thought as he walked from his car to the porch. Not hot, passionate tears, but slow ones, aching ones. The kind that bled out of the soul.

Though no one could hear them, his thoughts embarrassed him. It was just violin music, the longhaired kind that didn't even make you want to tap your toe. But it sounded so heartbreaking, drifting out of the open windows. He would have sworn he felt it, actually felt the notes shiver over his skin.

He knocked, but so softly he barely heard the rapping himself. Then he reached down, opened the screen, and stepped inside. He moved quietly, following those haunting notes into the front parlor.

She was standing in the center of the room, facing the windows so that he could see her profile, her head tilted slightly toward the instrument. Her eyes were closed, and the smile that curved her lips was as wistful and lovely as the music.

Though he couldn't have said how he knew it, that particular melding of notes came straight from her heart. Like a whispered question, they hung on the air.

He slipped his hands into his pockets, leaned a shoulder against the jamb, and let himself drift along with her. It was odd, and certainly foreign to him, that he could find a woman so restful, so quietly appealing, so deeply arousing, when it had nothing whatsoever to do with sex.

When she stopped, the music fading off into silence, he felt a disappointment so keen it was almost physical. If he'd been wise, he would have slipped out again while her eyes were still dreamy, and knocked. Instead, he went with instinct and clapped.

She jolted, her body snapping into tension, her eyes filling with fear, then sharpening with simple annoyance.

"What the hell are you doing in here?"

"I knocked." He gave her the same little shrug and grin he'd offered by the pond. "Guess you were too involved to hear me."

She lowered the violin but held the bow up, somewhat like a fencer with a blade. "Or it's possible I didn't want to be disturbed."

"Can't say I thought of it. I liked the music. I'm more into R and B myself, a little jazz, but that was something. No wonder you do it for a living."

She kept her eyes on his as she set the violin aside. "What a fascinating compliment."

"Just an honest observation. You reminded me of a knickknack my mama had. It was a pearl caught in a big chunk of amber. It was the prettiest thing, but sad, too. The pearl was all alone in there and could never get out. You looked like that when you were playing. Do you always play sad songs?"

"I play what I like." His bruises had blossomed over the last day. They gave his face a rakish, dangerous look, with just enough of the little boy to make a woman want to press something cool-her lips perhaps-on the swelling. "Do you have a reason for walking into my house uninvited, Mr. Longstreet?"

"You might as well make it Tucker. I'm going to call you Caroline. Or Caro." His teeth flashed. "That's what Miss Edith called you. I like it."

"That doesn't answer my question."

He eased away from the jamb. "We tend to drop by on neighbors around here, but as it happens, I did have a purpose. You going to ask me to sit down?"

She tilted her head. "No."

"Damn. The nastier you are, the more I like you. I'm perverse that way."

"And other ways?"

He chuckled and sat on the arm of the sofa. "We'll have to get to know each other better first. You might hear I'm easy, Caroline, but the thing is, I've got my standards."

"What a relief." She tapped the bow against her open palm. "As to your purpose?"

He cocked a foot on his knee, as thoroughly at home as a hound in a patch of green shade. "Lord, I like the way you talk. As fine and cool as a bowl of peach ice cream. I'm real partial to peach ice cream."

When her lips threatened to quirk, she turned them down in defense. "I'm not terribly interested in your partialities at the moment, nor am I in the mood to entertain company. I've had a difficult couple of days."

The easy humor vanished. "It was rough on you, finding Edda Lou that way."

"Rougher on her, I'd say."

He stood, reaching for a cigarette as he paced. "Being as you've been here a few days, you'll know everything that's been said."

Though she tried, she couldn't prevent a twinge of sympathy. It was never easy to have your private life, your private mistakes the topic of hot speculation. She knew. "If you're saying the gossip around here is as thick as the humidity, I won't argue."

"I can't stop you from thinking what you're inclined to think, but I want my say."

She lifted a brow. "I can't fathom why my thoughts would concern you."

"You jumped fast enough to give them to that shiny-shoed Yankee."

She waited. The way he was pacing up and down the room struck as more frustrated than violent. She relaxed enough to set down the bow. "If you're speaking of Agent Burns, I told him what I'd seen. You were by the pond."

His head whipped around. "Sure I was there, goddammit. Did I look like I was planning to murder somebody?"

"You looked angry," she tossed back. "I have no idea what you were planning."

He stopped, turned, and took a step toward her. "If you think I did that to Edda Lou, why the hell are you standing here talking to me instead of running for your life?"

She jerked up her chin. "I can take care of myself. Since I've already told the police everything I know-which is essentially nothing-you'd have no reason to hurt me."

He balled his hands at his sides. "Lady, you keep looking at me as if I were something you scraped off your shoe, and I might come up with a reason or two."

"Don't threaten me." Adrenaline began to pump through her, pushing her forward until she was nearly nose to nose with him. "I know your kind, Tucker. You just can't stand it that I'm not tripping over myself to get you to blink my way. It galls your male pride when a woman isn't interested. Then when one is, like this Edda Lou, you can't wait to shake her off. One way or another."

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