Lawrence Block - Hit and Run

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Hit and Run: краткое содержание, описание и аннотация

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Keller’s a hit man. For years now he’s had places to go and people to kill.
But enough is enough. He’s got money in the bank and just one last job standing between him and retirement. So he carries it out with his usual professionalism, and he heads home, and guess what?
One more job. Paid in advance, so what’s he going to do? Give the money back? In Des Moines, Keller stalks his designated target and waits for the client to give him the go-ahead. And one fine morning he’s picking out stamps for his collection (Sweden 1–5, the official reprints) at a shop in Urbandale when somebody guns down the charismatic governor of Ohio.
Back at his motel, Keller’s watching TV when they show the killer’s face. And there’s something all too familiar about that face…
Keller calls his associate Dot in White Plains, but there is no answer. He’s stranded halfway across the country, every cop in America’s just seen his picture, his ID and credit cards are no longer good, and he just spent almost all of his cash on the stamps.
Now what?

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Unless he was sufficiently brain-dead to show up again, giving her the chance for a good long look this time around, one that would confirm her suspicions. And the recognition might show on her face, the legendary inscrutability of Asians notwithstanding, in which case he’d have to do something about it. Or it wouldn’t, and she’d check him in, wish him a pleasant evening, and pick up the phone the minute he was out of the office.

Besides, it was already two in the morning, and it would be another four hours or more before he reached the motel. Guests did drive all night and check in at daybreak, but not too many of them, because they’d run up against the motel’s checkout time, which was generally noon at the latest. So anyone who showed up at six or seven in the morning was inviting more than the usual amount of attention, along with a time-wasting conversation about checkout time and the need to pay for a second night, and—

Never mind. It was a bad idea, and it was out of the question even if it had been a good idea, and the only appealing thing about it, its familiarity, was actually not so good after all.

Should he just grab the first right-looking motel he came to? It was late, and it had been a long day, and he might think more clearly after a night’s sleep.

Still, he was awfully close to New York. Earlier, heading east, he’d felt safer the closer he got to New York. Now New York felt perilous, and he felt safer the more distance he put between himself and the city.

Should he eat something? Grab a cup of coffee?

He hadn’t eaten anything since the movie house popcorn, but he wasn’t hungry. Didn’t much want coffee, either. And, while he was tired and his nerves frayed, he wasn’t what you would call sleepy.

A rest area loomed ahead, and he pulled off and parked. The little building was locked up for the night, but the whole area was empty, and he peed in the bushes and went back to his car. He made himself comfortable behind the wheel and closed his eyes, and within seconds the lids popped right back up again. Another attempt yielded the same results. He gave up, turned the key, pulled out of the rest area and drove on.

20

Ten days later he made a tub of popcorn last all the way through a film in which a team of teenage computer nerds flimflammed a mob of Mafia tough guys and made off with several million dollars; the hero, who was a shade less geekier than his buddies, wound up with the girl, too. The film was obviously designed to appeal to a youthful audience, and the oldsters who bought their half-price tickets for weekday afternoons had given this one the wide berth it clearly deserved.

Keller would have passed, too, but it was the only show on offer that he hadn’t already seen. There were eight screens at that theater, screening a total of six films — the two most popular pictures got two screens apiece, so that you never had more than an hour’s wait for either of them. Keller had seen them both, and three of the other four, and now he’d seen the geek picture, too. He checked his watch, and it was early enough so that he could have slipped into one of the other rooms and taken a second shot at one of the other films, but most of them hadn’t been that much fun the first time, and he didn’t suppose a repeat viewing would uncover subtleties he’d missed the first time around.

The theater was part of a mall on the edge of Jackson, Mississippi. He’d spent the previous night in another of what he’d taken to thinking of as the Patel Motels, as if they constituted a vast chain of independents. This one was not far from Grenada, Mississippi, its official location a wide place in the road with the improbable name of Tie Plant. He’d weighed his options during the movie, but he hadn’t quite decided whether he’d drive a little farther or start looking for a motel on the way out of Jackson. Decisions of that sort, like where to go next or what to do when he got there, tended to make themselves.

He left the theater, walked to his car. He was wearing the Homer Simpson cap, as always, but a few days ago he’d expanded his wardrobe with the addition of a denim jacket that someone had conveniently abandoned in another movie house somewhere in Tennessee. It had been a warm evening, so the jacket’s owner could have gotten all the way home before he missed it, and when he came back in a day or two and failed to recover it, he could walk around scratching his head and wondering why anyone would walk off with such a ratty old thing, its cuffs and collar frayed and some of its seams starting to come undone.

Keller liked the garment well enough. It smelled a little of its former owner, just as his own blazer smelled a little of him, but it wasn’t rank enough to put him off. It made a change, and an appropriate one in his current surroundings. A blue blazer, as Playboy and GQ assured their readers a couple of times a year, was the keystone of a man’s wardrobe, perfectly acceptable at every sartorial situation short of a black-tie dinner or a wet T-shirt contest. That seemed to be true, and Keller had appreciated the garment’s versatility ever since he left Des Moines, but in the rural South it had a harder time passing in a crowd. Keller wasn’t whooping and slapping his knee at truck-pulling contests or handling serpents at Baptist jamborees, but all the same he felt less conspicuous in some good old boy’s denim jacket.

There were two impulses that seemed to come naturally to a fugitive, or at least to the sort of fugitive Keller seemed to have become. The first was to run hard and fast, and the second was to go to ground somewhere, to get in bed and hide under the covers.

Obviously, you couldn’t do both. But what Keller had come to see was that you couldn’t do either one, not if you wanted to remain safe.

If you holed up, if you found one place and stayed there, you would keep running into the same people over and over. Sooner or later one of them would take a good long look at you, and the next thing he’d do was pick up a phone.

And if you ran for the border, there you’d be, going through post-9/11 security with no passport and no driver’s license and a face every cop in the country was looking for. And if some miracle got you across the border, you’d be in some Mexican border town crawling with cops and informants, all on the lookout for gringo fugitives. Not exactly where he wanted to be.

So the trick, as far as he could make out, was to steer a course between the two extremes, to keep forever on the move without ever moving too far or too fast. One hundred miles a day, two hundred tops, and pick safe places to sleep and safe ways to get through the days.

You couldn’t beat daytime movies. The theaters were virtually empty, and the employees bored out of their skulls. And at night you couldn’t do better than a motel room, with the door locked and the TV on, but the sound turned down so nobody would complain.

He hadn’t risked a motel every night. In Virginia, off I-81, he’d walked up to the door of a typical independent motel only to pick up some sort of vibe that stopped him in his tracks and sent him straight back to his car. Just nerves, he told himself, but whatever had prompted the impulse, he felt he had to honor it. He wound up spending that night in a rest area, and woke up with a big truck parked close on one side and what looked like the entire Partridge family having a picnic on the other. He was sure someone must have seen him, he was right there in plain sight and the sun was shining away, but he’d slept sitting up with his head tilted forward and the cap hiding his face, and he got out of there without incident.

Two nights ago, in Tennessee, he’d left it too long, and he came to three motels in a row with their NO VACANCY signs lit. He spotted a sign, FARM FOR SALE, and drove half a mile on a dirt road until he came to the property in question. There were no lights in the farmhouse, no vehicles to be seen except for an old Ford with its wheels removed. He thought of breaking into the house, if an actual break-in was even required; it seemed altogether possible the doors had been left unlocked.

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