Lawrence Block - Hit and Run

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Hit and Run: краткое содержание, описание и аннотация

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Keller’s a hit man. For years now he’s had places to go and people to kill.
But enough is enough. He’s got money in the bank and just one last job standing between him and retirement. So he carries it out with his usual professionalism, and he heads home, and guess what?
One more job. Paid in advance, so what’s he going to do? Give the money back? In Des Moines, Keller stalks his designated target and waits for the client to give him the go-ahead. And one fine morning he’s picking out stamps for his collection (Sweden 1–5, the official reprints) at a shop in Urbandale when somebody guns down the charismatic governor of Ohio.
Back at his motel, Keller’s watching TV when they show the killer’s face. And there’s something all too familiar about that face…
Keller calls his associate Dot in White Plains, but there is no answer. He’s stranded halfway across the country, every cop in America’s just seen his picture, his ID and credit cards are no longer good, and he just spent almost all of his cash on the stamps.
Now what?

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When he thought objectively about his stamps, he couldn’t avoid concluding that the whole enterprise was nuts. He was spending the greater portion of his discretionary income on little pieces of paper that were worth nothing except what he and other like-minded screwballs were willing to pay for them. And he was devoting the greater portion of his free time to acquiring those pieces of paper, and, having done so, to mounting them neatly and systematically in albums created for that purpose. He put a lot of effort into getting them to look just right on the page, this in spite of the fact that he never intended for any eyes but his to see them. He didn’t want to display his stamps at a show, or invite another collector over to have a look at them. He wanted them right there on the shelves in his apartment, where he and only he could look at them.

All of which, he had to admit, was at the very least irrational.

On the other hand, when he was working with his stamps, he was always entirely absorbed in what he was doing. He was expending considerable concentration on what was essentially an unimportant task, and that seemed to be something his spirit required. When he was in a bad mood, his stamps got him out of it. When he was anxious or irritable, his stamps took him to another realm where the anxiety or irritation ceased to matter. When the world seemed mad and out of control, his stamps provided a more orderly sphere where serenity ruled and logic prevailed.

If he wasn’t in the mood, the stamps could wait; if he was called out of town, he knew they’d be there when he got back. They weren’t pets that had to be fed and walked on a regular schedule, or plants that needed to be watered. They demanded his entire and absolute attention, but only when he had it to give.

He wondered sometimes if he was spending too much money on his collection, and perhaps he was, but his bills were always paid and he wasn’t carrying any debt, and he’d somehow managed to accumulate two and a half million dollars in investments, so why shouldn’t he spend what he wanted to on stamps?

Besides, decent philatelic material always increased in value over time. You couldn’t buy it one day and sell it the next and expect to come out ahead, but after you’d owned it awhile it would have appreciated enough to cover the dealer’s markup. And what other pastime worked that way? If you owned a boat, if you raced cars, if you went on safari, how much of what you spent could you expect to get back? What, for that matter, was your net return on bottles of Cristal and lines of cocaine?

And so he’d returned to New York for his stamps. There was nothing else to come back for, and ample reason to stay away. If he was a person of interest to the police, in addition to entering his apartment and sealing his bank accounts, they might very well have posted somebody to watch the place on the slim chance that he’d be fool enough to return.

If the cops weren’t waiting for him, what about Call-Me-Al? The people who’d pulled the strings in Des Moines weren’t willing to sit back and let nature take its course. They’d proved that in White Plains, because it wasn’t the old man’s chickens that had come home to roost, it was the turkeys on Al’s team who’d shot Dot dead and burned the place down around her.

They might have already known his name, and where he lived. If not, they’d have asked Dot, and he could only hope she’d answered right away, and that two quick bullets in the brain were all the punishment she’d been forced to endure. Because she’d have talked sooner or later, anyone would, and in this case sooner was better than later.

But maybe nobody had the place staked out, not the cops and not Al’s boys, either. Maybe all he had to do was figure out a way in and out without being spotted by the doorman.

It would probably take more than one trip, though. His collection was housed in ten good-sized albums, and the best plan he could come up with, sitting in the movie house in East Stroudsburg with his eyes on the screen, was to load up the oversize wheeled duffel that he’d bought on QVC a few years ago. He had never used it, it held far more stuff than he ever wanted to drag on any trip, business or pleasure, but the pitchman on the shopping channel had caught him at just the right moment, and before he knew what was happening he’d picked up the phone and bought the damn thing.

You could get four albums in it for sure, and possibly five, and the handle and wheels would enable him to get it to the car. Dump the albums in the trunk, go back for another load — two trips might do it, or three at the most.

There was some cash in the house, too, unless someone had found it by now. Not a fortune, just an emergency fund of somewhere between one and two thousand dollars. If this didn’t constitute an emergency he didn’t know what did, and he could definitely use the cash, but it wouldn’t have been enough to draw him back to the city, not if it had been ten or twenty times as much as it was.

The stamp collection was something else. He’d lost his first collection all those years ago. He didn’t want to lose this one.

18

If anyone was watching the place, Keller couldn’t spot him. He spent a full half-hour looking and never saw anybody suspicious. Nor could he find any route into his building that didn’t lead past the doorman. The closest thing to a possibility would involve finding a six-foot ladder somewhere and using it to reach the fire escape in the rear, from which he might be able to break into one of his fellow tenants’ apartments. He’d have to be awfully lucky to pick an empty apartment, and even if he did, how was he going to get back down the fire escape with a king-size suitcase loaded with stamp albums?

The hell with it. The first thing he did was take off the Homer Simpson cap, which was all wrong for what he had in mind. He might need Homer soon enough, so he didn’t just toss the cap but folded it as best he could and put it in his pocket. Then he crossed the street, shoulders back, arms swinging slightly at his sides, and walked right up to the doorman and into the lobby.

“Evening, Neil,” he said as he entered.

“Evening, Mr. Keller,” the doorman said, and Keller saw his blue eyes widen.

He gave the fellow a quick smile. “Neil,” he said, “I bet I’ve had a few visitors, haven’t I?”

“Uh—”

“Nothing to worry about,” Keller assured him. “Nothing that won’t get itself straightened out in a day or two, but right now it adds up to a lot of aggravation for me and a batch of other people.” He dipped a hand into his breast pocket, where he’d put aside Miller Remsen’s two fifties. “I have to see to a few things,” he said, palming the folded bills into Neil’s hand, “and nobody needs to know I was here, if you follow me.”

There was nothing like the air of self-assurance, especially when it was coupled with a hundred dollars. “Sure, and I never saw you, sir,” said Neil, with that slight Irish lilt to his speech that was rarely present outside of moments like this one.

He rode up in the elevator, wondering if there’d be one of those seals on his door, proclaiming it a crime scene. But there was nothing like that, not even a paper band assuring him that the apartment had been sanitized for his protection. Nor had anyone changed the locks; he used his key and the door opened. Things were not as he’d left them, he saw that right away, but he didn’t waste time on any of the unimportant stuff. He went straight to the bookcase where he kept his stamps.

19

Gone, all of them.

It wasn’t as though it took him entirely by surprise. He’d known there was a good possibility he’d come home to find his stamps missing, carried away by one or another of his visitors. The cops might very well have confiscated the stamps, but he thought it was more likely that Al, or whoever Al dispatched, had spotted the albums and knew enough about the market in collectibles to recognize their value. Whoever took them would be lucky to realize ten cents on the dollar, but even so he might regard it as worth risking a hernia to haul the ten big books out of there and find a stamp dealer who wasn’t too scrupulous to pass up a bargain.

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